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  • Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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    LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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  • Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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    Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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  • Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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    Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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  • EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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    Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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  • EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

A few words of introduction to Damien Hirst’s “New Religion” | Jadwiga Charzyńska

Texts | 21-11-2016
How did Damien Hirst’s New Religion find its way to Gdańsk to become part of the Art+Science Meeting?This question is crucial to my understanding of the romance between art and science.For centuries, these phenomena have always come together, irrespective of the era.   Renaissance humanism formed the cornerstone of modern culture.The turn of the 19th and 20th centuries marked the rejection of academism in visual arts.This gave rise to the artistic fascination with revolutionary discoveries and scientific theories; artists began to delve into science, drawing on philosophy and psychology.They began to talk about extending the intellectual layer in art, while contestation and provocation became equally important to the artistic process as the ability to draw or paint.At the same time, there appeared voices highlighting the ever greater gap of understanding between humanists and scientists.Tumultuous political and social changes, together with unprecedented technological progress, created the conditions for socially engaged art.   Artistic protest turned into the leading canon throughout the entire 20th century.The intellectual and critical aspect of works dominated over aesthetics or skill.Damien Hirst also began his career by reaching for very strong means of expression. The Apostles. Fig. 1 Jesus Christ 2005 / ©
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People
  • Artists / contributors
    B

    Bálint Bolcsó

    He studied composition at the Liszt University of Music in Budapest. He also studied in Vienna, Hannover and Cologne. He writes vocal, instrumental and electroacoustic pieces, radio plays, sound installations as well as applied music for film, dance and theatre. He often uses live electronics both in composed and in improvised music. He performs regularly as an improvising musician, using self-made and programmed instruments. He teaches at Liszt University of Music in Budapest, and at the University of Pécs. http://bolcso.net/  
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    Pier Luigi Capucci

    (b. 1955, Lugo) – is a researcher and theorist in the fields of media studies and of the relationship among art, science and technology. He has published extensively in books and magazines, delivered numerous conference papers and he written the books Reality of the Virtual (1993), The Technological (1994) and Art and Technologies (1996). In 1994 he founded and directed the first Italian online magazine, NetMagazine, later MagNet, on the relationships between the arts and technologies. In 2000 he started Noema, a web magazine on culture-science- technology interrelations. He has participated in international conferences worldwide. He has worked as a teacher at the universities of Rome “La Sapienza”, Bologna, Florence and Urbino, at the SUPSI in Lugano, and at the fine arts academies of Carrara and NABA in Milan. He is currently a professor at the Fine Arts Academy of Urbino and the Director of Studies of the T-Node PhD Research Program of the Planetary Collegium, University of Plymouth (UK).    
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  • Artists / contributors
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    Adam Donovan

    He is an Australian artist working in the area of ​​science, art and technology. His work involves robotics, real time 3D environments, camera tracking and sound focusing technology.   Donovan's work has evolved from a fascination with the natural phenomena of light and sound. In pursuing an intense understanding of the physical characteristics of sound and how it moves through space, he has developed an ability to modulate and combine its patterns for us to hear. Essentially, Donovan uses lenses to manipulate, focus and sculpt sound. This fascination with first began using optical lenses to focus light. Understanding more about light as a physical phenomena turned his interests to sound, and how our auditory senses interpret our world.   adamdonovan.net
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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    F

    Monika Fleischmann

    German new media artist, curator and researcher. She studied fashion design, visual arts, theater, digital media and philosophy. Monika Fleischmann works at the intersection of art, science and technology. Since 1987, together with Wolfgang Strauss, she develops methods, models, and the work which combining the reality with the virtual world. One of the pioneers of interactive media art. Together with Wolfgang Strauss received the “Golden Nike”. Their works are archived in the Zentrum fur Kunst und Medientechnologie in Karlsruhe. www.fleischmann-strauss.de  
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    Artists / contributors
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    Paul Granjon

    born in Lyon, France, in 1965, BA Fine-Art in Marseille (France) 1990. He teaches part-time in Cardiff School of Art and Design, Cardiff, UK. He directed several short films between 1990 and 1999, moved to the UK in 1995 where his focus gradually shifted to performance and robotics. Since 1999 he developed and showed internationally live performances and exhibitions with hand-made robots and songs as well as workshops, collaborations and other projects. He was awarded a Nesta (National endowment for science technology and the arts) Fellowship (2004-2007) and was one of the artists representing Wales in the Venice Biennale 2005, where he exhibited a Robotarium. Recent work often includes home-manufacturing technologies, recycling and participation.His work features in the collections of the Arts Council of England and MUDAM Luxemburg.  www.zprod.org Artist’s Statement: “I am interested in the co-evolution of humans and machines and solutions for alternative futures. I build robots and other machines for shows in performances, art galleries and festivals. I also create temporary factories and other events where people can join in making, thinking, and playing”.
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  • Artists / contributors
    H

    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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  • Artists / contributors
    J

    Ryan Jordan

    An electronic artist conducting experiments in derelict electronics, possession trance, retro-death-telegraphy and hylozoistic neural computation. His work focuses on self-built hardware, signal aesthetics, and the physical/material nature of experience. Jordan’s live performances make excessive use of stroboscopic light, high volume noise, and electronic stimulation of rocks in an attempt to induce hallucinatory and trance like states. He has presented his work internationally in a wide range of venues from art and academic institutions to derelict warehouses and squats at places such as Sight + Sound Festival (Montreal, Canada); LACMA (Los Angeles, USA); Subtle Technologies (Toronto, Canada); Transe(s) Symposium (Strasbourg, France); SPILL Festival (Ipswich, UK); Resonant Chamber (Riga, Latvia); FACT (Liverpool, UK); Belluard Festival (Friburg, Switzerland); CTM Festival: CTM.12 (Berlin, Germany); Pure Data Convention (Sao Paulo, Brazil); Piksel Festival (Bergen, Norway); ISEA (Istanbul, Turkey); and NEXT Festival (Bratislava, Slovakia). Jordan runs noise=noise, a research laboratory and live performance platform aimed at developing a network of artists, programmers, and researchers working in the areas of noise, experimental, exploratory, and outsider arts.  http://nnnnn.org.uk/ http://ryanjordan.org/    
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  • Artists / contributors
    K

    Christina Kubisch

    Studied painting, music (flute and composition) and electronics in Hamburg, Graz, Zürich and Milano. After having worked as a flutist for contemporary music, she started to perform her own pieces, often combined with video. Since the end of the 70’ she focused on sound installations, sound sculptures and works with light. Her compositions are mostly electroacoustic, but she has written for ensembles as well and produced several audio works for radio. She received numerous grants and awards, such as the composition grant of the city of Berlin (1995), the honorary award of the German Sound Art Award (2008), Ars Electronica honorary mention (2008), SR Media Art Award (2009), City Sound Art Bonn / Beethovenstiftung (2013). Since 1974 she had solo exhibitions in Europe, USA, Australia, Japan and South America. She participated in several international festivals and group exhibitions such as: Pro Musica Nova, Bremen (1976 and 1980), Biennale of Venice (1980 and 1982), Ars Electronica, Linz (1987), Musik und Raum, Lucerne Festival (2004), European Capital of Culture project (2010). Her music has been released by various labels such as Cramps Records, Edition RZ, ampersand, semishigure, Die Schachtel, Olof Bright, AA Records, Important Records, Gruenrekorder and others. Christina Kubisch has been a visiting professor in Maastricht, Paris, Oxford and Berlin. From 1994 to 2013 she was professor for Audiovisual Art at the Academy of Fine Arts, Saarbrücken, Germany. Since 1997 she is a member of the Akademie der Künste Berlin. 2013/2014 she is a Senior Research Fellow at Oxford Brookes University. www.christinakubisch.de  
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    Kristjan Loðmfjörð

    In the late nineties Kristján Loðmfjörð founded the film association Lortur along with film director Hafsteinn G. Sigurðsson. In the turn of the century Lortur became a populous group of young artists in Reykjavik, Iceland, producing experimental films as well as hosting the visual art biennale Drum Solo. After graduating from visual art in the year 2006 Kristján has worked as a visual artist, film director and editor. With the film medium Kristján explores the border between visual art and cinema, which allows him to emphasize the narration of visual language. Awards: Best documentary prize at the Edda Awards, the annual film and TV awards in Iceland, in 2007 for the film “Sins of the Fathers” (for script and editing), Third prize at the short film festival 2001 Frames in 2002 for the film “The Jacket Everybody Wanted to Wear”. First prize at the Reykjavík Short Film festival in 2002 for the film “Morocco: Pale Arrogance”. Second prize at the short film festival 2001 Frames in 2001 for the film “Up on Kjölur”. First prize at the Reykjavík Short Film festival in 2000 for the film “Georg: a living tune”.  
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    Artists / contributors
    Ł

    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
    M

    Dmitry::vtol:: Morozov

    (b. 1986, Moscow) – implements his ideas in technological art: robotics, sound art and science art. He is the first batch producer of music and video synthesizers in the post-Soviet area. Besides making music and instruments, Morozov creates art installations and promotes circuit-bending and DIY electronics through lectures and workshops. He has taken part in numerous group exhibitions at the NCCA, MoMA, Garage, Tretyakov State Gallery / Art Play, Electromuseum, Laboratoria (Moscow), ZKM | Zentrum fuer Kunst und Medientechnologie (Karlsruhe), Boulder Museum of Contemporary Art (Boulder), National Taiwan Museum of Fine Arts (Taichung), etc., in 4th MBCA (Moscow), SIGGRAPH 2016 (Anaheim) and in festivals such as Mirage (Lyon), Future Everything (Manchester) and CTM (Berlin). He is the award winner of the Sergei Kuryokhin Prize (Russia, 2013), Prix Cube (France, 2014) and also received honorary mentions at VIDA 16.0 (Spain, 2014) and Prix Ars Electronica (Austria, 2015).  
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  • Artists / contributors
    N

    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
    P

    Prof. Michael Punt

    Professor of Art and Technology at the University of Plymouth where he is the convenor of Transtechnology Research and the Editor-in-Chief of Leonardo Reviews. He gained his PhD at the University of Amsterdam (Early Cinema and the Technological Imaginary) and has jointly produced two books on audio visual media and consciousness. He has published over 80 articles on cinema history and digital technology in key journals. From April 2010 he has been leading a large joint research project funded through HERA on the creative exchanges between experimental and commercial film makers. www.trans-techresearch.net  
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  • Artists / contributors
    R

    Jasia Reichardt

    Writer on art, art critic and exhibition organizer. She was born in Poland but has lived in London most of her life. She was Assistant Director of the ICA in London (1963-71) and Director of the Whitechapel Art Gallery (1974-76). She is principally interested in the relationships between art and science, art and technology and art and the history of ideas. Some of her best known exhibitions, such as “Between Poetry and Painting” (1965) and “Cybernetic Serendipity” (1968) were about the connections between one field and another. The principal idea of “Cybernetic Serendipity” exhibition was to examine the role of cybernetics in contemporary arts. She has written several books , including “The Computer in Art” (1971), “Robots – Fact, Fiction and Prediction” (1978) and edited “Cybernetics, Art and Ideas” (1971). She also worked on visualization of mathematics, a project called “Fantasia Mathematica”. She was one of the directors of ARTEC biennale in Japan (focused on art and technology) between 1989-98. In 1998 she staged an exhibition called “Electronically Yours” about electronic portraiture at the Tokyo Metropolitan Museum of Photography. Since 1988 she has been looking after the Themerson Archive, the archive of a writer and an artist, whose avant-garde publishing company, Gaberbocchus Press, launched in 1957 a Common Room for artists interested in science and scientists interested in the arts. She continues to pursue her interests in the relationship of art and technology.
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  • Artists / contributors
    S

    Chris Salter

    Chris Salter (b.1967, Beaumont, TX) is an artist, Concordia University Research Chair in New Media and the Senses and Co-Director of the Hexagram Network in Montreal. He studied philosophy, theatre and computer music at Emory and Stanford Universities. After collaborating with Peter Sellars and William Forsythe/Ballett Frankfurt, he co-founded and directed the art and research collective Sponge (1997-2003). His solo and collaborative work has been seen all over the world at such venues as the Venice Architecture Biennale (Venice), Laboral Centro de Arte y Creacion Industriel (Gijon, Spain), Ars Electronica (Linz), Transmediale (Berlin), EXIT Festival (Maison des Arts, Creteil-Paris), Elektra (Montréal), Yerba Buena Center for the Arts (San Francisco), V2 (Rotterdam), SIGGRAPH 2001 (New Orleans) and the Exploratorium (San Francisco), among others. He is the author of Entangled: Technology and the Transformation of Performance (MIT Press, 2010) and Alien Agency (MIT Press, 2015).    
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    Krzysztof Topolski

    Electroacoustic improviser, author of sound-art projects, drummer. His main field of interest are noise and soundscape. He is interested in exploring drums and live electronics, improvised and electroacoustic music, computer composing, creating sound and interactive installations. He organizes presentations, holds workshops and lectures about contemporary music and sound-art. www.arszyn.com  
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    Bill Vorn

    Based in Montreal, Bill Vorn is active in the field of Robotic Art since 1992. His installation and performance projects involve robotics and motion control, sound, lighting, video and cybernetic processes. He pursues research and creation on Artificial Life and Agent Technologies through artistic work based on the Aesthetics of Artificial Behaviors. He holds a Ph.D. degree in Communication Studies from UQAM (Montreal) for his thesis on Artificial Life as a Media. He teaches Electronic Arts in the Department of Studio Arts at Concordia University (Intermedia/Cyberarts program) where he holds the rank of Full Professor.  His work has been presented in multiple international events, including Ars Electronica, ISEA, DEAF, Sonar, Art Futura, EMAF and Artec. He has been awarded the Vida 2.0 award (1999, Madrid), the Leprecon Award for Interactivity (1998, New York), the Prix Ars Electronica Distinction award (1996, Linz) and the International Digital Media Award (1996, Toronto). He has worked in collaboration with many canadian artists (including Edouard Lock, Robert Lepage, Gilles Maheu, LP Demers and Istvan Kantor). He was cofounder of the electronic pop music band Rational Youth with Tracy Howe in 1981. billvorn.concordia.ca  
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  • Artists / contributors
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    Adam Witkowski

    Graduated in painting at the Academy of Fine Arts in Gdańsk, where in 2011 he received the Doctor of Fine Arts title. He works with soundart, drawing, radio projects and installations. He plays in the following music groups: Gówno, Samorządowcy, Nagrobki. http://adamwitkowski.com  
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    Dr Ionat Zurr

    An artist and a researcher at SymbioticA – The Centre of Excellence in Biological Arts, School of Anatomy and Human Biology, the University of Western Australia. Ionat together with Oron Catts formed the internationally renowned Tissue Culture and Art Project. She has been an artist in residence in the School of Anatomy Physiology and Human Biology since 1996 and was central to the establishment of SymbioticA in 2000. Ionat is considered a pioneer in the field of biological arts and her research been published widely, exhibited internationally and her artwork has been collected by MoMA New York. Ionat is this year recipient of the Discovery Australian Reseach Council Award(2012); she has been a fellow in the InStem Institute, NCBS, Bangalore (2010) and a visiting scholar at The Experimental Art Centre, Stanford University (2007) and The Tissue Engineering & Organ Fabrication Laboratory, Massachusetts General Hospital, Harvard Medical School (2000-2001). She exhibited in places such as the MoMA NY, Mori Museum Tokyo, Ars Electronica, Linz, GOMA Brisbane and more.  www.tcaproject.org  
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