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  • REGISTERED ART+SCIENCE LECTURES AND MEETINGS

    Latest news | 30-03-2020
    We have collected for you the most interesting registered lectures, meetings and discussion panels that have taken place at CCA ŁAŹNIA as part of the Art + Science Meeting programme since the beginning of the project in 2011. The events have been grouped by category.     LECTURES   Witold Libionka - When are the robots going to be replaced by humanoids?     Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various do
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    Latest news | 30-03-2020
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  • Beyond borders. Processed Body – Expanded Brain – Distributed Agency

    Latest news | 11-03-2020
    18.12.2019 - 16.02.2020 Opening:18.12.2019 Artists: Marek Chołoniewski, Gina Czarnecki, Marco Donnarumma, Ulrike Gabriel, Jill Scott, Karolina Żyniewicz Curator: Ryszard W. Kluszczyński LAZNIA 1, ul. Jaskółcza 1, Gdańsk - Dolne Miasto LAZNIA 2, ul. Strajku Dokerów 5, Gdańsk - Nowy Port     Exhibition focused on contemporary artistic trends that are related to science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. Works selected for the exhibition will invite viewers to ponder on contemporary post- and trans-humanistic discourses and their manifestations in the art field. By shedding light on the problems and practices usually represented in scientific circles, the exhibition offers an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject o
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    BODY-MACHINE

    Latest news | 27-03-2020
    VENUE: 16 JANUARY AT 6.00 P.M. PLACE: LAZNIA CCA 1 DOLNE MIASTO ONLY FOR ADULT VIEWERS NOTE: SOME OF THE MOVIES CONTAIN FLICKERING IMAGES AND CHANGES IN LIGHT INTENSITY THAT MAY PROVOKE AN EPILEPTIC SEIZURE. AGE CATEGORY: +18 The considerable progress in artificial intelligence, data processing and robotics brings up to date old questions, philosophical as well as scientific: what is the singularity of the living? What distinguishes the human from the machine? These questions are taken up here by animated image artists, to offer their vision of a world where bodies are in the process of hybridization.   9 shorts (animations, experiments, videoarts) selected by Serge Dentin in a broad context addresing the subject of transhumnism, where the lines between human and non-human, virtual and real world are blurred. What determines our humanity? Will we wake up one day in scien
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  • BOOK BEYOND BORDERS - PROCESSED BODY – EXPANDED BRAIN – DISTRIBUTED AGENCY

    Latest news | 27-03-2020
    Publication accompanying group exhibition „Beyond borders. Processed Body – Expanded Brain – Distributed Agency” in LAZNIA CCA.  The texts collected in the book, written by both researchers and the artists presenting their works at the exhibition, are discussing the subject of interaction of artistic trends with science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. By shedding light on the problems and practices usually represented in scientific circles, the exhibition and the book offer an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject of a multifaceted (aesthetic, cognitive and ethical) analysis. Authors: Ryszard W. Kluszczyński, Karolina Żyniewicz, Jill Scott, Marile Hahn, Robert Atkins, Urszula Skiepko, Gina Czarnecki,
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    ZBIGNIEW OKSIUTA - STUDIOLO. COSMIC GARDENS

    Latest news | 18-07-2019
    9th August–4th October 2019 Openning: 9th August 2019, 6 pm ŁAŹNIA 2 Centre for Contemporary Art, Strajku Dokerów 5, Gdańsk - Nowy Port     Studiolo (from Italian) means a small studio, a study that serves for learning, experiments and research. It gained popularity in the era of the Renaissance, however, it derives from the Middle Ages, when it was termed to define the space for alchemical experiment. In this sense, the studiolo is the origin of a modern laboratory. During "Studiolo. Cosmic gardens" exhibition we will present contemporary studiolo, an experimental space for research and plant growth in an unusual conditions. The research will be grouped into three blocks: first one devoted to biological materials, the second to technologies that allows to form them and use as a growth medium, and the third shows the range of behaviors of plants cultivated in extreme conditions. Plants and plant tissues w
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Publications
Texts

EN Pół-żyjąca sztuka w poszukiwaniu autora. Wprowadzenie do twórczości Guya Ben-Ary'ego | Ryszard W.Kluszczyński

Texts | 21-11-2016
The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexistence and interactions with technologies, materials, working methods, and the rules of aesthetics, that the multimedia, hybrid works of Ben-Ary emerge, works that offer the audience an equally complex form of aesthetic experience. The artistic trends, media and disciplines that come together and interact with one another in Ben-Ary’s creative projects, thereby defining his work, can be clustered into three groups. The first comprises bioart and robotic art, as well as the derivative genre forms that sometimes emerge from interactions between them; the second consists of art installations and conceptual art; in the third, I would place net art, cinema and sound art, as well as innovative treatments of two traditional fields of the fine arts: drawing and sculpture. I do not treat this as a closed list; I have included in it only those types of art that have a significant presence in Guy Ben-Ary’s oeuvre. It should be also noted that the trends placed together in the first two g
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People
  • Artists / contributors
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    Justyna Borucka

    She holds a D.Sc. degree in Architecture and works as Assistant Professor at Gdańsk University of Technology in the Faculty of Architecture (Department of Residential Architecture). She approaches architecture from an interdisciplinary point of view, analyses its relation with other arts, and studies the role of art in the process of creating, constructing, using, and rehabilitating space. Her work is also concerned with public space and its transformation in the context of interdisciplinary design and the multidimensional reception of space, as well as with efforts to shape the experience of public space. She is currently carrying out several international research projects in collaboration with partners from Italy, Spain, Germany, Great Britain and Turkey.
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    Oron Catts

    He is an artist, researcher and curator whose pioneering work with the Tissue Culture and Art Project which he established with Ionat Zurr in 1996 is considered a leading biological art project.   In 2000 he founded SymbioticA, an artistic research centre housed within the School of Anatomy, Physiology and Human Biology, The University of Western Australia. Under Oron’s leadership SymbioticA has gone on to win the Prix Ars Electronica Golden Nica in Hybrid Art (2007) and became a Centre for Excellence in 2008. Catts’ interest is life, more specifically the shifting relations and perceptions of life in the light of new knowledge and it application.   Often working in collaboration with other artists (mainly Ionat Zurr) and scientists, Catts have developed a body of work that speak volumes about the need to for new cultural articulation of evolving concepts of life. Oron was a Research Fellow in Harvard Medical School and a visiting Scholar at the Department of Art and Art History, Stanford University.   He is currently the Director of SymbioticA, a Visiting Professor of Design Interaction, Royal College of Arts, London, and a Visiting Researcher/consultant at Aalto University’s Future Art Base, Helsinki. Catts’ ideas and projects reach beyond the confines of art; his work is often cited as inspiration to diverse areas such as new materials, textiles, design, architecture, ethics, fiction, and food.   www.tcaproject.org  
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    Marco Donnarumma

    Marco Donnarumma is a media and performance artist, director, composer and scholar. Since the early 2000s, he has been interbreeding contemporary performance, media art and computer music to inquire into the recondite matters of the human body. He is widely known for his performances probing the body through sound physicality, technological engineering and movement research. He owns a Ph.D. from Goldsmiths, University of London and is one of the next Research Fellows at the Akademie­ für Theater ­und Digitalität, Dortmund. His performances and artworks toured over 60 countries and are regularly presented at leading art, theater and dance venues. His current research looks at the links between ritual performance, artificial intelligence and body politics through the lens of abjection, violence and intimacy.    In 2013, he took part in audiovisual interactive biophysical performances Bios @ Techne @ Art, which took place at the ŁAŹNIA Center for Contemporary Art. This event was a presentation of artistic actions in which the physiological activity of the human body is not only the subject of artistic exploration, but above all constitutes the material for artistic creation.   marcodonnarumma.com  
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  • Artists / contributors
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    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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    Thomas Feuerstein

    (b. 1968, Innsbruck) – studied art history and philosophy at the University of Innsbruck. He works as an artist and author in the fields of fine art and media art. Since 1997 he has held posts as a university lecturer and visiting professor. Thomas Feuerstein’s projects are realised using various media. They comprise installations, drawings, paintings, sculptures, photography, radio plays and netart. Some of the crucial aspects in his work are the interplay between verbal and visual elements, the unearthing of latent connections between fact and fiction, and the interaction between art and science. His works have been exhibited at museums and galleries worldwide, including the ZKM Zentrum (Karlsruhe), MUMOK (Vienna), MUSEION | Museum of odern and Contemporary Art (Bolzano), Galeria Zachęta (Warsaw), Chronus Art Center (Shanghai), Medialab Center (Madrid), as well as the Frankfurter Kunstverein (Frankfurt am Main) and 4th Moscow Biennale of Contemporary Art (Moscow).  
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    Artists / contributors
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    John Grzinich

    mixed-media artist, who works since the early 90’ as a freelance artist and cultural coordinator, combining such divergent methods as field recording, kinetic sculpture, electroacoustic composition, performance, spatial perception and acoustics. In recent years Grzinich concentrated on giving workshops on various aspects of sound, that encourage collaboration through social communication, performance, mapping, recording and editing. He performed in North America, Europe and Japan and his compositions have been published by international labels such as: SIRR, Staalplaat, Erewhon, Intransitive, Cut, Elevator Bath, CMR, Orogenetics, Mystery Sea, Invisible Birds and others. He lives in Estonia and works as a program coordinator for MoKS, a non-profit artist-run center. At LAK – festival of Nordic Sound Art 2013 – Grzinich led the workshop “Sensing Sonospace”  
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  • Artists / contributors
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    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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  • Artists / contributors
    J

    Ryan Jordan

    An electronic artist conducting experiments in derelict electronics, possession trance, retro-death-telegraphy and hylozoistic neural computation. His work focuses on self-built hardware, signal aesthetics, and the physical/material nature of experience. Jordan’s live performances make excessive use of stroboscopic light, high volume noise, and electronic stimulation of rocks in an attempt to induce hallucinatory and trance like states. He has presented his work internationally in a wide range of venues from art and academic institutions to derelict warehouses and squats at places such as Sight + Sound Festival (Montreal, Canada); LACMA (Los Angeles, USA); Subtle Technologies (Toronto, Canada); Transe(s) Symposium (Strasbourg, France); SPILL Festival (Ipswich, UK); Resonant Chamber (Riga, Latvia); FACT (Liverpool, UK); Belluard Festival (Friburg, Switzerland); CTM Festival: CTM.12 (Berlin, Germany); Pure Data Convention (Sao Paulo, Brazil); Piksel Festival (Bergen, Norway); ISEA (Istanbul, Turkey); and NEXT Festival (Bratislava, Slovakia). Jordan runs noise=noise, a research laboratory and live performance platform aimed at developing a network of artists, programmers, and researchers working in the areas of noise, experimental, exploratory, and outsider arts.  http://nnnnn.org.uk/ http://ryanjordan.org/    
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  • Artists / contributors
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    Christian Kobi

    Studied music at the University of Music in Basel focusing on the classic saxophone. He also studied in Paris, Lucerne and Zurich. He had numerous appearances at home and abroad, solo and together with various improvised music ensembles. Since 2003 he is the founder and artistic director of “zoom in”, a festival for improvised music at Berne Minster, which he founded in 2004. He has also been a member of the saxophone quartet “Konus Quartett” since 2003. In 2006 he co-founded the new music label “CUBUS RECORDS”. http://www.christiankobi.ch/  
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    Gerard Lebik

    Gerard Lebik creates sound and music by means of improvisation, musical notation, and manipulation of audio material using acoustic and electronic media. His tools and techniques include: saxophones, contra-alto clarinet, acoustic wave generators, electro-acoustic objects, video feedback, and software.   In 2007, he graduated from the Wrocław Academy of Music. Beginning with classical music and, later, jazz and free improvisation, he moved on to electronic music, experimental sound art and noise.   He has collaborated or performed with Eryck Abecassis, Kazuhisa Uchihashi, Rob Mazurek, Keith Rowe, Hernani Faustino, Gabriel Ferrnandini, Noritaka Tanaka, Bettina Wenzel, hans in koch, and Joker Nies.   http://gerardlebik.com/ http://zopan.bandcamp.com/  
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    Artists / contributors
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    Karolina Żyniewicz

    Karolina Żyniewicz is an artist and a researcher. She earned her MA degree at the Faculty of Visual Arts, Strzemiński Academy of Art in Lodz (Poland), and is currently working on her PhD project under the Nature-Culture Programme of the Artes Liberales Faculty, University of Warsaw (Poland). While developing her artistic projects at biological laboratories, she also conducts ethnographic and autoethnographic observations, which help her explore the role of non-human actors, such as liminal beings, biofacts and transgenic organisms, in the production of contemporary culture. She shows her projects both at exhibitions (e.g. Pokusa nieśmiertelności/The Temptation of Immortality at the Copernicus Science Center in Warsaw; Uporczywe upodobanie/Pernicious Predilection at the Labyrinth Gallery in Lublin) and at conferences and festivals (e.g. Taboo, Transgresion, Transcendance in Art&Science [Greece, Mexico], FEMeeting [Portugal], and Foro de Estudias Visuales [Mexico]). As an important part of her practices, she writes texts showcasing the performative process of art&science project development (e.g. “Art&science: Autoetnografia artystki realizującej projekty w laboratoriach biologicznych” in Kultura i społeczeństwo; “Ciało w świecie post-natury – byty liminalne. Projekt safe suicide” in Cięcie ciał-ruchome obrazy). In her work, she emphasises the epistemic and didactic dimensions of art. In 2016-2018, she collaborated with the education sections of  the Museum of Modern Art in Warsaw and the Zachęta National Gallery of Art in Warsaw. She uses these experiences in workshops which she organises around her own projects. www.karolinazyniewicz.com  
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
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    Oleg Mavromatti

    (1965, Russia) is an interdisciplinary artist and filmmaker, a prominent representative of the Moscow Actionism, a phenomenon of the radical performance art scene in 1990s Moscow. He has been a member of legendary Moscow performance art groups such as “Expropriation of the Territory of Art” and NECEZIUDIK. In 1995 Mavromatti establishes the independent film union SUPERNOVA, manifested as a fortress of Moscow radical cinema. Mavromatti has been legally prosecuted for his critical performance art and film work (such as the famous performance “Ne ver’ glazam” (“Do Not believe Your Eyes”), 2000, for what his art and film archive has been confiscated in 2000. Therefore many of his early works are completely lost or accessible only from VHS copies. Mavromatti left the country in 2000 and since then he lives in Bulgaria and New York.  In Bulgaria, Rossa and Mavromatti established art collective ULTRAFUTURO – an international group of artists engaged with issues of technology, science and their social implications. They have been included in the Biennial for Electronic Art, Perth (BEAP) and shown at Foundation for Art and Creative Technologies (FACT), Liverpool; Society for Art and Technology (SAT), Montreal etc.  
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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    O

    Zbigniew Oksiuta

    Zbigniew Oksiuta is an artist, architect and researcher born in Mulubice in the Bialystok region. In the years 1970-78 he studied at the Faculty of Architecture of the Warsaw University of Technology. In the years 1981-2010 he lived and worked in Cologne, Germany. From 2010 he lectures at the Faculty of Architecture, Rensselaer Polytechnic Institute in Troy, New York in the USA. The artist is working on a vision of the biological future. His projects are interdisciplinary interpenetration of elements of art, architecture and natural sciences. He took part in many international exhibitions, including: at the Center for Contemporary Art in Warsaw, at the International Design Fair in Cologne, at ArchiLab in Orléans in France. In 2004, he represented Poland at the group exhibition at the Architecture Biennale in Venice. He presented his projects at Ars Electronica in Linz in Austria, at the Biennale of Electronic Art in Perth, Australia, at the FACT Foundation for Arts and Creative Technology in Liverpool in Great Britain, at the Biennale for Electronic and Unstable Art in Stavanger, Norway, at the Arsenal Gallery in Bialystok and the Broad Art Museum in Lansing in the USA. He was a guest lecturer at many international universities, in artistic and scientific institutions.
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  • Artists / contributors
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    Prof. Michael Punt

    Professor of Art and Technology at the University of Plymouth where he is the convenor of Transtechnology Research and the Editor-in-Chief of Leonardo Reviews. He gained his PhD at the University of Amsterdam (Early Cinema and the Technological Imaginary) and has jointly produced two books on audio visual media and consciousness. He has published over 80 articles on cinema history and digital technology in key journals. From April 2010 he has been leading a large joint research project funded through HERA on the creative exchanges between experimental and commercial film makers. www.trans-techresearch.net  
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  • Artists / contributors
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    Jasia Reichardt

    Writer on art, art critic and exhibition organizer. She was born in Poland but has lived in London most of her life. She was Assistant Director of the ICA in London (1963-71) and Director of the Whitechapel Art Gallery (1974-76). She is principally interested in the relationships between art and science, art and technology and art and the history of ideas. Some of her best known exhibitions, such as “Between Poetry and Painting” (1965) and “Cybernetic Serendipity” (1968) were about the connections between one field and another. The principal idea of “Cybernetic Serendipity” exhibition was to examine the role of cybernetics in contemporary arts. She has written several books , including “The Computer in Art” (1971), “Robots – Fact, Fiction and Prediction” (1978) and edited “Cybernetics, Art and Ideas” (1971). She also worked on visualization of mathematics, a project called “Fantasia Mathematica”. She was one of the directors of ARTEC biennale in Japan (focused on art and technology) between 1989-98. In 1998 she staged an exhibition called “Electronically Yours” about electronic portraiture at the Tokyo Metropolitan Museum of Photography. Since 1988 she has been looking after the Themerson Archive, the archive of a writer and an artist, whose avant-garde publishing company, Gaberbocchus Press, launched in 1957 a Common Room for artists interested in science and scientists interested in the arts. She continues to pursue her interests in the relationship of art and technology.
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    Marcin Sauter

    Documentaries director, cinematographer and director of photography. He graduated the Documentary Course at Andrzej Wajda’s School. Director, screenwriter and cinematographer in such movies as “Za płotem”, “Pierwszy dzień”, “Hakawati” and “Na północ od Kalabrii”. He received several awards, among others, at the Cinema du reel Festival in Paris, Film Festivals in Cracow, London, Vilnus and Kiev. He holds movie workshops in Bydgoszcz and a course for students in Andrzej Wajdas School in Warsaw.
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  • Artists / contributors
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    Krzysztof Topolski

    Electroacoustic improviser, author of sound-art projects, drummer. His main field of interest are noise and soundscape. He is interested in exploring drums and live electronics, improvised and electroacoustic music, computer composing, creating sound and interactive installations. He organizes presentations, holds workshops and lectures about contemporary music and sound-art. www.arszyn.com  
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    Christoph Veigl

    Austrian computer scientist and multimedia artist. He studied Sociology at the Vienna University and Medical Informatics at the Technical University Vienna. In his master thesis he developed the open source biosignal analysis software “BrainBay” which can be used for Biofeedback and alternative Human-Computer Interaction for people with disabilities. His artistic career started in 1992, when he co-founded the Syntharturalistic Art Association SHIFZ together with Magnus Wurzer. He created various biosignal-based interactive installations and machine art pieces. He travelled around Europe and the United States with contraptions like the “BrainWashing Machine” or “Alan the Telepresence Robot” and explored biofeedback and robotics for artistic purposes. In 1999, SHIFZ organized the first Roboexotica–Festival for Cocktail Robots, with its Annual Cocktail Robot Awards, which is said to be the leading festival for electronic cocktail culture since that time. Christoph Veigl currently works and teaches at the University of Applied Sciences Technikum Wien, Department of Embedded Systems. http://www.shifz.org/  
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  • Artists / contributors
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    Maciej Wojnicki

    A visual artist. She is graduate of the Faculty of Painting at the Academy of Fine Arts in Cracow where she finished a PhD. She is also a junior lecturer at the Academy of Arts in Szczecin. She cooperates with the leading Polish modern art institutions: Zachęta Gallery, Museum of Art in Łódź, Wyspa Institute of Art and the Ujazdowski Castle. In 2007, she represented Poland at the European artists’ exhibition in Brussels. She has twice held a scholarship from the Ministry of Culture, and has won the Eugeniusz Geppert Award for her achievements in painting. In 2009 she was nominated to the Deutsche Bank Award for the best young artist, and was Artist of the Year of the Arteon art magazine in 2010. Her projects have been presented in Poland, Italy, Great Britain, Germany, Austria, Switzerland, Turkey, Hungary and Canada. Apart from exhibitions, she has participated in musical (Audio Art Festival in Cracow) as well as theatrical events (International Ballet Meetings in Łódź, Malta Festival in Poznań).  www.zorkawollny.com  
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    Marek Zygmunt

    Visual artist, director, producer of documentary films. Since 1995 he creates performances, video performances, multimedia installations, movies, photography and experimental music. He is the author of over 150 projects, exhibitions participant and creator of authorial activities. Professionally he focuses on film and television art, working as a director and journalist. He owns a company producing film materials. He has been working for over 20 year with artists as Dominik Lejman and institutions as the Baltic Opera, Laznia CCA, Academy of Fine Arts in Gdańsk preparing video visualizations and project documentations. http://www.marekzygmunt.art.pl/   
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