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  • Call for papers

    Latest news | 18-08-2017
    Call for papers on the links between art and science to be published on the ART+SCIENCE MEETING website.   The submission deadline is 30 September 2017 and texts should be sent to: artscience@laznia.pl.  All submissions will be reviewed by the website’s editors. Approved articles will be published on the ART+SCIENCE Meeting website. Prior to sending the texts, please take your time to read the following editorial guidelines.   Authors of published texts will receive remuneration.   The authors of approved texts are obliged to provide the editorial board of the ART+SCIENCE Meeting website with information about (natural or legal) persons that contributed to the publication (including their affiliation and the nature of their contribution: information on the authorship of the concept, theses, methodology, etc. used in the process of preparing the publication). Pursuant to the relevant agreements concluded with the ŁAŹNIA Centre for C
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    Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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  • LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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    Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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  • Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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    Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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  • Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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    EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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  • Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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    EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

Echo and Narcissus – Aural space, navigation and memory, or Playing it by Ear! | N. Helyer

Texts | 24-11-2016
A SoundWalk I am going to take you on a walk, a soundwalk if you will. I am going to lead you, by the ear, if necessary to the Sonic Commons, at once an atavistic geography and yet again a simple concept. But before our stroll and as in all good soundwalks, a short briefing: Nigel Helyear, Meta-Diva.  source: image from the artist. Echo and Narcissus The two stories of Echo, the talkative nymph… yet a chatterbox, had no other use of speech than she has now, that she could repeat only the last words out of many…. and Narcissus the vain youth who rejects the nymphs advances, were first combined by Ovid in his work Metamorphoses. A curse placed upon Echo limited her speech to mimic those around her and after her brush with unrequited love she faded away into the forest so that only her voice remained to inhabit the wooded slopes. After shunning Echo, Narcissus lay beside a forest pool, entranced by an image of youth and beauty. Not recognising his own reflection, he became deeply enamoured with the visage which mirrored his every move but which agonisingly vanished each time he attempted to reach for it. He died at that spot, disconsolate, weeping as the nymph had done, his sobs repeated in the woods by those of Echo. As his body melded with the forest floor a flower we know as a Narcissus bloo
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People
  • Artists / contributors
    B

    Justyna Borucka

    She holds a D.Sc. degree in Architecture and works as Assistant Professor at Gdańsk University of Technology in the Faculty of Architecture (Department of Residential Architecture). She approaches architecture from an interdisciplinary point of view, analyses its relation with other arts, and studies the role of art in the process of creating, constructing, using, and rehabilitating space. Her work is also concerned with public space and its transformation in the context of interdisciplinary design and the multidimensional reception of space, as well as with efforts to shape the experience of public space. She is currently carrying out several international research projects in collaboration with partners from Italy, Spain, Germany, Great Britain and Turkey.
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    Artists / contributors
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    Radek Czajka

    Main programmer at the Modern Poland Foundation and at the free online library WolneLektury.pl. He is member of the free software and free culture movements. He is the author of Leśmianator – an automatic poet, which apparently regarding to a literary magazine lead to creating a new direction in the poetry genre development and the organizer of the automatic poetry contest “Turniej Elektrybałtów”. He created the StrataKazika.pl website. He is a blogger and an observer of the copyrights debate.  http://wolnelektury.pl/lesmianator/   
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  • Artists / contributors
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    Marco Donnarumma

    New media and sonic artist, performer and teacher, Marco Donnarumma was born in Italy and is based in London.   Weaving a thread around biomedia research, musical and theatrical performance, participatory practices and subversive coding, Marco looks at the collision of critical creativity with humanized technologies. His biophysical system Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument” by the Georgia Tech Center for Music Technology, US.  Marco has performed and spoken in 40 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals (FILE, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral, EMAF) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference@Stanford CCRMA, SICMF). His projects have been reviewed on BBC, Reuters, Wired, Create Digital Music, We Make Money Not Art, Rhizome, Weave, El Pais, Digicult, and appeared in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US). He was artist in residence at STEIM (NL), Inspace (UK), and the National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, British Council, Creative Scotland, New Media Scotland, and the Danish Arts Council. Currently, Marco is a PhD student for the Embodied Audio Visual Interaction (EAVI) Research Group at Goldsmiths, University of London, supervised by Professor Atau Tanaka, and fully funded by the European Research Council (ERC). In the last two years Marco has taught over thirty www.marcodonnarumma.com/teaching workshops for international academic institutions and media labs on a regular basis, including: Ha
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
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    Monika Fleischmann

    German new media artist, curator and researcher. She studied fashion design, visual arts, theater, digital media and philosophy. Monika Fleischmann works at the intersection of art, science and technology. Since 1987, together with Wolfgang Strauss, she develops methods, models, and the work which combining the reality with the virtual world. One of the pioneers of interactive media art. Together with Wolfgang Strauss received the “Golden Nike”. Their works are archived in the Zentrum fur Kunst und Medientechnologie in Karlsruhe. www.fleischmann-strauss.de  
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    Artists / contributors
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    Michał Górczyński

    graduate of the Fryderyk Chopin Academy of Music in Warsaw. Since 1998 he writes music for different instrument constellations (“Diversification” two fagots and a clarinet, “Rondo a la krakowiak” a screaming pianist and bass clarinet, “Painting” two clarinets, a fagot, a contrabass and singing) and theatres (about 25 performances for drama and puppet theatres). He used to perform as a soloist with groups like: de Ereprijs, Kwartet Śląski, „Aukso” Orchestra, Podlaska Filharmony. He creates installations, theoretical texts about his authorial concepts, radio auditions and underground movies. Since 2008 he works on expanding the sound possibilities of the bass clarinet, gaining inspirations from beatbox. He is the author of the “composed education” concept and holder of the Warsaw City and the Ministry of Culture and National Heritage scholarships  in scope of the program of creating alternative education textbooks. http://www.edukacjakomponowana.pl/
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  • Artists / contributors
    H

    Jens Hauser

    (b. 1969, Schwerte) – is a curator, writer and media theorist. He holds a dual research position at the Department of Arts and Cultural Studies and the Medical Museion at the University of Copenhagen, and is a distinguished affiliated faculty member of the Department of Art, Art History and Design at Michigan State University. His curated exhibitions include L’Art Biotech (Nantes, 2003), Still, Living (Perth, 2007), sk-interfaces (Liverpool, 2008/Luxembourg, 2009), the Article Biennale (Stavanger, 2008), Transbiotics (Riga 2010), Fingerprints... (Berlin, 2011/Munich/ 2012) Synth-ethic (Vienna, 2011), assemble | standard | minimal (Berlin, 2015), SO 3 (Belfort, 2015) and Wetware (Los Angeles, 2016). Hauser serves on international juries for art awards such as Ars Electronica, Transitio or Vida, as well as for several national science foundations. He is also a founding collaborator of the European culture channel ARTE and has produced numerous reportages and radio features.  
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  • Artists / contributors
    J

    Geir Jenssen

    performing also as Biosphere – is a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his “ambient techno” and “arctic ambient” styles, his use of music loops, and peculiar samples from sci-fi sources.
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  • K
    Artists / contributors
    K

    Marta Karalus

    Graduated in ethnology and cultural anthropology at the Mikołaj Kopernik University in Toruń. She held workshops for children and teens at the Znaki Czasu Centre for Contemporary Art in Toruń from 2009 till 2011. She is member of the CoCa collective, Head of the Sztuka Cię Szuka (Arts Seeks you) Association and member of the Fabryka UTU Foundation. Alternative education is her main field of interest and work. http://fabrykautu.wordpress.com/   
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    Artists / contributors
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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    Artists / contributors
    Ł

    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
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    Dmitry::vtol:: Morozov

    (b. 1986, Moscow) – implements his ideas in technological art: robotics, sound art and science art. He is the first batch producer of music and video synthesizers in the post-Soviet area. Besides making music and instruments, Morozov creates art installations and promotes circuit-bending and DIY electronics through lectures and workshops. He has taken part in numerous group exhibitions at the NCCA, MoMA, Garage, Tretyakov State Gallery / Art Play, Electromuseum, Laboratoria (Moscow), ZKM | Zentrum fuer Kunst und Medientechnologie (Karlsruhe), Boulder Museum of Contemporary Art (Boulder), National Taiwan Museum of Fine Arts (Taichung), etc., in 4th MBCA (Moscow), SIGGRAPH 2016 (Anaheim) and in festivals such as Mirage (Lyon), Future Everything (Manchester) and CTM (Berlin). He is the award winner of the Sergei Kuryokhin Prize (Russia, 2013), Prix Cube (France, 2014) and also received honorary mentions at VIDA 16.0 (Spain, 2014) and Prix Ars Electronica (Austria, 2015).  
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  • Artists / contributors
    N

    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
    P

    Prof. Michael Punt

    Professor of Art and Technology at the University of Plymouth where he is the convenor of Transtechnology Research and the Editor-in-Chief of Leonardo Reviews. He gained his PhD at the University of Amsterdam (Early Cinema and the Technological Imaginary) and has jointly produced two books on audio visual media and consciousness. He has published over 80 articles on cinema history and digital technology in key journals. From April 2010 he has been leading a large joint research project funded through HERA on the creative exchanges between experimental and commercial film makers. www.trans-techresearch.net  
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  • Artists / contributors
    R

    Boryana Rossa

    (born 1972) is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.Her artwork has been exhibited internationally including most notably at the National Gallery of Fine Arts inSofia,Goethe Institute, the Moscow Biennial, the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum,Exit Art, Biennial for Electronic Art in Perth, and Foundation for Art and Creative Technologies in Liverpool. She frequently collaborates with artist and filmmakerOleg Mavromatioften under the title ULTRAFUTURO – an international art collective started in 2004. Some of her awards and grants include the Gaudenz B. Ruf Award for New Bulgarian Art,the Essential Reading for Art Writers Award from the Institute of Contemporary Art in Sofia,and aNew York Foundation for the ArtsFellowship in 2014 in Digital/Electronic Arts. She is an Assistant Professor of Transmedia at Syracuse University.
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  • Artists / contributors
    S

    Łukasz Szałankiewicz (Zenial)

    Artist, sound designer, historian, electronic music curator. A member of the Polish Electroacoustic Music Association. He took part in international festivals in Europe, Asia, North and South America. In 2011 he took part in the Focus! Festival, organized in the Lincoln Center, by the prestige Juilliard School and the Polish Institute in New York. He performed in Poland during the following festivals: Audio Art, Unsound, Wro and at the Korkegrada Gallery in Warsaw, Contemporary Art Center Zamek Ujazdowski in Warsaw, Arsenał Gallery in Białystok, Centre of Contemporary Art  in Toruń and many other places. In his works he focuses at the musical searches, as well as on audiovisual performances and interactive installations. Beside strictly musical activities, he is also dealing with promoting polish artists in and outside the country. The co-creator of the Audiotong publishing house. He was also taking part in the organization of few festivals. He is also releasing albums as Zenial and Palescam, together with Maciej Szymczuk he is creating the project AABZU, and with prof. Marek Chołoniewski he is taking part in the project Dizzy Kinetics. Curator of the Man|Machine workshop series. http://www.zenial.audiotong.net  
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  • Artists / contributors
    T

    Patrick Tresset

    A French artist and scientist who investigates human artistic activity, computational creativity and our relation to machines, in particular our relations with robotic entities. In the context of his art practice, Patrick uses robotics to create autonomous robotics entities that are evocative representations of the artist, and in a certain manner a representation of himself. His robots are based on advanced technologies using research findings from robotics, computer vision, artificial intelligence and cognitive computing. Patrick encountered and practiced computing, painting, drawing and sculpture from an early age in France. Following a degree in Business Computing, he migrated to London to become a painter. Between 1991 and 2003 his work was exhibited in solo and group shows in London and Paris. In 2003, Patrick lost his ability to paint and draw, he has since been working on computational and robotic systems that are able to simulate these artistic activities. Patrick’s research led him to join Goldsmiths, University of London, to study for a Master of Sciences in Arts Computing and until 2013, he codirected the AIkon II project with Prof. Frederic Fol Leymarie. The AIkon II project investigated the observational sketching activity through computational modeling and robotics. Patrick also created the creative robotics course taught to postgraduatestudents at Goldsmiths as part of the MFA Computational Arts programme. Patrick was recently a Senior fellow at the Zukunftskolleg, University of Konstanz in Germany and is a currently a visiting research fellow at Goldsmiths University of London, United Kingdom. As a researcher he has published academic papers in the fields of artificial intelligence, computational aesthetics, computational creativity, social robotics, drawing research, digital arts and computer graphics. Patrick’s work has been internationally exhibited in solo and group shows, in association with major museums suc
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  • Artists / contributors
    V

    Christoph Veigl

    Austrian computer scientist and multimedia artist. He studied Sociology at the Vienna University and Medical Informatics at the Technical University Vienna. In his master thesis he developed the open source biosignal analysis software “BrainBay” which can be used for Biofeedback and alternative Human-Computer Interaction for people with disabilities. His artistic career started in 1992, when he co-founded the Syntharturalistic Art Association SHIFZ together with Magnus Wurzer. He created various biosignal-based interactive installations and machine art pieces. He travelled around Europe and the United States with contraptions like the “BrainWashing Machine” or “Alan the Telepresence Robot” and explored biofeedback and robotics for artistic purposes. In 1999, SHIFZ organized the first Roboexotica–Festival for Cocktail Robots, with its Annual Cocktail Robot Awards, which is said to be the leading festival for electronic cocktail culture since that time. Christoph Veigl currently works and teaches at the University of Applied Sciences Technikum Wien, Department of Embedded Systems. http://www.shifz.org/  
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  • Artists / contributors
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    Jana Winderen

    Artist educated in Fine Art at Goldsmiths College in London, with a background in mathematics and chemistry from the University in Oslo. Since 1993 she has worked as an artist, curator and producer. She currently lives and works in Oslo. Jana Winderen researches the hidden depths with the latest technology – her work reveals the complexity and strangeness of the unseen world beneath. The audio topography of the oceans and the depth of ice crevasses is brought to the surface. She is concerned with finding and revealing sounds from hidden sources, both inaudible for the human senses and sounds from places and creatures difficult to access. Recent sound works include “Out of Range” commissioned by Deutschlandradio, Kultur, Germany (2014), “Ultrafield” commissioned by MoMA, The Museum of Modern Art, New York (2013), “Water Signal”, commissioned by The Guggenheim Museum and the Unsound festival in New York for the Stillspotting project, “ultraworld”, a commission by Sound and Music for the listening room at BEOPEN, Trafalgar Square, London (2012), a concert and talk at MIT, Boston, in relation to the Tribute to Commemorate Electro-acoustic pioneer Marianne Amacher; “Survivors of the Waterworld – Measuring Pollution by Sound” for Gøteborg International Biennial for Contemporary Art (2011); “Energy Field” live at ARS Electronica Festival for receiving the Golden Nica in 2011; “Between Dry Land”, commissioned for the installation “The Morning Line” (by Matthew Ritchie) for the Thyssen-Bornemisza Art Contemporary, opened in Istanbul May 2010. “Spawning Ground – from Coquet Head to the North Sea” was also commissioned for the AV festival in Newcastle (2010), and in the same year Jana also opened a permanent sound installation at the Knut Hamsun Centre in Hamarøy, Norway. Recent releases include the 12” Vinyl, &ldq
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    Artists / contributors
    Z

    Marek Zygmunt

    Visual artist, director, producer of documentary films. Since 1995 he creates performances, video performances, multimedia installations, movies, photography and experimental music. He is the author of over 150 projects, exhibitions participant and creator of authorial activities. Professionally he focuses on film and television art, working as a director and journalist. He owns a company producing film materials. He has been working for over 20 year with artists as Dominik Lejman and institutions as the Baltic Opera, Laznia CCA, Academy of Fine Arts in Gdańsk preparing video visualizations and project documentations. http://www.marekzygmunt.art.pl/   
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