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  • Call for papers

    Latest news | 18-08-2017
    Call for papers on the links between art and science to be published on the ART+SCIENCE MEETING website.   The submission deadline is 30 September 2017 and texts should be sent to: artscience@laznia.pl.  All submissions will be reviewed by the website’s editors. Approved articles will be published on the ART+SCIENCE Meeting website. Prior to sending the texts, please take your time to read the following editorial guidelines.   Authors of published texts will receive remuneration.   The authors of approved texts are obliged to provide the editorial board of the ART+SCIENCE Meeting website with information about (natural or legal) persons that contributed to the publication (including their affiliation and the nature of their contribution: information on the authorship of the concept, theses, methodology, etc. used in the process of preparing the publication). Pursuant to the relevant agreements concluded with the ŁAŹNIA Centre for C
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    Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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  • LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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    Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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  • Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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    Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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  • Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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    EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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  • Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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    EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

The development of living systems (interview with Ch. Sommerer & L. Mignonneau) | Kamila Wielebska

Texts | 24-11-2016
KW: In many of your works you give up a part of your role in creation which is ascribed to artists. Instead of being a kind of a demiurge, you allow spectators to take a part in the very act of creation. Why do you do it? What is more important for you – to change a traditional status of an artist-creator? Or maybe to prompt people to act? Is the aspect of interactivity of the audience particularly important in your works and if yes – why? CS&LM: In our works we are interested in audience participation as an important factor for the creation of the artwork. In Happenings, Fluxus, Performance Art, Early Electronic Art, Art and Technology (E.A.T.), Expanded Cinema, Actionism as well as in Cybernetic Art, the audience and the participant gained an increasingly important role for the completion of the art event. A new dialogue between the artist, the audience and the art work was negotiated since the 1930s. Starting in the 1970s it was finally possible through interactive technologies, to push this exchange and feedback even further and have the audience contribute their interaction data as important elements in the development of the art work. When we started in the early 1990s, most early interactive art works were still quite scripted and the audience had only a limited amount of influence on its direction. They could choose certain paths or s
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People
  • Artists / contributors
    B

    Maurice Benayoun (aka MoBen)

    French pioneering new-media artist born in Algeria (1957). He lives and works in Paris.   His works employs various media - including (and often combining) video, virtual reality, the Web, wireless technology, performance, public space large scale art installations and interactive exhibitions.   He is a pioneer new media artist and theorist. As short film director, installation artist, museum and exhibition designer, interaction designer and theorist, during the past 30 years to now, Maurice Benayoun explores the potentiality, the aesthetic and social impact of various media from video to computer graphics, Virtual Reality to Web and wireless art, public space large scale art installations and interactive exhibitions. His work has been widely exhibited all over the world and received numerous international awards and prizes.   He is exhibited in international museums and galleries: Centre Pompidou, Paris, Museum of Contemporary Art (Lyon, Montreal), Kiasma (Helsinki), Eyebeam, Museum of the Moving Image NYC, Streaming Museum NYC, ICC Tokyo… From the Quarxs -one of the very first computer animation series in the early nineties – to NeORIZON giant street installation in Shanghai (2008), not to forget the Tunnel under the Atlantic World Skin, a Photo Safari in the Land of War (Golden Nica, Ars Electronica 1998), or the Mechanics of emotions with Occupy wall Screens in NYC, Benayoun’s work try to exceed technologies by exploring new ways of creating meaning through experiencing metaphoric situations. Beside his art works, Maurice Benayoun has been involved in the conception direction of many large scale exhibitions, events and architecture projects including the permanent installation inside the Arc de Triomphe of Paris.   www.benayoun.com  
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    Radek Czajka

    Main programmer at the Modern Poland Foundation and at the free online library WolneLektury.pl. He is member of the free software and free culture movements. He is the author of Leśmianator – an automatic poet, which apparently regarding to a literary magazine lead to creating a new direction in the poetry genre development and the organizer of the automatic poetry contest “Turniej Elektrybałtów”. He created the StrataKazika.pl website. He is a blogger and an observer of the copyrights debate.  http://wolnelektury.pl/lesmianator/   
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  • Artists / contributors
    D

    Adam Donovan

    He is an Australian artist working in the area of ​​science, art and technology. His work involves robotics, real time 3D environments, camera tracking and sound focusing technology.   Donovan's work has evolved from a fascination with the natural phenomena of light and sound. In pursuing an intense understanding of the physical characteristics of sound and how it moves through space, he has developed an ability to modulate and combine its patterns for us to hear. Essentially, Donovan uses lenses to manipulate, focus and sculpt sound. This fascination with first began using optical lenses to focus light. Understanding more about light as a physical phenomena turned his interests to sound, and how our auditory senses interpret our world.   adamdonovan.net
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  • Artists / contributors
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    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
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    Thomas Feuerstein

    (b. 1968, Innsbruck) – studied art history and philosophy at the University of Innsbruck. He works as an artist and author in the fields of fine art and media art. Since 1997 he has held posts as a university lecturer and visiting professor. Thomas Feuerstein’s projects are realised using various media. They comprise installations, drawings, paintings, sculptures, photography, radio plays and netart. Some of the crucial aspects in his work are the interplay between verbal and visual elements, the unearthing of latent connections between fact and fiction, and the interaction between art and science. His works have been exhibited at museums and galleries worldwide, including the ZKM Zentrum (Karlsruhe), MUMOK (Vienna), MUSEION | Museum of odern and Contemporary Art (Bolzano), Galeria Zachęta (Warsaw), Chronus Art Center (Shanghai), Medialab Center (Madrid), as well as the Frankfurter Kunstverein (Frankfurt am Main) and 4th Moscow Biennale of Contemporary Art (Moscow).  
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    John Grzinich

    mixed-media artist, who works since the early 90’ as a freelance artist and cultural coordinator, combining such divergent methods as field recording, kinetic sculpture, electroacoustic composition, performance, spatial perception and acoustics. In recent years Grzinich concentrated on giving workshops on various aspects of sound, that encourage collaboration through social communication, performance, mapping, recording and editing. He performed in North America, Europe and Japan and his compositions have been published by international labels such as: SIRR, Staalplaat, Erewhon, Intransitive, Cut, Elevator Bath, CMR, Orogenetics, Mystery Sea, Invisible Birds and others. He lives in Estonia and works as a program coordinator for MoKS, a non-profit artist-run center. At LAK – festival of Nordic Sound Art 2013 – Grzinich led the workshop “Sensing Sonospace”  
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  • Artists / contributors
    H

    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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    Artists / contributors
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    Paweł Janicki

    creator of audiovisual interactive systems, installations and performances working in the field of media art, microsound aesthetics and algorithmic composition. He is associated with the WRO Center for Media Art, where he currently directs the WRO Laboratory. His musical net-performance Ping Melody was awarded by the Tokyo University Haramachida in 2004 the “netarts.org” Grand Prize, and gained a nomination for the Viper Festival in Basel. He was also co-founder and longtime member of the well-known collective Gameboyzz Orchestra Project, exploring lo-fi aesthetic. These and other projects by Paweł Janicki were presented at many prestigious festivals including the “Ars Electronica” and the “Transmediale” and events devoted to contemporary art in the Centre Pompidou. He is also the co-creator of the “Interactive Playground” exhibition. http://paweljanicki.jp   
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  • Artists / contributors
    K

    Balázs Kovács

    Hungarian sound artist and performer. He creates site-specific installations and audio works which mainly rely on technology and cultural background.   His output connects sound art with kinetic installations and network solutions.   Balázs Kovács alias Xrc is a teacher and co-founder of the Media and Applied Arts at the University of Pécs.   www.kbalazs.periszkopradio.hu  
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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    Artists / contributors
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
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    Robert Mitchell

    (b. 1969, Atlanta) – is the Marcello Lotti Professor of English and Director of the Center for Interdisciplinary Studies in Science and Cultural Theory at Duke University (US). He earned a PhD from the University of Washington in 2001. He is co-author of Tissue Economies (Duke University Press, 2006), Sympathy and the State in the Romantic Era (Routledge, 2007), Bioart and the Vitality of Media (University of Washington Press, 2010) and Experimental Life: Vitalism in Romantic Science and Literature Johns Hopkins University Press, 2013). Robert Mitchell has guest lectured in the US and internationally, including Stanford University (Palo Alto) The New School (New York), University of Toronto (Toronto), Université de Montréal (Montreal), Oxford University (Oxford), London School of Economics (London), The Nottingham Trent University (Nottingham) and others. His current research focuses on the relationships among biopolitics, the logic of populations, and the arts.  
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  • Artists / contributors
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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    Porcje Rosołowe

    A project created by a duo – Mateusz Wysocki (also known as Fischerle) and Lech Nienartowicz. They willingly explore all kinds of audio glitches, however, they like to focus also on the organic nature of sound and listeners perception, for example a cooperation with Justyna Kociszewska had brought to life “Fungus & Sequoia” – an audiovisual installation presented at the Reworks Festival in Greece. Their sound works have been presented in Poland, Ireland, Spain, Canada and in the United States. They created an experimental label Pawlacz Perski. pawlaczperski.org  
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  • Artists / contributors
    R

    Boryana Rossa

    (born 1972) is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.Her artwork has been exhibited internationally including most notably at the National Gallery of Fine Arts inSofia,Goethe Institute, the Moscow Biennial, the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum,Exit Art, Biennial for Electronic Art in Perth, and Foundation for Art and Creative Technologies in Liverpool. She frequently collaborates with artist and filmmakerOleg Mavromatioften under the title ULTRAFUTURO – an international art collective started in 2004. Some of her awards and grants include the Gaudenz B. Ruf Award for New Bulgarian Art,the Essential Reading for Art Writers Award from the Institute of Contemporary Art in Sofia,and aNew York Foundation for the ArtsFellowship in 2014 in Digital/Electronic Arts. She is an Assistant Professor of Transmedia at Syracuse University.
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  • Artists / contributors
    S

    Stelarc

    Stelarc is an Australian performance and installation artist who has internationally exhibited, presented and done performances in Europe, Asia, North America, South America and Australia. He has visually probed and acoustically amplified his body. He has made three films of the inside of his body, filming 3m of the internal space of his lungs, stomach and colon. Between 1976-1988 he completed 25 body suspension performances with hooks in the skin. He has used medical instruments, prosthetics, robotics, Virtual Reality systems, the Internet and biotechnology to explore alternate, intimate and involuntary interfaces with the body.   He has performed with a Third Hand, a Virtual Arm, a Stomach Sculpture and Exoskeleton, a six-legged walking robot. His Prosthetic Head is an embodied conversational agent that speaks to the person who interrogates it. As part of the Thinking Head Systems he collaborated with the Marcs Auditory Labs at the University of Western Sydney to develop the Articulated Head, the Floating Head and the Swarming Heads projects. He is surgically constructing and stem cell growing an Ear on Arm that will be electronically augmented and internet enabled. The first surgical procedures occurred in 2006. He has recently been performing with his four avatar and automaton clones on his Second Life site, exploring actual-virtual interfaces and gesture actuation of his avatar with Kinect. Publications about his artwork include Stelarc: The Monograph, edited by Marquard Smith, MIT Press, 2005; Stelarc: Political Prosthesis & Knowledge of the Body by Marina Grzinic-Mauhler
Maska & MKC (Ljubljana & Maribor), 2002 and The Cyborg Experiments: The Extensions of the Body in the Media Age,edited by Joanna Zylinska, Continuum Press (London & New York), 2002.   In 1997 he was appointed Honorary Professor of Art and Robotics at Carnegie Mellon University, Pittsburgh USA. From 2000-2003
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  • Artists / contributors
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    Patrick Tresset

    A French artist and scientist who investigates human artistic activity, computational creativity and our relation to machines, in particular our relations with robotic entities. In the context of his art practice, Patrick uses robotics to create autonomous robotics entities that are evocative representations of the artist, and in a certain manner a representation of himself. His robots are based on advanced technologies using research findings from robotics, computer vision, artificial intelligence and cognitive computing. Patrick encountered and practiced computing, painting, drawing and sculpture from an early age in France. Following a degree in Business Computing, he migrated to London to become a painter. Between 1991 and 2003 his work was exhibited in solo and group shows in London and Paris. In 2003, Patrick lost his ability to paint and draw, he has since been working on computational and robotic systems that are able to simulate these artistic activities. Patrick’s research led him to join Goldsmiths, University of London, to study for a Master of Sciences in Arts Computing and until 2013, he codirected the AIkon II project with Prof. Frederic Fol Leymarie. The AIkon II project investigated the observational sketching activity through computational modeling and robotics. Patrick also created the creative robotics course taught to postgraduatestudents at Goldsmiths as part of the MFA Computational Arts programme. Patrick was recently a Senior fellow at the Zukunftskolleg, University of Konstanz in Germany and is a currently a visiting research fellow at Goldsmiths University of London, United Kingdom. As a researcher he has published academic papers in the fields of artificial intelligence, computational aesthetics, computational creativity, social robotics, drawing research, digital arts and computer graphics. Patrick’s work has been internationally exhibited in solo and group shows, in association with major museums suc
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  • Artists / contributors
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    Tanja Visosevic

    An interdisciplinary artist, screen critic/theorist and educator.  Her art projects employ the technologies and strategies of the moving image, performance and bio-art to explore the cultural and philosophical terrains that consume her.  Much of her obsessions deal with the Life and Death Instincts, Identity Politics and the pioneering possibilities, as well as side effects, spawned from New Technologies.   The formation of a revolutionary audiovisual culture via digital technologies is embodied by much of Visosevic’s creative undertakings, present in her interactive mobile phone performances (such as Oh Bon! Commissioned by Fremantle Arts Centre in 2008 for the Bon Scott Project), through to Bio-Kino’s The Living Screen project (researched and developed at SymbioticA – The Centre of Excellence in Biological Arts).  These works possess an evolved poetics that situates her art practice within a swelling circuit of new genres and moving-image experiences.  Visosevic is a lecturer for the School of Communications and Arts at Edith Cowan University, where she combines her research in new media platforms with educating students in understanding the nature and experience of the moving image.  
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  • Artists / contributors
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    Where Dogs Run

    Alexey Korzukhin (b.1974), Vladislav Bulatov (b.1975), Natalia Grekhova (b.1976), Olga Inozemtseva (b.1977). The group was formed in 2000 in Yekaterinburg (Russia). It represents a wide range of contemporary multimedia arts. In its artworks the group addresses spontaneous bodily experiences and mythological narrations, as well as optical and language illusions. The group’s artwork has been presented at various festivals and exhibitions of contemporary art, including On the resort (Baden-Baden, 2004), 9th and 11th Art Forums of Artistic Initiatives (Moscow, 2004, 2005), Break 2.3 Festival (Ljubljana, 2005), 10th Contemporary Sculpture Triennale (Fellbach, 2007), The Young Aggressive (Tokyo, 2008), 8th and 9th Krasnoyarsk Biennale (Krasnoyarsk 2009, 2011), Russian Utopia (Moscow, 2010), Aesthetics vs Information (Klaipeda, 2010), special projects for the 1st, 2nd, 3rd and 4th Moscow biennales (2005-2015), Soft Control (Maribor, 2012), GLOBALE: Exo-Evolution (Karlsruhe, ZKM 2015), and others.  
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    Artists / contributors
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    Marek Zygmunt

    Visual artist, director, producer of documentary films. Since 1995 he creates performances, video performances, multimedia installations, movies, photography and experimental music. He is the author of over 150 projects, exhibitions participant and creator of authorial activities. Professionally he focuses on film and television art, working as a director and journalist. He owns a company producing film materials. He has been working for over 20 year with artists as Dominik Lejman and institutions as the Baltic Opera, Laznia CCA, Academy of Fine Arts in Gdańsk preparing video visualizations and project documentations. http://www.marekzygmunt.art.pl/   
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