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  • REGISTERED ART+SCIENCE LECTURES AND MEETINGS

    Latest news | 30-03-2020
    We have collected for you the most interesting registered lectures, meetings and discussion panels that have taken place at CCA ŁAŹNIA as part of the Art + Science Meeting programme since the beginning of the project in 2011. The events have been grouped by category.     LECTURES   Witold Libionka - When are the robots going to be replaced by humanoids?     Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various do
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    Latest news | 30-03-2020
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  • Beyond borders. Processed Body – Expanded Brain – Distributed Agency

    Latest news | 11-03-2020
    18.12.2019 - 16.02.2020 Opening:18.12.2019 Artists: Marek Chołoniewski, Gina Czarnecki, Marco Donnarumma, Ulrike Gabriel, Jill Scott, Karolina Żyniewicz Curator: Ryszard W. Kluszczyński LAZNIA 1, ul. Jaskółcza 1, Gdańsk - Dolne Miasto LAZNIA 2, ul. Strajku Dokerów 5, Gdańsk - Nowy Port     Exhibition focused on contemporary artistic trends that are related to science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. Works selected for the exhibition will invite viewers to ponder on contemporary post- and trans-humanistic discourses and their manifestations in the art field. By shedding light on the problems and practices usually represented in scientific circles, the exhibition offers an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject o
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    BODY-MACHINE

    Latest news | 27-03-2020
    VENUE: 16 JANUARY AT 6.00 P.M. PLACE: LAZNIA CCA 1 DOLNE MIASTO ONLY FOR ADULT VIEWERS NOTE: SOME OF THE MOVIES CONTAIN FLICKERING IMAGES AND CHANGES IN LIGHT INTENSITY THAT MAY PROVOKE AN EPILEPTIC SEIZURE. AGE CATEGORY: +18 The considerable progress in artificial intelligence, data processing and robotics brings up to date old questions, philosophical as well as scientific: what is the singularity of the living? What distinguishes the human from the machine? These questions are taken up here by animated image artists, to offer their vision of a world where bodies are in the process of hybridization.   9 shorts (animations, experiments, videoarts) selected by Serge Dentin in a broad context addresing the subject of transhumnism, where the lines between human and non-human, virtual and real world are blurred. What determines our humanity? Will we wake up one day in scien
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  • BOOK BEYOND BORDERS - PROCESSED BODY – EXPANDED BRAIN – DISTRIBUTED AGENCY

    Latest news | 27-03-2020
    Publication accompanying group exhibition „Beyond borders. Processed Body – Expanded Brain – Distributed Agency” in LAZNIA CCA.  The texts collected in the book, written by both researchers and the artists presenting their works at the exhibition, are discussing the subject of interaction of artistic trends with science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. By shedding light on the problems and practices usually represented in scientific circles, the exhibition and the book offer an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject of a multifaceted (aesthetic, cognitive and ethical) analysis. Authors: Ryszard W. Kluszczyński, Karolina Żyniewicz, Jill Scott, Marile Hahn, Robert Atkins, Urszula Skiepko, Gina Czarnecki,
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    ZBIGNIEW OKSIUTA - STUDIOLO. COSMIC GARDENS

    Latest news | 18-07-2019
    9th August–4th October 2019 Openning: 9th August 2019, 6 pm ŁAŹNIA 2 Centre for Contemporary Art, Strajku Dokerów 5, Gdańsk - Nowy Port     Studiolo (from Italian) means a small studio, a study that serves for learning, experiments and research. It gained popularity in the era of the Renaissance, however, it derives from the Middle Ages, when it was termed to define the space for alchemical experiment. In this sense, the studiolo is the origin of a modern laboratory. During "Studiolo. Cosmic gardens" exhibition we will present contemporary studiolo, an experimental space for research and plant growth in an unusual conditions. The research will be grouped into three blocks: first one devoted to biological materials, the second to technologies that allows to form them and use as a growth medium, and the third shows the range of behaviors of plants cultivated in extreme conditions. Plants and plant tissues w
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Publications
Texts

| Aleksandra Hirszfeld

Texts | 24-11-2016
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People
  • Artists / contributors
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    Dmitry Bułatov

    (b. 1968, Kaliningrad) – is an artist, curator and art theorist. His research focuses on different aspects of interdisciplinary art media, as well as on submediality aesthetics. He is the author of many articles on contemporary art, as well as a number of books and anthologies, including BioMediale. Contemporary Society and Genomic Culture (Kaliningrad, 2004), Evolution Haute Couture: Art and Science in the Post-Biological Age (Kaliningrad, 1 vol., 2009; 2 vol., 2013). He has curated more than twenty major exhibitions in Russia and abroad, including SOFT CONTROL: Art, Science and the Technological Unconscious as part of the Maribor – European Capital of Culture 2012. He is a two-time winner of the National Innovation Award for contemporary arts (2008 and 2013) and a Golden Nica nominee from Prix Ars Electronica (Austria, 2014) in the category Visionary Pioneers of Media Art. Since 1998, Bulatov is the curator at the Baltic Branch of the National Centre for Contemporary Arts (Russia).  
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    Pier Luigi Capucci

    (b. 1955, Lugo) – is a researcher and theorist in the fields of media studies and of the relationship among art, science and technology. He has published extensively in books and magazines, delivered numerous conference papers and he written the books Reality of the Virtual (1993), The Technological (1994) and Art and Technologies (1996). In 1994 he founded and directed the first Italian online magazine, NetMagazine, later MagNet, on the relationships between the arts and technologies. In 2000 he started Noema, a web magazine on culture-science- technology interrelations. He has participated in international conferences worldwide. He has worked as a teacher at the universities of Rome “La Sapienza”, Bologna, Florence and Urbino, at the SUPSI in Lugano, and at the fine arts academies of Carrara and NABA in Milan. He is currently a professor at the Fine Arts Academy of Urbino and the Director of Studies of the T-Node PhD Research Program of the Planetary Collegium, University of Plymouth (UK).    
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  • Artists / contributors
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    Marco Donnarumma

    Marco Donnarumma is a media and performance artist, director, composer and scholar. Since the early 2000s, he has been interbreeding contemporary performance, media art and computer music to inquire into the recondite matters of the human body. He is widely known for his performances probing the body through sound physicality, technological engineering and movement research. He owns a Ph.D. from Goldsmiths, University of London and is one of the next Research Fellows at the Akademie­ für Theater ­und Digitalität, Dortmund. His performances and artworks toured over 60 countries and are regularly presented at leading art, theater and dance venues. His current research looks at the links between ritual performance, artificial intelligence and body politics through the lens of abjection, violence and intimacy.    In 2013, he took part in audiovisual interactive biophysical performances Bios @ Techne @ Art, which took place at the ŁAŹNIA Center for Contemporary Art. This event was a presentation of artistic actions in which the physiological activity of the human body is not only the subject of artistic exploration, but above all constitutes the material for artistic creation.   marcodonnarumma.com  
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    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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    F

    Monika Fleischmann

    German new media artist, curator and researcher. She studied fashion design, visual arts, theater, digital media and philosophy. Monika Fleischmann works at the intersection of art, science and technology. Since 1987, together with Wolfgang Strauss, she develops methods, models, and the work which combining the reality with the virtual world. One of the pioneers of interactive media art. Together with Wolfgang Strauss received the “Golden Nike”. Their works are archived in the Zentrum fur Kunst und Medientechnologie in Karlsruhe. www.fleischmann-strauss.de  
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    Dmitry Galkin

    (b. 1975, Omsk) is a researcher, art theorist and curator. He earned his Ph.D. (‘candidate of science’ degree) from Tomsk State University (2002), and later ‘doctor of science’ degree in 2013. In his research he focuses on cultural dynamics in the context of technological development from digital culture to the culture of artificial life, and analyses the history/aesthetics of technology-based art practices. Dr. Galkin is the author of many articles on the history and theory of digital culture; he has also published a monograph entitled Digital Culture: Shift to Artificial Life (Tomsk University Press, 2013). Dr. Galkin has beena research fellow at the George Washington University (USA) and Lancaster University (UK). He has also lectured and presented at international conferences, including the NeoLife 2015 (Perth), EdCrunch 2015 (Moscow), TEDx Tomsk (2013). He is currently a Professor at the Institute of Art and Culture and the PAST Centre at National Research Tomsk State University (Tomsk, Russia).    
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  • Artists / contributors
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    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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    Artists / contributors
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    Katarzyna Jankowska

    Graduated in painting at the Fine Arts Department at the Mikołaj Kopernik University in Toruń and finished the Museum Curator post graduate studies at the Jagiellonian University in Kraków. She is involved in nongovernmental organizations in Toruń – as Head of the Fabryka UTU Foundation and member of the Sztuka Cię Szuka (Art Seeks You) Association. Jankowska is the author of workshop concepts and scripts as well as of educational and artistic actions. She was the education curator at the Znaki Czasu Centre for Contemporary Art in Toruń from 2009 till 2011. www.dzwiekospacery.art.pl   
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    Artists / contributors
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    Marta Karalus

    Graduated in ethnology and cultural anthropology at the Mikołaj Kopernik University in Toruń. She held workshops for children and teens at the Znaki Czasu Centre for Contemporary Art in Toruń from 2009 till 2011. She is member of the CoCa collective, Head of the Sztuka Cię Szuka (Arts Seeks you) Association and member of the Fabryka UTU Foundation. Alternative education is her main field of interest and work. http://fabrykautu.wordpress.com/   
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  • Artists / contributors
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    Micha Laury

    Born in Israel, a visual artist and sculptor living and working in Paris since 1974. Awarded the Sandberg Prize of the Israel Museum, Jerusalem (1980). Since the beginning of his artistic activity (1967) until today Laury is questioning the so called “brain”  through many of his works. His first brain piece titled “Floor Mop Brain” was done in 1969 with a floor mop arranged in the form of this organ.   Other works from the 70. and on, involved different media: Brain drawings, drawings for Brain projects, performances, photos, sculptures, installations etc. Laury's Brain drawing were mental drawings questioning the potential of human brain. The performances from 1975 examined the possibilities and limits of the brain. The photos of the performance “Cooking Art (Brains and Omlets)” from the same year was about the relation of food and mind (brain).   During the last years Laury met some brain scientists, they had a very interesting discussions about the current brain research. These exchanges with scientists helped artist to develope the concept of the installation “Brain (Laboratory)”. This complex installation includes neural network (with electric light), glass laboratory instruments, videos of laboratory experiments such as the “Eureka” phenomena.   “Eureka” is the rare moment when the brain “stumbles upon” an exceptional idea that sudenly comes into light after a long research period of no results. “Brain (Laboratory)” project will develop further in relation to the advancement of scientific research on the human brain  
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    Artists / contributors
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    Karolina Żyniewicz

    Karolina Żyniewicz is an artist and a researcher. She earned her MA degree at the Faculty of Visual Arts, Strzemiński Academy of Art in Lodz (Poland), and is currently working on her PhD project under the Nature-Culture Programme of the Artes Liberales Faculty, University of Warsaw (Poland). While developing her artistic projects at biological laboratories, she also conducts ethnographic and autoethnographic observations, which help her explore the role of non-human actors, such as liminal beings, biofacts and transgenic organisms, in the production of contemporary culture. She shows her projects both at exhibitions (e.g. Pokusa nieśmiertelności/The Temptation of Immortality at the Copernicus Science Center in Warsaw; Uporczywe upodobanie/Pernicious Predilection at the Labyrinth Gallery in Lublin) and at conferences and festivals (e.g. Taboo, Transgresion, Transcendance in Art&Science [Greece, Mexico], FEMeeting [Portugal], and Foro de Estudias Visuales [Mexico]). As an important part of her practices, she writes texts showcasing the performative process of art&science project development (e.g. “Art&science: Autoetnografia artystki realizującej projekty w laboratoriach biologicznych” in Kultura i społeczeństwo; “Ciało w świecie post-natury – byty liminalne. Projekt safe suicide” in Cięcie ciał-ruchome obrazy). In her work, she emphasises the epistemic and didactic dimensions of art. In 2016-2018, she collaborated with the education sections of  the Museum of Modern Art in Warsaw and the Zachęta National Gallery of Art in Warsaw. She uses these experiences in workshops which she organises around her own projects. www.karolinazyniewicz.com  
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    Artists / contributors
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
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    Oleg Mavromatti

    (1965, Russia) is an interdisciplinary artist and filmmaker, a prominent representative of the Moscow Actionism, a phenomenon of the radical performance art scene in 1990s Moscow. He has been a member of legendary Moscow performance art groups such as “Expropriation of the Territory of Art” and NECEZIUDIK. In 1995 Mavromatti establishes the independent film union SUPERNOVA, manifested as a fortress of Moscow radical cinema. Mavromatti has been legally prosecuted for his critical performance art and film work (such as the famous performance “Ne ver’ glazam” (“Do Not believe Your Eyes”), 2000, for what his art and film archive has been confiscated in 2000. Therefore many of his early works are completely lost or accessible only from VHS copies. Mavromatti left the country in 2000 and since then he lives in Bulgaria and New York.  In Bulgaria, Rossa and Mavromatti established art collective ULTRAFUTURO – an international group of artists engaged with issues of technology, science and their social implications. They have been included in the Biennial for Electronic Art, Perth (BEAP) and shown at Foundation for Art and Creative Technologies (FACT), Liverpool; Society for Art and Technology (SAT), Montreal etc.  
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
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    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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    Porcje Rosołowe

    A project created by a duo – Mateusz Wysocki (also known as Fischerle) and Lech Nienartowicz. They willingly explore all kinds of audio glitches, however, they like to focus also on the organic nature of sound and listeners perception, for example a cooperation with Justyna Kociszewska had brought to life “Fungus & Sequoia” – an audiovisual installation presented at the Reworks Festival in Greece. Their sound works have been presented in Poland, Ireland, Spain, Canada and in the United States. They created an experimental label Pawlacz Perski. pawlaczperski.org  
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    Michal Rataj

    Czech sound artist, musician. He studied musicology at the Charles University in Prague and composition at the Academy of Performing Arts in Prague, where he earned his Ph.D. in 2005. Since 2006 he is assistant professor and runs electroacoustic music theory and composition classes. Michal Rataj also works as radio art producer at the Czech Radio, where he curates the program slot Radioatelier and the website rAdioCUSTICA for contemporary radioart activities. www.michalrataj.com    
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    Christa Sommerer i Laurent Mignonneau

    World famous media artists, creating mostly interactive computer installations. They are both teachers at the University of Art and Design in Linz, Austria, where they lead the Division of Culture at the Institute for the Media Interface. Their cooperation, which continues to this day, began in 1992 at the Institute for New Media in Staedelschule in Frankfurt. Sommerer and Mignonneau have won major prizes and awards, including “Golden Nica” Ars Electronica Award for Interactive Art 1994 (Linz, Austria), and “World Technology Award” in London (2001). www.interface.ufg.ac.at/christa-laurent/   
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    Patrick Tresset

    A French artist and scientist who investigates human artistic activity, computational creativity and our relation to machines, in particular our relations with robotic entities. In the context of his art practice, Patrick uses robotics to create autonomous robotics entities that are evocative representations of the artist, and in a certain manner a representation of himself. His robots are based on advanced technologies using research findings from robotics, computer vision, artificial intelligence and cognitive computing. Patrick encountered and practiced computing, painting, drawing and sculpture from an early age in France. Following a degree in Business Computing, he migrated to London to become a painter. Between 1991 and 2003 his work was exhibited in solo and group shows in London and Paris. In 2003, Patrick lost his ability to paint and draw, he has since been working on computational and robotic systems that are able to simulate these artistic activities. Patrick’s research led him to join Goldsmiths, University of London, to study for a Master of Sciences in Arts Computing and until 2013, he codirected the AIkon II project with Prof. Frederic Fol Leymarie. The AIkon II project investigated the observational sketching activity through computational modeling and robotics. Patrick also created the creative robotics course taught to postgraduatestudents at Goldsmiths as part of the MFA Computational Arts programme. Patrick was recently a Senior fellow at the Zukunftskolleg, University of Konstanz in Germany and is a currently a visiting research fellow at Goldsmiths University of London, United Kingdom. As a researcher he has published academic papers in the fields of artificial intelligence, computational aesthetics, computational creativity, social robotics, drawing research, digital arts and computer graphics. Patrick’s work has been internationally exhibited in solo and group shows, in association with major museums suc
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    Tanja Visosevic

    An interdisciplinary artist, screen critic/theorist and educator.  Her art projects employ the technologies and strategies of the moving image, performance and bio-art to explore the cultural and philosophical terrains that consume her.  Much of her obsessions deal with the Life and Death Instincts, Identity Politics and the pioneering possibilities, as well as side effects, spawned from New Technologies.   The formation of a revolutionary audiovisual culture via digital technologies is embodied by much of Visosevic’s creative undertakings, present in her interactive mobile phone performances (such as Oh Bon! Commissioned by Fremantle Arts Centre in 2008 for the Bon Scott Project), through to Bio-Kino’s The Living Screen project (researched and developed at SymbioticA – The Centre of Excellence in Biological Arts).  These works possess an evolved poetics that situates her art practice within a swelling circuit of new genres and moving-image experiences.  Visosevic is a lecturer for the School of Communications and Arts at Edith Cowan University, where she combines her research in new media platforms with educating students in understanding the nature and experience of the moving image.  
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    Adam Witkowski

    Graduated in painting at the Academy of Fine Arts in Gdańsk, where in 2011 he received the Doctor of Fine Arts title. He works with soundart, drawing, radio projects and installations. He plays in the following music groups: Gówno, Samorządowcy, Nagrobki. http://adamwitkowski.com  
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    Dr Ionat Zurr

    An artist and a researcher at SymbioticA – The Centre of Excellence in Biological Arts, School of Anatomy and Human Biology, the University of Western Australia. Ionat together with Oron Catts formed the internationally renowned Tissue Culture and Art Project. She has been an artist in residence in the School of Anatomy Physiology and Human Biology since 1996 and was central to the establishment of SymbioticA in 2000. Ionat is considered a pioneer in the field of biological arts and her research been published widely, exhibited internationally and her artwork has been collected by MoMA New York. Ionat is this year recipient of the Discovery Australian Reseach Council Award(2012); she has been a fellow in the InStem Institute, NCBS, Bangalore (2010) and a visiting scholar at The Experimental Art Centre, Stanford University (2007) and The Tissue Engineering & Organ Fabrication Laboratory, Massachusetts General Hospital, Harvard Medical School (2000-2001). She exhibited in places such as the MoMA NY, Mori Museum Tokyo, Ars Electronica, Linz, GOMA Brisbane and more.  www.tcaproject.org  
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