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  • Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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    LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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  • Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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    Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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  • Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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    Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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  • EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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    Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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  • EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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    Call for papers

    Latest news | 18-08-2017
    Call for papers on the links between art and science to be published on the ART+SCIENCE MEETING website. The submission deadline is 30 September 2017; texts should be at least 6 standard pages long (1800 characters per page) and sent to j.woszczenko@laznia.pl. All submissions will be reviewed by the website’s editors. The article will be published in ART + SCIENCE Meeting. Authors of published texts will receive remuneration. The authors of approved texts are obliged to provide the editorial board of the ART+SCIENCE Meeting website with information about (natural or legal) persons that contributed to the publication (including their affiliation and the nature of their contribution – information on the authorship of the concept, theses, methodology, etc. used in the process of preparing the publication). Pursuant to the relevant agreements concluded with the ŁAŹNIA Centre for Contemporary Art, the author(s) of publications accepted for printing declare that the
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Publications
Texts

Echo and Narcissus – Aural space, navigation and memory, or Playing it by Ear! | N. Helyer

Texts | 24-11-2016
A SoundWalk I am going to take you on a walk, a soundwalk if you will. I am going to lead you, by the ear, if necessary to the Sonic Commons, at once an atavistic geography and yet again a simple concept. But before our stroll and as in all good soundwalks, a short briefing: Nigel Helyear, Meta-Diva.  source: image from the artist. Echo and Narcissus The two stories of Echo, the talkative nymph… yet a chatterbox, had no other use of speech than she has now, that she could repeat only the last words out of many…. and Narcissus the vain youth who rejects the nymphs advances, were first combined by Ovid in his work Metamorphoses. A curse placed upon Echo limited her speech to mimic those around her and after her brush with unrequited love she faded away into the forest so that only her voice remained to inhabit the wooded slopes. After shunning Echo, Narcissus lay beside a forest pool, entranced by an image of youth and beauty. Not recognising his own reflection, he became deeply enamoured with the visage which mirrored his every move but which agonisingly vanished each time he attempted to reach for it. He died at that spot, disconsolate, weeping as the nymph had done, his sobs repeated in the woods by those of Echo. As his body melded with the forest floor a flower we know as a Narcissus bloo
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People
  • Artists / contributors
    B

    Jim Bond

    Started his career as a kinetic sculptor specialising in dynamic interactive installations using motors, electronics, sensors and computers in 1991 – while a student at Middlesex University, London – under the guidance of engineer and cartoonist Tim Hunkin and robotic sculptor Jim Whiting. In 2005 he won the JD Fergusson Award allowing him to create an exhibition of kinetic and sound sculptures Sound bites & the Untuned Eye which toured nationally ending with a major exhibition and specially commissioned installation at Kinetica Museum in London in 2007. He regularly works to commission and in 2010 created ‘Anamorphic Man’ a three dimensional optical illusion of a figure suspended in space. He has been visiting lecturer on the BA Fine Art course at Nottingham University since 2007 and has collaborated closely with IOU on large interactive kinetic and sound installations including ‘Airborne’ 2010 ‘Volatile Light’ 2011 and ‘Fulcrum’ 2013. http://www.jimbond.co.uk/  
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  • Artists / contributors
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    Oron Catts

    He is an artist, researcher and curator whose pioneering work with the Tissue Culture and Art Project which he established with Ionat Zurr in 1996 is considered a leading biological art project.   In 2000 he founded SymbioticA, an artistic research centre housed within the School of Anatomy, Physiology and Human Biology, The University of Western Australia. Under Oron’s leadership SymbioticA has gone on to win the Prix Ars Electronica Golden Nica in Hybrid Art (2007) and became a Centre for Excellence in 2008. Catts’ interest is life, more specifically the shifting relations and perceptions of life in the light of new knowledge and it application.   Often working in collaboration with other artists (mainly Ionat Zurr) and scientists, Catts have developed a body of work that speak volumes about the need to for new cultural articulation of evolving concepts of life. Oron was a Research Fellow in Harvard Medical School and a visiting Scholar at the Department of Art and Art History, Stanford University.   He is currently the Director of SymbioticA, a Visiting Professor of Design Interaction, Royal College of Arts, London, and a Visiting Researcher/consultant at Aalto University’s Future Art Base, Helsinki. Catts’ ideas and projects reach beyond the confines of art; his work is often cited as inspiration to diverse areas such as new materials, textiles, design, architecture, ethics, fiction, and food.   www.tcaproject.org  
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  • Artists / contributors
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    Rudy Decelière

    French sound artist, who explores notions of space and dimension. He mainly creates in/outdoor sound installations strongly linked with their architectural or urban context. His central interest is space in terms of visual and sonic presence – all connected with a very sensitive art of process. Decelière is also an active film sound engineer. His works were presented in Switzerland, France, Macedonia, Greece and Germany. He lives and works in Geneva. www.rudydeceliere.net  
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  • Artists / contributors
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    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
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    Thomas Feuerstein

    (b. 1968, Innsbruck) – studied art history and philosophy at the University of Innsbruck. He works as an artist and author in the fields of fine art and media art. Since 1997 he has held posts as a university lecturer and visiting professor. Thomas Feuerstein’s projects are realised using various media. They comprise installations, drawings, paintings, sculptures, photography, radio plays and netart. Some of the crucial aspects in his work are the interplay between verbal and visual elements, the unearthing of latent connections between fact and fiction, and the interaction between art and science. His works have been exhibited at museums and galleries worldwide, including the ZKM Zentrum (Karlsruhe), MUMOK (Vienna), MUSEION | Museum of odern and Contemporary Art (Bolzano), Galeria Zachęta (Warsaw), Chronus Art Center (Shanghai), Medialab Center (Madrid), as well as the Frankfurter Kunstverein (Frankfurt am Main) and 4th Moscow Biennale of Contemporary Art (Moscow).  
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    Paul Granjon

    born in Lyon, France, in 1965, BA Fine-Art in Marseille (France) 1990. He teaches part-time in Cardiff School of Art and Design, Cardiff, UK. He directed several short films between 1990 and 1999, moved to the UK in 1995 where his focus gradually shifted to performance and robotics. Since 1999 he developed and showed internationally live performances and exhibitions with hand-made robots and songs as well as workshops, collaborations and other projects. He was awarded a Nesta (National endowment for science technology and the arts) Fellowship (2004-2007) and was one of the artists representing Wales in the Venice Biennale 2005, where he exhibited a Robotarium. Recent work often includes home-manufacturing technologies, recycling and participation.His work features in the collections of the Arts Council of England and MUDAM Luxemburg.  www.zprod.org Artist’s Statement: “I am interested in the co-evolution of humans and machines and solutions for alternative futures. I build robots and other machines for shows in performances, art galleries and festivals. I also create temporary factories and other events where people can join in making, thinking, and playing”.
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  • Artists / contributors
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    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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  • Artists / contributors
    J

    James Auger and Jimmy Loizeau (GB)

    James Auger (b. 1970, Derby) and Jimmy Loizeau (b. 1968, St. Asaph) – have been collaborating since 2001. They have taken part in exhibitions in the UK and abroad, including Don’t tempt me (ICA, London; MoMA, New York, 2001), Future products (London, 2002), Mobilise (Dublin, 2003), Open Borders (Lille, 2004), Betes de style (MUDAC, Lausanne, 2006), Philips Design exhibition (Eindhoven, 2007), Design and the Elastic Mind (MoMA, New York, 2008), What If (Dublin, 2009), Action! Design over Time (MoMA, New York, 2010–2012), New Energy in Art and Design (Rotterdam, 2012). They have participated in festivals such as Experimenta (Lisbon, 2003), ISEA (San Jose, 2006), Transmediale (Berlin, 2010) and Tech Fest (Mumbai, 2011) as well as art and design conferences in Hannover, Basel, Seoul, Berlin and New York. They were awarded Designer of the Year from the Koln School of Design and Top 100 designs of 2002 from Time magazine and also received honorary mention at Ars Electronica (Linz, 2004).  
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    Artists / contributors
    K

    Konrad Korabiewski

    Experimental multimedia artist, currently residing in Iceland. As a sound artist, composer and media artist, Konrad Korabiewski has a minimalistic, yet detail-oriented unconventional and experimental artistic approach, characterized by a marked tendency to transgress various genres and media. Focused on absorption, substance and values rather than a certain media, he experiments and develops new possibilities for expressing philosophical views and artistic ideologies in sensing music and art. This is also highly visible at Korabiewski’s live performances, during which other actors and medias are involved to add layers and new dimensions to his music, sound and radio art pieces, installations and video-works. In 2011 Konrad Korabiewski won the international sound-art competition “Europe – A Sound Panorama” and recently got awarded the Berliner Künstlerprogramm des DAAD residency & working grant for 2014. Konrad Korabiewski is currently running Skálar – Centre for Sound Art and Experimental Music and a Gallery and Art studio HOF in Seydisfjördur, Iceland www.konradkorabiewski.blog.com  
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    Artists / contributors
    L

    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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    Artists / contributors
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
    M

    Robert Mitchell

    (b. 1969, Atlanta) – is the Marcello Lotti Professor of English and Director of the Center for Interdisciplinary Studies in Science and Cultural Theory at Duke University (US). He earned a PhD from the University of Washington in 2001. He is co-author of Tissue Economies (Duke University Press, 2006), Sympathy and the State in the Romantic Era (Routledge, 2007), Bioart and the Vitality of Media (University of Washington Press, 2010) and Experimental Life: Vitalism in Romantic Science and Literature Johns Hopkins University Press, 2013). Robert Mitchell has guest lectured in the US and internationally, including Stanford University (Palo Alto) The New School (New York), University of Toronto (Toronto), Université de Montréal (Montreal), Oxford University (Oxford), London School of Economics (London), The Nottingham Trent University (Nottingham) and others. His current research focuses on the relationships among biopolitics, the logic of populations, and the arts.  
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  • Artists / contributors
    N

    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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    Artists / contributors
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    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
    P

    Prof. Michael Punt

    Professor of Art and Technology at the University of Plymouth where he is the convenor of Transtechnology Research and the Editor-in-Chief of Leonardo Reviews. He gained his PhD at the University of Amsterdam (Early Cinema and the Technological Imaginary) and has jointly produced two books on audio visual media and consciousness. He has published over 80 articles on cinema history and digital technology in key journals. From April 2010 he has been leading a large joint research project funded through HERA on the creative exchanges between experimental and commercial film makers. www.trans-techresearch.net  
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    Artists / contributors
    R

    Jasia Reichardt

    Writer on art, art critic and exhibition organizer. She was born in Poland but has lived in London most of her life. She was Assistant Director of the ICA in London (1963-71) and Director of the Whitechapel Art Gallery (1974-76). She is principally interested in the relationships between art and science, art and technology and art and the history of ideas. Some of her best known exhibitions, such as “Between Poetry and Painting” (1965) and “Cybernetic Serendipity” (1968) were about the connections between one field and another. The principal idea of “Cybernetic Serendipity” exhibition was to examine the role of cybernetics in contemporary arts. She has written several books , including “The Computer in Art” (1971), “Robots – Fact, Fiction and Prediction” (1978) and edited “Cybernetics, Art and Ideas” (1971). She also worked on visualization of mathematics, a project called “Fantasia Mathematica”. She was one of the directors of ARTEC biennale in Japan (focused on art and technology) between 1989-98. In 1998 she staged an exhibition called “Electronically Yours” about electronic portraiture at the Tokyo Metropolitan Museum of Photography. Since 1988 she has been looking after the Themerson Archive, the archive of a writer and an artist, whose avant-garde publishing company, Gaberbocchus Press, launched in 1957 a Common Room for artists interested in science and scientists interested in the arts. She continues to pursue her interests in the relationship of art and technology.
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    Marcin Sauter

    Documentaries director, cinematographer and director of photography. He graduated the Documentary Course at Andrzej Wajda’s School. Director, screenwriter and cinematographer in such movies as “Za płotem”, “Pierwszy dzień”, “Hakawati” and “Na północ od Kalabrii”. He received several awards, among others, at the Cinema du reel Festival in Paris, Film Festivals in Cracow, London, Vilnus and Kiev. He holds movie workshops in Bydgoszcz and a course for students in Andrzej Wajdas School in Warsaw.
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    Artists / contributors
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    Patrick Tresset

    A French artist and scientist who investigates human artistic activity, computational creativity and our relation to machines, in particular our relations with robotic entities. In the context of his art practice, Patrick uses robotics to create autonomous robotics entities that are evocative representations of the artist, and in a certain manner a representation of himself. His robots are based on advanced technologies using research findings from robotics, computer vision, artificial intelligence and cognitive computing. Patrick encountered and practiced computing, painting, drawing and sculpture from an early age in France. Following a degree in Business Computing, he migrated to London to become a painter. Between 1991 and 2003 his work was exhibited in solo and group shows in London and Paris. In 2003, Patrick lost his ability to paint and draw, he has since been working on computational and robotic systems that are able to simulate these artistic activities. Patrick’s research led him to join Goldsmiths, University of London, to study for a Master of Sciences in Arts Computing and until 2013, he codirected the AIkon II project with Prof. Frederic Fol Leymarie. The AIkon II project investigated the observational sketching activity through computational modeling and robotics. Patrick also created the creative robotics course taught to postgraduatestudents at Goldsmiths as part of the MFA Computational Arts programme. Patrick was recently a Senior fellow at the Zukunftskolleg, University of Konstanz in Germany and is a currently a visiting research fellow at Goldsmiths University of London, United Kingdom. As a researcher he has published academic papers in the fields of artificial intelligence, computational aesthetics, computational creativity, social robotics, drawing research, digital arts and computer graphics. Patrick’s work has been internationally exhibited in solo and group shows, in association with major museums suc
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    Artists / contributors
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    Christoph Veigl

    Austrian computer scientist and multimedia artist. He studied Sociology at the Vienna University and Medical Informatics at the Technical University Vienna. In his master thesis he developed the open source biosignal analysis software “BrainBay” which can be used for Biofeedback and alternative Human-Computer Interaction for people with disabilities. His artistic career started in 1992, when he co-founded the Syntharturalistic Art Association SHIFZ together with Magnus Wurzer. He created various biosignal-based interactive installations and machine art pieces. He travelled around Europe and the United States with contraptions like the “BrainWashing Machine” or “Alan the Telepresence Robot” and explored biofeedback and robotics for artistic purposes. In 1999, SHIFZ organized the first Roboexotica–Festival for Cocktail Robots, with its Annual Cocktail Robot Awards, which is said to be the leading festival for electronic cocktail culture since that time. Christoph Veigl currently works and teaches at the University of Applied Sciences Technikum Wien, Department of Embedded Systems. http://www.shifz.org/  
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    Artists / contributors
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    Maciej Wojnicki

    A visual artist. She is graduate of the Faculty of Painting at the Academy of Fine Arts in Cracow where she finished a PhD. She is also a junior lecturer at the Academy of Arts in Szczecin. She cooperates with the leading Polish modern art institutions: Zachęta Gallery, Museum of Art in Łódź, Wyspa Institute of Art and the Ujazdowski Castle. In 2007, she represented Poland at the European artists’ exhibition in Brussels. She has twice held a scholarship from the Ministry of Culture, and has won the Eugeniusz Geppert Award for her achievements in painting. In 2009 she was nominated to the Deutsche Bank Award for the best young artist, and was Artist of the Year of the Arteon art magazine in 2010. Her projects have been presented in Poland, Italy, Great Britain, Germany, Austria, Switzerland, Turkey, Hungary and Canada. Apart from exhibitions, she has participated in musical (Audio Art Festival in Cracow) as well as theatrical events (International Ballet Meetings in Łódź, Malta Festival in Poznań).  www.zorkawollny.com  
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    Artists / contributors
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    Marek Zygmunt

    Visual artist, director, producer of documentary films. Since 1995 he creates performances, video performances, multimedia installations, movies, photography and experimental music. He is the author of over 150 projects, exhibitions participant and creator of authorial activities. Professionally he focuses on film and television art, working as a director and journalist. He owns a company producing film materials. He has been working for over 20 year with artists as Dominik Lejman and institutions as the Baltic Opera, Laznia CCA, Academy of Fine Arts in Gdańsk preparing video visualizations and project documentations. http://www.marekzygmunt.art.pl/   
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