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  • Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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    LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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  • Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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    Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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  • Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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    Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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  • EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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    Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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  • EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

Echo and Narcissus – Aural space, navigation and memory, or Playing it by Ear! | N. Helyer

Texts | 24-11-2016
A SoundWalk I am going to take you on a walk, a soundwalk if you will. I am going to lead you, by the ear, if necessary to the Sonic Commons, at once an atavistic geography and yet again a simple concept. But before our stroll and as in all good soundwalks, a short briefing: Nigel Helyear, Meta-Diva.  source: image from the artist. Echo and Narcissus The two stories of Echo, the talkative nymph… yet a chatterbox, had no other use of speech than she has now, that she could repeat only the last words out of many…. and Narcissus the vain youth who rejects the nymphs advances, were first combined by Ovid in his work Metamorphoses. A curse placed upon Echo limited her speech to mimic those around her and after her brush with unrequited love she faded away into the forest so that only her voice remained to inhabit the wooded slopes. After shunning Echo, Narcissus lay beside a forest pool, entranced by an image of youth and beauty. Not recognising his own reflection, he became deeply enamoured with the visage which mirrored his every move but which agonisingly vanished each time he attempted to reach for it. He died at that spot, disconsolate, weeping as the nymph had done, his sobs repeated in the woods by those of Echo. As his body melded with the forest floor a flower we know as a Narcissus bloo
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People
  • Artists / contributors
    B

    Justyna Borucka

    She holds a D.Sc. degree in Architecture and works as Assistant Professor at Gdańsk University of Technology in the Faculty of Architecture (Department of Residential Architecture). She approaches architecture from an interdisciplinary point of view, analyses its relation with other arts, and studies the role of art in the process of creating, constructing, using, and rehabilitating space. Her work is also concerned with public space and its transformation in the context of interdisciplinary design and the multidimensional reception of space, as well as with efforts to shape the experience of public space. She is currently carrying out several international research projects in collaboration with partners from Italy, Spain, Germany, Great Britain and Turkey.
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    Artists / contributors
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    Wojciech Cwyk

    Sound operator, specialized in the production of documentary movies. He is the co-author of documentaries, TV spots, music scores. He graduated at the Gdańsk University of Technology. For many years he worked at Video Studio Gdańsk – the first independent television production studio in Poland. He was also member of journeys to the Middle East. He cooperates with polish and foreign production companies and television channels. He worked on such movies and documentaries as “Nauczanie początkowe”, “Przerwany lot”, “W sypialni” and many others.
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  • Artists / contributors
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    Marco Donnarumma

    New media and sonic artist, performer and teacher, Marco Donnarumma was born in Italy and is based in London.   Weaving a thread around biomedia research, musical and theatrical performance, participatory practices and subversive coding, Marco looks at the collision of critical creativity with humanized technologies. His biophysical system Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument” by the Georgia Tech Center for Music Technology, US.  Marco has performed and spoken in 40 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals (FILE, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral, EMAF) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference@Stanford CCRMA, SICMF). His projects have been reviewed on BBC, Reuters, Wired, Create Digital Music, We Make Money Not Art, Rhizome, Weave, El Pais, Digicult, and appeared in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US). He was artist in residence at STEIM (NL), Inspace (UK), and the National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, British Council, Creative Scotland, New Media Scotland, and the Danish Arts Council. Currently, Marco is a PhD student for the Embodied Audio Visual Interaction (EAVI) Research Group at Goldsmiths, University of London, supervised by Professor Atau Tanaka, and fully funded by the European Research Council (ERC). In the last two years Marco has taught over thirty www.marcodonnarumma.com/teaching workshops for international academic institutions and media labs on a regular basis, including: Ha
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
    F

    Ken Feingold

    Contemporary American conceptual artist based in New York. He has been exhibiting his work in video, drawing, film, sculpture, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, and many other museums. http://www.kenfeingold.com/  
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    Artists / contributors
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    John Grzinich

    mixed-media artist, who works since the early 90’ as a freelance artist and cultural coordinator, combining such divergent methods as field recording, kinetic sculpture, electroacoustic composition, performance, spatial perception and acoustics. In recent years Grzinich concentrated on giving workshops on various aspects of sound, that encourage collaboration through social communication, performance, mapping, recording and editing. He performed in North America, Europe and Japan and his compositions have been published by international labels such as: SIRR, Staalplaat, Erewhon, Intransitive, Cut, Elevator Bath, CMR, Orogenetics, Mystery Sea, Invisible Birds and others. He lives in Estonia and works as a program coordinator for MoKS, a non-profit artist-run center. At LAK – festival of Nordic Sound Art 2013 – Grzinich led the workshop “Sensing Sonospace”  
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  • Artists / contributors
    H

    Damien Hirst

    Was born in 1965 in Bristol and grew up in Leeds. In 1984 he moved to London, where he worked in construction before studying for a BA in Fine Art at Goldsmiths college from 1986 to 1989. Whilst in his second year, he conceived and curated a group exhibition entitled Freeze. The show is commonly acknowledged to have been the launching point not only for Hirst, but for a generation of British artists. Since the late 1980s,Hirst has used a varied practice of installation, sculpture, painting and drawing to explore the complex relationships between art, life and death, explaining:  “Art’s about life and it can’t really be about anything else… there isn’t anything else.” Through work that includes the iconic shark in formaldehyde, The Physical Impossibility of Death in the Mind of Someone Living (1991) and For the Love of God (2007), a platinum cast of skull set with 8,601 flawless pavé-set diamonds, he investigates and challenges contemporary belief systems, and dissects the uncertainties at the heart of human experience. Hirst lives and works in Gloucester, Devon and London.  Since 1987, over 80 solo Damien Hirst exhibition have taken place worldwide, and his work has been included in over 260 group shows. Hirst’s solo exhibitions include: Qatar Museum Authority, ALRIWAQ Doha (2013-2014), Tate Modern London (2012), Palazzo Vecchio, Florence (2010), Oceanographic Museum Monaco (2010), The Wallace Collection, London (2009 –10),  Galerie Rudolfinum, Prague (2009), Rijksmuseum, Amsterdam (2008), Astrup Fearnley Museet for Moderne Kunst, Oslo (2005), Museo Archeologico Nazionale, Naples (2004).  
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  • Artists / contributors
    J

    Geir Jenssen

    performing also as Biosphere – is a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his “ambient techno” and “arctic ambient” styles, his use of music loops, and peculiar samples from sci-fi sources.
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    Artists / contributors
    K

    Marta Karalus

    Graduated in ethnology and cultural anthropology at the Mikołaj Kopernik University in Toruń. She held workshops for children and teens at the Znaki Czasu Centre for Contemporary Art in Toruń from 2009 till 2011. She is member of the CoCa collective, Head of the Sztuka Cię Szuka (Arts Seeks you) Association and member of the Fabryka UTU Foundation. Alternative education is her main field of interest and work. http://fabrykautu.wordpress.com/   
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  • Artists / contributors
    L

    Micha Laury

    Born in Israel, a visual artist and sculptor living and working in Paris since 1974. Awarded the Sandberg Prize of the Israel Museum, Jerusalem (1980). Since the beginning of his artistic activity (1967) until today Laury is questioning the so called “brain”  through many of his works. His first brain piece titled “Floor Mop Brain” was done in 1969 with a floor mop arranged in the form of this organ.   Other works from the 70. and on, involved different media: Brain drawings, drawings for Brain projects, performances, photos, sculptures, installations etc. Laury's Brain drawing were mental drawings questioning the potential of human brain. The performances from 1975 examined the possibilities and limits of the brain. The photos of the performance “Cooking Art (Brains and Omlets)” from the same year was about the relation of food and mind (brain).   During the last years Laury met some brain scientists, they had a very interesting discussions about the current brain research. These exchanges with scientists helped artist to develope the concept of the installation “Brain (Laboratory)”. This complex installation includes neural network (with electric light), glass laboratory instruments, videos of laboratory experiments such as the “Eureka” phenomena.   “Eureka” is the rare moment when the brain “stumbles upon” an exceptional idea that sudenly comes into light after a long research period of no results. “Brain (Laboratory)” project will develop further in relation to the advancement of scientific research on the human brain  
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    Artists / contributors
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
    M

    Roger Malina

    An astronomer, with a speciality in space telescopes and observational cosmology.   He is currently a researcher at the Laboratoire d'Astrophysique de Marseille, and Acting Director for the Observatoire Astronomique de Marseille Provence. His specialty is in space instrumentation; he was the principal investigator for the NASA Extreme Ultraviolet Explorer Satellite at the University of California, Berkeley.   For 25 years he has been the Editor of the Art-Science publication Leonardo at MIT Press and an Executive Editor of the Leonardo Book Series at MIT Press. He is the President of the Association Leonardo in Paris, and a member of the board of Leonardo/International Society for the Arts, Sciences and Technology in San Francisco.   Malina is particularly interested in promoting the cultural appropriation on contemporary sciences and technology and new ways of creating conditions for art-science collaboration.   malina.diatrope.com  
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  • Artists / contributors
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
    P

    Martyna Poznańska

    Sound artist and performer. She studied Art of Sound at the University of the Arts, London and took part in the Sound Laboratory by Olga Szwajgier. She participated in numerous workshops led for instance by Meredith Monk. Poznańska is involved in the experimental music movement “Muzykoterapia” [Musictherapy] in Cracow. In her work she concentrates on the possibility of exploring, better consciousness and reduction of the level of noise in urban space. In the year 2012 she published her debut album “Hoarse Whisper”. Martyna’s latest projects include field recording workshops “Łowcy Dźwięków” [Sound Hunters] in Łaźnia Nowa Theatre in Cracow. She recently worked on the soundtrack for the choreography “A Hint of Wasabi” performed by the Adugna Dance Company in Plymouth (UK) in collaboration with composer Jamie Hamilton, made installations for AudioArt festival (Cracow, Poland 2012), Spor Festival (Aarhus, Denmark 2013) and the Jewish Culture Festival in Cracow. Currently Martyna is studying Sound in Art University in Berlin. She lives in Cracow, Berlin and London. www.martynapoznanska.com  
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  • Artists / contributors
    R

    Jasia Reichardt

    Writer on art, art critic and exhibition organizer. She was born in Poland but has lived in London most of her life. She was Assistant Director of the ICA in London (1963-71) and Director of the Whitechapel Art Gallery (1974-76). She is principally interested in the relationships between art and science, art and technology and art and the history of ideas. Some of her best known exhibitions, such as “Between Poetry and Painting” (1965) and “Cybernetic Serendipity” (1968) were about the connections between one field and another. The principal idea of “Cybernetic Serendipity” exhibition was to examine the role of cybernetics in contemporary arts. She has written several books , including “The Computer in Art” (1971), “Robots – Fact, Fiction and Prediction” (1978) and edited “Cybernetics, Art and Ideas” (1971). She also worked on visualization of mathematics, a project called “Fantasia Mathematica”. She was one of the directors of ARTEC biennale in Japan (focused on art and technology) between 1989-98. In 1998 she staged an exhibition called “Electronically Yours” about electronic portraiture at the Tokyo Metropolitan Museum of Photography. Since 1988 she has been looking after the Themerson Archive, the archive of a writer and an artist, whose avant-garde publishing company, Gaberbocchus Press, launched in 1957 a Common Room for artists interested in science and scientists interested in the arts. She continues to pursue her interests in the relationship of art and technology.
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  • Artists / contributors
    S

    Stelarc

    Stelarc is an Australian performance and installation artist who has internationally exhibited, presented and done performances in Europe, Asia, North America, South America and Australia. He has visually probed and acoustically amplified his body. He has made three films of the inside of his body, filming 3m of the internal space of his lungs, stomach and colon. Between 1976-1988 he completed 25 body suspension performances with hooks in the skin. He has used medical instruments, prosthetics, robotics, Virtual Reality systems, the Internet and biotechnology to explore alternate, intimate and involuntary interfaces with the body.   He has performed with a Third Hand, a Virtual Arm, a Stomach Sculpture and Exoskeleton, a six-legged walking robot. His Prosthetic Head is an embodied conversational agent that speaks to the person who interrogates it. As part of the Thinking Head Systems he collaborated with the Marcs Auditory Labs at the University of Western Sydney to develop the Articulated Head, the Floating Head and the Swarming Heads projects. He is surgically constructing and stem cell growing an Ear on Arm that will be electronically augmented and internet enabled. The first surgical procedures occurred in 2006. He has recently been performing with his four avatar and automaton clones on his Second Life site, exploring actual-virtual interfaces and gesture actuation of his avatar with Kinect. Publications about his artwork include Stelarc: The Monograph, edited by Marquard Smith, MIT Press, 2005; Stelarc: Political Prosthesis & Knowledge of the Body by Marina Grzinic-Mauhler
Maska & MKC (Ljubljana & Maribor), 2002 and The Cyborg Experiments: The Extensions of the Body in the Media Age,edited by Joanna Zylinska, Continuum Press (London & New York), 2002.   In 1997 he was appointed Honorary Professor of Art and Robotics at Carnegie Mellon University, Pittsburgh USA. From 2000-2003
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  • Artists / contributors
    T

    Krzysztof Topolski

    Electroacoustic improviser, author of sound-art projects, drummer. His main field of interest are noise and soundscape. He is interested in exploring drums and live electronics, improvised and electroacoustic music, computer composing, creating sound and interactive installations. He organizes presentations, holds workshops and lectures about contemporary music and sound-art. www.arszyn.com  
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  • Artists / contributors
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    Victoria Vesna

    A media artist and Professor at the UCLA Department of Design Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystem Istitute (CNSI). She is currently a Visiting Proffesor nd Director of Reasearch at Parsons Art, Media + Technology, the New School for Design in New York and senior researcher at IMeRA - L’Institut Méditerranéen de Recherches Avancées in Marseille, France and Artist in Residece ant the Institute of Advanve Studies, Univesrity of Bristol. Her work can be defined as experimental creative research that resides between disciplines and technologies. With her instalation she explores how communication technologies affect collective behavior and how perception of Wales UK and has exhibite her work in over twenty solo exhibition, more than seventy group shows, her work is written about in many book chapters and her writings published in excess of twenty papers and gave 100+ invited talks in the last decade. Her most recent installlations – Blue Morph, Mood Swings and Waters Bowls, all aim to raise consciousness around the issues of our relationship to natural systems. other notable works are  Bodeies INCorporated, Datamining Bodies, nOtime oraz Cellular Trans_Action. She is the North American editor of Al & Society and in 2007 published an edited volume – Database Aesthetics : Art inthe age of Information Overflow, Minnesota Press. Just released is a new volume she co-edite with Christian Paul and Margot Lovejoy – Context Providers: Conditions of Meaning in Media Arts (Intellect Press, 2011). www.victoriavesna.com   
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  • Artists / contributors
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    Adam Witkowski

    Graduated in painting at the Academy of Fine Arts in Gdańsk, where in 2011 he received the Doctor of Fine Arts title. He works with soundart, drawing, radio projects and installations. He plays in the following music groups: Gówno, Samorządowcy, Nagrobki. http://adamwitkowski.com  
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  • Artists / contributors
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    Dr Ionat Zurr

    An artist and a researcher at SymbioticA – The Centre of Excellence in Biological Arts, School of Anatomy and Human Biology, the University of Western Australia. Ionat together with Oron Catts formed the internationally renowned Tissue Culture and Art Project. She has been an artist in residence in the School of Anatomy Physiology and Human Biology since 1996 and was central to the establishment of SymbioticA in 2000. Ionat is considered a pioneer in the field of biological arts and her research been published widely, exhibited internationally and her artwork has been collected by MoMA New York. Ionat is this year recipient of the Discovery Australian Reseach Council Award(2012); she has been a fellow in the InStem Institute, NCBS, Bangalore (2010) and a visiting scholar at The Experimental Art Centre, Stanford University (2007) and The Tissue Engineering & Organ Fabrication Laboratory, Massachusetts General Hospital, Harvard Medical School (2000-2001). She exhibited in places such as the MoMA NY, Mori Museum Tokyo, Ars Electronica, Linz, GOMA Brisbane and more.  www.tcaproject.org  
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