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  • REGISTERED ART+SCIENCE LECTURES AND MEETINGS

    Latest news | 30-03-2020
    We have collected for you the most interesting registered lectures, meetings and discussion panels that have taken place at CCA ŁAŹNIA as part of the Art + Science Meeting programme since the beginning of the project in 2011. The events have been grouped by category.     LECTURES   Witold Libionka - When are the robots going to be replaced by humanoids?     Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various do
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    Latest news | 30-03-2020
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  • Beyond borders. Processed Body – Expanded Brain – Distributed Agency

    Latest news | 11-03-2020
    18.12.2019 - 16.02.2020 Opening:18.12.2019 Artists: Marek Chołoniewski, Gina Czarnecki, Marco Donnarumma, Ulrike Gabriel, Jill Scott, Karolina Żyniewicz Curator: Ryszard W. Kluszczyński LAZNIA 1, ul. Jaskółcza 1, Gdańsk - Dolne Miasto LAZNIA 2, ul. Strajku Dokerów 5, Gdańsk - Nowy Port     Exhibition focused on contemporary artistic trends that are related to science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. Works selected for the exhibition will invite viewers to ponder on contemporary post- and trans-humanistic discourses and their manifestations in the art field. By shedding light on the problems and practices usually represented in scientific circles, the exhibition offers an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject o
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    BODY-MACHINE

    Latest news | 27-03-2020
    VENUE: 16 JANUARY AT 6.00 P.M. PLACE: LAZNIA CCA 1 DOLNE MIASTO ONLY FOR ADULT VIEWERS NOTE: SOME OF THE MOVIES CONTAIN FLICKERING IMAGES AND CHANGES IN LIGHT INTENSITY THAT MAY PROVOKE AN EPILEPTIC SEIZURE. AGE CATEGORY: +18 The considerable progress in artificial intelligence, data processing and robotics brings up to date old questions, philosophical as well as scientific: what is the singularity of the living? What distinguishes the human from the machine? These questions are taken up here by animated image artists, to offer their vision of a world where bodies are in the process of hybridization.   9 shorts (animations, experiments, videoarts) selected by Serge Dentin in a broad context addresing the subject of transhumnism, where the lines between human and non-human, virtual and real world are blurred. What determines our humanity? Will we wake up one day in scien
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  • BOOK BEYOND BORDERS - PROCESSED BODY – EXPANDED BRAIN – DISTRIBUTED AGENCY

    Latest news | 27-03-2020
    Publication accompanying group exhibition „Beyond borders. Processed Body – Expanded Brain – Distributed Agency” in LAZNIA CCA.  The texts collected in the book, written by both researchers and the artists presenting their works at the exhibition, are discussing the subject of interaction of artistic trends with science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. By shedding light on the problems and practices usually represented in scientific circles, the exhibition and the book offer an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject of a multifaceted (aesthetic, cognitive and ethical) analysis. Authors: Ryszard W. Kluszczyński, Karolina Żyniewicz, Jill Scott, Marile Hahn, Robert Atkins, Urszula Skiepko, Gina Czarnecki,
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    ZBIGNIEW OKSIUTA - STUDIOLO. COSMIC GARDENS

    Latest news | 18-07-2019
    9th August–4th October 2019 Openning: 9th August 2019, 6 pm ŁAŹNIA 2 Centre for Contemporary Art, Strajku Dokerów 5, Gdańsk - Nowy Port     Studiolo (from Italian) means a small studio, a study that serves for learning, experiments and research. It gained popularity in the era of the Renaissance, however, it derives from the Middle Ages, when it was termed to define the space for alchemical experiment. In this sense, the studiolo is the origin of a modern laboratory. During "Studiolo. Cosmic gardens" exhibition we will present contemporary studiolo, an experimental space for research and plant growth in an unusual conditions. The research will be grouped into three blocks: first one devoted to biological materials, the second to technologies that allows to form them and use as a growth medium, and the third shows the range of behaviors of plants cultivated in extreme conditions. Plants and plant tissues w
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Publications
Texts

| Aleksandra Hirszfeld

Texts | 24-11-2016
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People
  • Artists / contributors
    B

    Bálint Bolcsó

    He studied composition at the Liszt University of Music in Budapest. He also studied in Vienna, Hannover and Cologne. He writes vocal, instrumental and electroacoustic pieces, radio plays, sound installations as well as applied music for film, dance and theatre. He often uses live electronics both in composed and in improvised music. He performs regularly as an improvising musician, using self-made and programmed instruments. He teaches at Liszt University of Music in Budapest, and at the University of Pécs. http://bolcso.net/  
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  • Artists / contributors
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    Pier Luigi Capucci

    (b. 1955, Lugo) – is a researcher and theorist in the fields of media studies and of the relationship among art, science and technology. He has published extensively in books and magazines, delivered numerous conference papers and he written the books Reality of the Virtual (1993), The Technological (1994) and Art and Technologies (1996). In 1994 he founded and directed the first Italian online magazine, NetMagazine, later MagNet, on the relationships between the arts and technologies. In 2000 he started Noema, a web magazine on culture-science- technology interrelations. He has participated in international conferences worldwide. He has worked as a teacher at the universities of Rome “La Sapienza”, Bologna, Florence and Urbino, at the SUPSI in Lugano, and at the fine arts academies of Carrara and NABA in Milan. He is currently a professor at the Fine Arts Academy of Urbino and the Director of Studies of the T-Node PhD Research Program of the Planetary Collegium, University of Plymouth (UK).    
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  • Artists / contributors
    D

    Louis-Philippe Demers

    (b. 1959, Montreal) – makes large-scale interactive installations, thus far realizing more than 375 machines and participating in more than 70 stage productions. His works have been featured at major venues such as Lille 2004, EXPO 1992 and 2000, Sonambiente, ISEA, SIGGRAPH and Sonar. He received five honourable mentions and one distinction at Ars Electronica, the first prize of VIDA 2.0, honourable mentions at VIDA 12.0 and 15.0, a recommendation at the Japan Media Arts Festival, the Interactive prize for Lightforms 98 and six prizes for Devolution including two Helpmann Awards. He was Professor of Digital Media and Exhibit Design / Scenography at the Hochschule fuer Gestaltung, the academic institution affiliated to ZKM (Zentrum fuer Kunst und Medientechnologie) in Karlsruhe. Currently Demers is Associate Professor at the School of Art, Design and Media at the Nanyang Technological University (NTU) in Singapore. Demers holds a PhD on machine performance from the University of Plymouth (UK).    
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
    F

    Anna Friz

    Canadian sound and radio artist who specializes in multi-channel transmission systems for installation, performance, and broadcast, where radio is the source, subject and medium of the work. She also creates dynamic, atmospheric compositions for theatre, dance, film, and solo performance that are equally able to reflect upon public media culture or to reveal deeply expressive interior landscapes. She has performed and exhibited widely across North America, South America, and Europe, and her radio art/works have been heard on the airwaves of more than 20 countries. In 2011, Anna earned a Ph.D. in Communication and Culture from York University, Toronto, and she recently completed a post-doctoral fellowship in the Sound Department at the School of the Art Institute of Chicago. Anna is a Wavefarm/ free103point9 transmission artist, and a steering member of the Iceland-based. nicelittlestatic.com  
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    Artists / contributors
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    John Grzinich

    mixed-media artist, who works since the early 90’ as a freelance artist and cultural coordinator, combining such divergent methods as field recording, kinetic sculpture, electroacoustic composition, performance, spatial perception and acoustics. In recent years Grzinich concentrated on giving workshops on various aspects of sound, that encourage collaboration through social communication, performance, mapping, recording and editing. He performed in North America, Europe and Japan and his compositions have been published by international labels such as: SIRR, Staalplaat, Erewhon, Intransitive, Cut, Elevator Bath, CMR, Orogenetics, Mystery Sea, Invisible Birds and others. He lives in Estonia and works as a program coordinator for MoKS, a non-profit artist-run center. At LAK – festival of Nordic Sound Art 2013 – Grzinich led the workshop “Sensing Sonospace”  
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  • Artists / contributors
    H

    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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  • Artists / contributors
    J

    Geir Jenssen

    performing also as Biosphere – is a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his “ambient techno” and “arctic ambient” styles, his use of music loops, and peculiar samples from sci-fi sources.
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  • Artists / contributors
    K

    Marius Kwint

    Cultural historian, curator and lecturer at the University of Portsmouth. His main realm of interest lies in the relation between art, science and visual culture. He researches how attitudes towards the world change, in particular how culture changes in time and in different places. Together with Lucy Shanahan, Kwint curated the “Brains: the mind as matter” exhibition presented at Wellcome Collection in London, seen by over one hundred thousand people. He is also the author of the book that complemented the exhibition, “The Mind As Matter”. http://www.wellcomecollection.org/whats-on/exhibitions/brains.aspx  
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    Artists / contributors
    L

    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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    Artists / contributors
    Ż

    Karolina Żyniewicz

    Karolina Żyniewicz is an artist and a researcher. She earned her MA degree at the Faculty of Visual Arts, Strzemiński Academy of Art in Lodz (Poland), and is currently working on her PhD project under the Nature-Culture Programme of the Artes Liberales Faculty, University of Warsaw (Poland). While developing her artistic projects at biological laboratories, she also conducts ethnographic and autoethnographic observations, which help her explore the role of non-human actors, such as liminal beings, biofacts and transgenic organisms, in the production of contemporary culture. She shows her projects both at exhibitions (e.g. Pokusa nieśmiertelności/The Temptation of Immortality at the Copernicus Science Center in Warsaw; Uporczywe upodobanie/Pernicious Predilection at the Labyrinth Gallery in Lublin) and at conferences and festivals (e.g. Taboo, Transgresion, Transcendance in Art&Science [Greece, Mexico], FEMeeting [Portugal], and Foro de Estudias Visuales [Mexico]). As an important part of her practices, she writes texts showcasing the performative process of art&science project development (e.g. “Art&science: Autoetnografia artystki realizującej projekty w laboratoriach biologicznych” in Kultura i społeczeństwo; “Ciało w świecie post-natury – byty liminalne. Projekt safe suicide” in Cięcie ciał-ruchome obrazy). In her work, she emphasises the epistemic and didactic dimensions of art. In 2016-2018, she collaborated with the education sections of  the Museum of Modern Art in Warsaw and the Zachęta National Gallery of Art in Warsaw. She uses these experiences in workshops which she organises around her own projects. www.karolinazyniewicz.com  
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    Artists / contributors
    Ł

    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
    M

    Oleg Mavromatti

    (1965, Russia) is an interdisciplinary artist and filmmaker, a prominent representative of the Moscow Actionism, a phenomenon of the radical performance art scene in 1990s Moscow. He has been a member of legendary Moscow performance art groups such as “Expropriation of the Territory of Art” and NECEZIUDIK. In 1995 Mavromatti establishes the independent film union SUPERNOVA, manifested as a fortress of Moscow radical cinema. Mavromatti has been legally prosecuted for his critical performance art and film work (such as the famous performance “Ne ver’ glazam” (“Do Not believe Your Eyes”), 2000, for what his art and film archive has been confiscated in 2000. Therefore many of his early works are completely lost or accessible only from VHS copies. Mavromatti left the country in 2000 and since then he lives in Bulgaria and New York.  In Bulgaria, Rossa and Mavromatti established art collective ULTRAFUTURO – an international group of artists engaged with issues of technology, science and their social implications. They have been included in the Biennial for Electronic Art, Perth (BEAP) and shown at Foundation for Art and Creative Technologies (FACT), Liverpool; Society for Art and Technology (SAT), Montreal etc.  
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    N

    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Zbigniew Oksiuta

    Zbigniew Oksiuta is an artist, architect and researcher born in Mulubice in the Bialystok region. In the years 1970-78 he studied at the Faculty of Architecture of the Warsaw University of Technology. In the years 1981-2010 he lived and worked in Cologne, Germany. From 2010 he lectures at the Faculty of Architecture, Rensselaer Polytechnic Institute in Troy, New York in the USA. The artist is working on a vision of the biological future. His projects are interdisciplinary interpenetration of elements of art, architecture and natural sciences. He took part in many international exhibitions, including: at the Center for Contemporary Art in Warsaw, at the International Design Fair in Cologne, at ArchiLab in Orléans in France. In 2004, he represented Poland at the group exhibition at the Architecture Biennale in Venice. He presented his projects at Ars Electronica in Linz in Austria, at the Biennale of Electronic Art in Perth, Australia, at the FACT Foundation for Arts and Creative Technology in Liverpool in Great Britain, at the Biennale for Electronic and Unstable Art in Stavanger, Norway, at the Arsenal Gallery in Bialystok and the Broad Art Museum in Lansing in the USA. He was a guest lecturer at many international universities, in artistic and scientific institutions.
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    Artists / contributors
    P

    Porcje Rosołowe

    A project created by a duo – Mateusz Wysocki (also known as Fischerle) and Lech Nienartowicz. They willingly explore all kinds of audio glitches, however, they like to focus also on the organic nature of sound and listeners perception, for example a cooperation with Justyna Kociszewska had brought to life “Fungus & Sequoia” – an audiovisual installation presented at the Reworks Festival in Greece. Their sound works have been presented in Poland, Ireland, Spain, Canada and in the United States. They created an experimental label Pawlacz Perski. pawlaczperski.org  
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  • Artists / contributors
    R

    Michal Rataj

    Czech sound artist, musician. He studied musicology at the Charles University in Prague and composition at the Academy of Performing Arts in Prague, where he earned his Ph.D. in 2005. Since 2006 he is assistant professor and runs electroacoustic music theory and composition classes. Michal Rataj also works as radio art producer at the Czech Radio, where he curates the program slot Radioatelier and the website rAdioCUSTICA for contemporary radioart activities. www.michalrataj.com    
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  • Artists / contributors
    S

    Stelarc

    Stelarc is an Australian performance and installation artist who has internationally exhibited, presented and done performances in Europe, Asia, North America, South America and Australia. He has visually probed and acoustically amplified his body. He has made three films of the inside of his body, filming 3m of the internal space of his lungs, stomach and colon. Between 1976-1988 he completed 25 body suspension performances with hooks in the skin. He has used medical instruments, prosthetics, robotics, Virtual Reality systems, the Internet and biotechnology to explore alternate, intimate and involuntary interfaces with the body.   He has performed with a Third Hand, a Virtual Arm, a Stomach Sculpture and Exoskeleton, a six-legged walking robot. His Prosthetic Head is an embodied conversational agent that speaks to the person who interrogates it. As part of the Thinking Head Systems he collaborated with the Marcs Auditory Labs at the University of Western Sydney to develop the Articulated Head, the Floating Head and the Swarming Heads projects. He is surgically constructing and stem cell growing an Ear on Arm that will be electronically augmented and internet enabled. The first surgical procedures occurred in 2006. He has recently been performing with his four avatar and automaton clones on his Second Life site, exploring actual-virtual interfaces and gesture actuation of his avatar with Kinect. Publications about his artwork include Stelarc: The Monograph, edited by Marquard Smith, MIT Press, 2005; Stelarc: Political Prosthesis & Knowledge of the Body by Marina Grzinic-Mauhler
Maska & MKC (Ljubljana & Maribor), 2002 and The Cyborg Experiments: The Extensions of the Body in the Media Age,edited by Joanna Zylinska, Continuum Press (London & New York), 2002.   In 1997 he was appointed Honorary Professor of Art and Robotics at Carnegie Mellon University, Pittsburgh USA. From 2000-2003
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  • Artists / contributors
    T

    Krzysztof Topolski

    Electroacoustic improviser, author of sound-art projects, drummer. His main field of interest are noise and soundscape. He is interested in exploring drums and live electronics, improvised and electroacoustic music, computer composing, creating sound and interactive installations. He organizes presentations, holds workshops and lectures about contemporary music and sound-art. www.arszyn.com  
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  • Artists / contributors
    V

    Tanja Visosevic

    An interdisciplinary artist, screen critic/theorist and educator.  Her art projects employ the technologies and strategies of the moving image, performance and bio-art to explore the cultural and philosophical terrains that consume her.  Much of her obsessions deal with the Life and Death Instincts, Identity Politics and the pioneering possibilities, as well as side effects, spawned from New Technologies.   The formation of a revolutionary audiovisual culture via digital technologies is embodied by much of Visosevic’s creative undertakings, present in her interactive mobile phone performances (such as Oh Bon! Commissioned by Fremantle Arts Centre in 2008 for the Bon Scott Project), through to Bio-Kino’s The Living Screen project (researched and developed at SymbioticA – The Centre of Excellence in Biological Arts).  These works possess an evolved poetics that situates her art practice within a swelling circuit of new genres and moving-image experiences.  Visosevic is a lecturer for the School of Communications and Arts at Edith Cowan University, where she combines her research in new media platforms with educating students in understanding the nature and experience of the moving image.  
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  • Artists / contributors
    W

    Zorka Wollny

    A musician, audio-video programmer, violinist, singer, composer and the founder of “O” – the first Polish studio which specializes in the creation of interactive multimedia installations. He conducts workshops devoted to interactive multimedia programming, builds instruments, and creates music for theater, short films and animated movies. Wojnicki also performs as a solo artist under the name Mananasoko. www.o.bzzz.net  
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    Artists / contributors
    Z

    Marek Zygmunt

    Visual artist, director, producer of documentary films. Since 1995 he creates performances, video performances, multimedia installations, movies, photography and experimental music. He is the author of over 150 projects, exhibitions participant and creator of authorial activities. Professionally he focuses on film and television art, working as a director and journalist. He owns a company producing film materials. He has been working for over 20 year with artists as Dominik Lejman and institutions as the Baltic Opera, Laznia CCA, Academy of Fine Arts in Gdańsk preparing video visualizations and project documentations. http://www.marekzygmunt.art.pl/   
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