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  • ZBIGNIEW OKSIUTA - STUDIOLO. COSMIC GARDENS

    Latest news | 18-07-2019
    9th August–4th October 2019 Openning: 9th August 2019, 6 pm ŁAŹNIA 2 Centre for Contemporary Art, Strajku Dokerów 5, Gdańsk - Nowy Port     Studiolo (from Italian) means a small studio, a study that serves for learning, experiments and research. It gained popularity in the era of the Renaissance, however, it derives from the Middle Ages, when it was termed to define the space for alchemical experiment. In this sense, the studiolo is the origin of a modern laboratory. During "Studiolo. Cosmic gardens" exhibition we will present contemporary studiolo, an experimental space for research and plant growth in an unusual conditions. The research will be grouped into three blocks: first one devoted to biological materials, the second to technologies that allows to form them and use as a growth medium, and the third shows the range of behaviors of plants cultivated in extreme conditions. Plants and plant tissues w
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    Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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  • LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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    Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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  • Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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    Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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  • Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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    EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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  • Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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    EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

Body is a big place (Helen Pynor and Peta Clancy) | Aleksandra Hirszfeld

Texts | 24-11-2016
The Body as Matter   How should an isolated organ be defined? What term do we use to describe the state of a beating heart that has just been removed from a body that is clinically dead?[1] What physiological mechanism causes the heart to beat outside of the body? Is it still alive or is it dead? Helen Pynor and Peta Clancy provoke such difficult questions in their recent joint project The Body Is a Big Place (2011).   The Nomadic Body               The central element in this work is a bio-sculpture installation involving the perfusion of fluid through two fresh pig hearts. The installation is re-created live during each exhibition, and thus every performance carries the risk of failure. During two tests and two public presentations, one in the Leonardo Electronic Almanac and the other at the Performance Space in Sydney, [TFA1] the ratio of successful attempts was 50/50. The pig hearts used are waste products from a nearby slaughterhouse; the fresh, though no longer beating hearts are hooked to a special apparatus, and a moment later, begin to beat once again, pumping a clear solution that flowed through them. Watching this moment of transition from a state of non-activity to that of a rhythmically functioning machine is awe-inspiring. The v
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People
  • Artists / contributors
    B

    Justyna Borucka

    She holds a D.Sc. degree in Architecture and works as Assistant Professor at Gdańsk University of Technology in the Faculty of Architecture (Department of Residential Architecture). She approaches architecture from an interdisciplinary point of view, analyses its relation with other arts, and studies the role of art in the process of creating, constructing, using, and rehabilitating space. Her work is also concerned with public space and its transformation in the context of interdisciplinary design and the multidimensional reception of space, as well as with efforts to shape the experience of public space. She is currently carrying out several international research projects in collaboration with partners from Italy, Spain, Germany, Great Britain and Turkey.
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  • Artists / contributors
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    Oron Catts

    He is an artist, researcher and curator whose pioneering work with the Tissue Culture and Art Project which he established with Ionat Zurr in 1996 is considered a leading biological art project.   In 2000 he founded SymbioticA, an artistic research centre housed within the School of Anatomy, Physiology and Human Biology, The University of Western Australia. Under Oron’s leadership SymbioticA has gone on to win the Prix Ars Electronica Golden Nica in Hybrid Art (2007) and became a Centre for Excellence in 2008. Catts’ interest is life, more specifically the shifting relations and perceptions of life in the light of new knowledge and it application.   Often working in collaboration with other artists (mainly Ionat Zurr) and scientists, Catts have developed a body of work that speak volumes about the need to for new cultural articulation of evolving concepts of life. Oron was a Research Fellow in Harvard Medical School and a visiting Scholar at the Department of Art and Art History, Stanford University.   He is currently the Director of SymbioticA, a Visiting Professor of Design Interaction, Royal College of Arts, London, and a Visiting Researcher/consultant at Aalto University’s Future Art Base, Helsinki. Catts’ ideas and projects reach beyond the confines of art; his work is often cited as inspiration to diverse areas such as new materials, textiles, design, architecture, ethics, fiction, and food.   www.tcaproject.org  
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  • Artists / contributors
    D

    Rudy Decelière

    French sound artist, who explores notions of space and dimension. He mainly creates in/outdoor sound installations strongly linked with their architectural or urban context. His central interest is space in terms of visual and sonic presence – all connected with a very sensitive art of process. Decelière is also an active film sound engineer. His works were presented in Switzerland, France, Macedonia, Greece and Germany. He lives and works in Geneva. www.rudydeceliere.net  
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
    F

    Thomas Feuerstein

    (b. 1968, Innsbruck) – studied art history and philosophy at the University of Innsbruck. He works as an artist and author in the fields of fine art and media art. Since 1997 he has held posts as a university lecturer and visiting professor. Thomas Feuerstein’s projects are realised using various media. They comprise installations, drawings, paintings, sculptures, photography, radio plays and netart. Some of the crucial aspects in his work are the interplay between verbal and visual elements, the unearthing of latent connections between fact and fiction, and the interaction between art and science. His works have been exhibited at museums and galleries worldwide, including the ZKM Zentrum (Karlsruhe), MUMOK (Vienna), MUSEION | Museum of odern and Contemporary Art (Bolzano), Galeria Zachęta (Warsaw), Chronus Art Center (Shanghai), Medialab Center (Madrid), as well as the Frankfurter Kunstverein (Frankfurt am Main) and 4th Moscow Biennale of Contemporary Art (Moscow).  
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    Artists / contributors
    G

    Paul Granjon

    born in Lyon, France, in 1965, BA Fine-Art in Marseille (France) 1990. He teaches part-time in Cardiff School of Art and Design, Cardiff, UK. He directed several short films between 1990 and 1999, moved to the UK in 1995 where his focus gradually shifted to performance and robotics. Since 1999 he developed and showed internationally live performances and exhibitions with hand-made robots and songs as well as workshops, collaborations and other projects. He was awarded a Nesta (National endowment for science technology and the arts) Fellowship (2004-2007) and was one of the artists representing Wales in the Venice Biennale 2005, where he exhibited a Robotarium. Recent work often includes home-manufacturing technologies, recycling and participation.His work features in the collections of the Arts Council of England and MUDAM Luxemburg.  www.zprod.org Artist’s Statement: “I am interested in the co-evolution of humans and machines and solutions for alternative futures. I build robots and other machines for shows in performances, art galleries and festivals. I also create temporary factories and other events where people can join in making, thinking, and playing”.
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  • Artists / contributors
    H

    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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    Artists / contributors
    J

    Paweł Janicki

    creator of audiovisual interactive systems, installations and performances working in the field of media art, microsound aesthetics and algorithmic composition. He is associated with the WRO Center for Media Art, where he currently directs the WRO Laboratory. His musical net-performance Ping Melody was awarded by the Tokyo University Haramachida in 2004 the “netarts.org” Grand Prize, and gained a nomination for the Viper Festival in Basel. He was also co-founder and longtime member of the well-known collective Gameboyzz Orchestra Project, exploring lo-fi aesthetic. These and other projects by Paweł Janicki were presented at many prestigious festivals including the “Ars Electronica” and the “Transmediale” and events devoted to contemporary art in the Centre Pompidou. He is also the co-creator of the “Interactive Playground” exhibition. http://paweljanicki.jp   
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  • Artists / contributors
    K

    Christian Kobi

    Studied music at the University of Music in Basel focusing on the classic saxophone. He also studied in Paris, Lucerne and Zurich. He had numerous appearances at home and abroad, solo and together with various improvised music ensembles. Since 2003 he is the founder and artistic director of “zoom in”, a festival for improvised music at Berne Minster, which he founded in 2004. He has also been a member of the saxophone quartet “Konus Quartett” since 2003. In 2006 he co-founded the new music label “CUBUS RECORDS”. http://www.christiankobi.ch/  
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  • Artists / contributors
    L

    Micha Laury

    Born in Israel, a visual artist and sculptor living and working in Paris since 1974. Awarded the Sandberg Prize of the Israel Museum, Jerusalem (1980). Since the beginning of his artistic activity (1967) until today Laury is questioning the so called “brain”  through many of his works. His first brain piece titled “Floor Mop Brain” was done in 1969 with a floor mop arranged in the form of this organ.   Other works from the 70. and on, involved different media: Brain drawings, drawings for Brain projects, performances, photos, sculptures, installations etc. Laury's Brain drawing were mental drawings questioning the potential of human brain. The performances from 1975 examined the possibilities and limits of the brain. The photos of the performance “Cooking Art (Brains and Omlets)” from the same year was about the relation of food and mind (brain).   During the last years Laury met some brain scientists, they had a very interesting discussions about the current brain research. These exchanges with scientists helped artist to develope the concept of the installation “Brain (Laboratory)”. This complex installation includes neural network (with electric light), glass laboratory instruments, videos of laboratory experiments such as the “Eureka” phenomena.   “Eureka” is the rare moment when the brain “stumbles upon” an exceptional idea that sudenly comes into light after a long research period of no results. “Brain (Laboratory)” project will develop further in relation to the advancement of scientific research on the human brain  
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    Artists / contributors
    Ł

    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
    M

    Oleg Mavromatti

    (1965, Russia) is an interdisciplinary artist and filmmaker, a prominent representative of the Moscow Actionism, a phenomenon of the radical performance art scene in 1990s Moscow. He has been a member of legendary Moscow performance art groups such as “Expropriation of the Territory of Art” and NECEZIUDIK. In 1995 Mavromatti establishes the independent film union SUPERNOVA, manifested as a fortress of Moscow radical cinema. Mavromatti has been legally prosecuted for his critical performance art and film work (such as the famous performance “Ne ver’ glazam” (“Do Not believe Your Eyes”), 2000, for what his art and film archive has been confiscated in 2000. Therefore many of his early works are completely lost or accessible only from VHS copies. Mavromatti left the country in 2000 and since then he lives in Bulgaria and New York.  In Bulgaria, Rossa and Mavromatti established art collective ULTRAFUTURO – an international group of artists engaged with issues of technology, science and their social implications. They have been included in the Biennial for Electronic Art, Perth (BEAP) and shown at Foundation for Art and Creative Technologies (FACT), Liverpool; Society for Art and Technology (SAT), Montreal etc.  
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  • Artists / contributors
    N

    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
    P

    Martyna Poznańska

    Sound artist and performer. She studied Art of Sound at the University of the Arts, London and took part in the Sound Laboratory by Olga Szwajgier. She participated in numerous workshops led for instance by Meredith Monk. Poznańska is involved in the experimental music movement “Muzykoterapia” [Musictherapy] in Cracow. In her work she concentrates on the possibility of exploring, better consciousness and reduction of the level of noise in urban space. In the year 2012 she published her debut album “Hoarse Whisper”. Martyna’s latest projects include field recording workshops “Łowcy Dźwięków” [Sound Hunters] in Łaźnia Nowa Theatre in Cracow. She recently worked on the soundtrack for the choreography “A Hint of Wasabi” performed by the Adugna Dance Company in Plymouth (UK) in collaboration with composer Jamie Hamilton, made installations for AudioArt festival (Cracow, Poland 2012), Spor Festival (Aarhus, Denmark 2013) and the Jewish Culture Festival in Cracow. Currently Martyna is studying Sound in Art University in Berlin. She lives in Cracow, Berlin and London. www.martynapoznanska.com  
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  • Artists / contributors
    R

    Michal Rataj

    Czech sound artist, musician. He studied musicology at the Charles University in Prague and composition at the Academy of Performing Arts in Prague, where he earned his Ph.D. in 2005. Since 2006 he is assistant professor and runs electroacoustic music theory and composition classes. Michal Rataj also works as radio art producer at the Czech Radio, where he curates the program slot Radioatelier and the website rAdioCUSTICA for contemporary radioart activities. www.michalrataj.com    
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  • Artists / contributors
    S

    Łukasz Szałankiewicz (Zenial)

    Artist, sound designer, historian, electronic music curator. A member of the Polish Electroacoustic Music Association. He took part in international festivals in Europe, Asia, North and South America. In 2011 he took part in the Focus! Festival, organized in the Lincoln Center, by the prestige Juilliard School and the Polish Institute in New York. He performed in Poland during the following festivals: Audio Art, Unsound, Wro and at the Korkegrada Gallery in Warsaw, Contemporary Art Center Zamek Ujazdowski in Warsaw, Arsenał Gallery in Białystok, Centre of Contemporary Art  in Toruń and many other places. In his works he focuses at the musical searches, as well as on audiovisual performances and interactive installations. Beside strictly musical activities, he is also dealing with promoting polish artists in and outside the country. The co-creator of the Audiotong publishing house. He was also taking part in the organization of few festivals. He is also releasing albums as Zenial and Palescam, together with Maciej Szymczuk he is creating the project AABZU, and with prof. Marek Chołoniewski he is taking part in the project Dizzy Kinetics. Curator of the Man|Machine workshop series. http://www.zenial.audiotong.net  
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  • Artists / contributors
    T

    Patrick Tresset

    A French artist and scientist who investigates human artistic activity, computational creativity and our relation to machines, in particular our relations with robotic entities. In the context of his art practice, Patrick uses robotics to create autonomous robotics entities that are evocative representations of the artist, and in a certain manner a representation of himself. His robots are based on advanced technologies using research findings from robotics, computer vision, artificial intelligence and cognitive computing. Patrick encountered and practiced computing, painting, drawing and sculpture from an early age in France. Following a degree in Business Computing, he migrated to London to become a painter. Between 1991 and 2003 his work was exhibited in solo and group shows in London and Paris. In 2003, Patrick lost his ability to paint and draw, he has since been working on computational and robotic systems that are able to simulate these artistic activities. Patrick’s research led him to join Goldsmiths, University of London, to study for a Master of Sciences in Arts Computing and until 2013, he codirected the AIkon II project with Prof. Frederic Fol Leymarie. The AIkon II project investigated the observational sketching activity through computational modeling and robotics. Patrick also created the creative robotics course taught to postgraduatestudents at Goldsmiths as part of the MFA Computational Arts programme. Patrick was recently a Senior fellow at the Zukunftskolleg, University of Konstanz in Germany and is a currently a visiting research fellow at Goldsmiths University of London, United Kingdom. As a researcher he has published academic papers in the fields of artificial intelligence, computational aesthetics, computational creativity, social robotics, drawing research, digital arts and computer graphics. Patrick’s work has been internationally exhibited in solo and group shows, in association with major museums suc
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  • Artists / contributors
    V

    Tanja Visosevic

    An interdisciplinary artist, screen critic/theorist and educator.  Her art projects employ the technologies and strategies of the moving image, performance and bio-art to explore the cultural and philosophical terrains that consume her.  Much of her obsessions deal with the Life and Death Instincts, Identity Politics and the pioneering possibilities, as well as side effects, spawned from New Technologies.   The formation of a revolutionary audiovisual culture via digital technologies is embodied by much of Visosevic’s creative undertakings, present in her interactive mobile phone performances (such as Oh Bon! Commissioned by Fremantle Arts Centre in 2008 for the Bon Scott Project), through to Bio-Kino’s The Living Screen project (researched and developed at SymbioticA – The Centre of Excellence in Biological Arts).  These works possess an evolved poetics that situates her art practice within a swelling circuit of new genres and moving-image experiences.  Visosevic is a lecturer for the School of Communications and Arts at Edith Cowan University, where she combines her research in new media platforms with educating students in understanding the nature and experience of the moving image.  
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  • Artists / contributors
    W

    Zorka Wollny

    A musician, audio-video programmer, violinist, singer, composer and the founder of “O” – the first Polish studio which specializes in the creation of interactive multimedia installations. He conducts workshops devoted to interactive multimedia programming, builds instruments, and creates music for theater, short films and animated movies. Wojnicki also performs as a solo artist under the name Mananasoko. www.o.bzzz.net  
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  • Artists / contributors
    Z

    Dr Ionat Zurr

    An artist and a researcher at SymbioticA – The Centre of Excellence in Biological Arts, School of Anatomy and Human Biology, the University of Western Australia. Ionat together with Oron Catts formed the internationally renowned Tissue Culture and Art Project. She has been an artist in residence in the School of Anatomy Physiology and Human Biology since 1996 and was central to the establishment of SymbioticA in 2000. Ionat is considered a pioneer in the field of biological arts and her research been published widely, exhibited internationally and her artwork has been collected by MoMA New York. Ionat is this year recipient of the Discovery Australian Reseach Council Award(2012); she has been a fellow in the InStem Institute, NCBS, Bangalore (2010) and a visiting scholar at The Experimental Art Centre, Stanford University (2007) and The Tissue Engineering & Organ Fabrication Laboratory, Massachusetts General Hospital, Harvard Medical School (2000-2001). She exhibited in places such as the MoMA NY, Mori Museum Tokyo, Ars Electronica, Linz, GOMA Brisbane and more.  www.tcaproject.org  
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