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  • Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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    LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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  • Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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    Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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  • Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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    Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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  • EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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    Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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  • EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

Field recording – listening by recording. | Tomasz Misiak

Texts | 24-11-2016
(…) the   trees lofty, growing into   endlessness, the pastures hard,   the grass so hard that when the   wind blew, it created a loud   music, a music that seemed to   be assembled from all sorts of   different periods and styles.[1]    Thomas Bernhard                      A novel titled Frost by the Austrian writer Thomas Bernhard contains an incredibly suggestive description of a dream. The hero finds himself in a landscape of bizarre colours, where people take on the shades of their surroundings. They become invisible. However, their voices can be heard. Voices and music uncannily able to convey their own story. As though all possible sounds were simultaneously available in an intense, instant act of listening. The dream has a tragic ending: ”Suddenly something horrible happened: my head swelled up, to such a degree that the landscape grew darker, and the people broke out in wailing, such terrible wailing as I have never heard. Wailing that was somehow commensurate with the landscape. I can’t say why. Since my head was suddenly so big and heavy, it started rolling down from the hill where I had been standing, down across the white p
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People
  • Artists / contributors
    B

    Guy Ben Ary

    He is a Perth based artist and researcher. He is one of the core researchers of SymbioticA, an artistic laboratory dedicated to the research, learning and hands-on engagement with the life sciences, which is located within the University of Western Australia. Recognised internationally as a major artist and innovator working across science and media arts, Guy specialises in biotechnological artwork, which aims to enrich our understanding of what it means to be alive. Guy’s work has been shown across the globe at prestigious venues and festivals from the Beijing National Art Museum to San Paulo Biennale to the Moscow Biennale. His work can also be seen in the permanent collection of the Museum of Modern Art in New York. In 2009, his work Silent Barrage was awarded an Honorary Mention in Prix Ars Electronica (Austria) and also won first prize at VIDA, a significant international competition for Art and Artificial Life. Guy’s Main research areas are cybernetics, bio-robotics  and the cultural articulation of Bio-technologies. His artworks usually utilize motion, growth and big data to investigate technological aspects of today’s culture and the re-use of biological materials and technologies.   http://www.synapse.net.au/people/guy_ben-ary   http://en.wikipedia.org/wiki/Guy_Ben-Ari    
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    Radek Czajka

    Main programmer at the Modern Poland Foundation and at the free online library WolneLektury.pl. He is member of the free software and free culture movements. He is the author of Leśmianator – an automatic poet, which apparently regarding to a literary magazine lead to creating a new direction in the poetry genre development and the organizer of the automatic poetry contest “Turniej Elektrybałtów”. He created the StrataKazika.pl website. He is a blogger and an observer of the copyrights debate.  http://wolnelektury.pl/lesmianator/   
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  • Artists / contributors
    D

    Rudy Decelière

    French sound artist, who explores notions of space and dimension. He mainly creates in/outdoor sound installations strongly linked with their architectural or urban context. His central interest is space in terms of visual and sonic presence – all connected with a very sensitive art of process. Decelière is also an active film sound engineer. His works were presented in Switzerland, France, Macedonia, Greece and Germany. He lives and works in Geneva. www.rudydeceliere.net  
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
    F

    Monika Fleischmann

    German new media artist, curator and researcher. She studied fashion design, visual arts, theater, digital media and philosophy. Monika Fleischmann works at the intersection of art, science and technology. Since 1987, together with Wolfgang Strauss, she develops methods, models, and the work which combining the reality with the virtual world. One of the pioneers of interactive media art. Together with Wolfgang Strauss received the “Golden Nike”. Their works are archived in the Zentrum fur Kunst und Medientechnologie in Karlsruhe. www.fleischmann-strauss.de  
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    Artists / contributors
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    John Grzinich

    mixed-media artist, who works since the early 90’ as a freelance artist and cultural coordinator, combining such divergent methods as field recording, kinetic sculpture, electroacoustic composition, performance, spatial perception and acoustics. In recent years Grzinich concentrated on giving workshops on various aspects of sound, that encourage collaboration through social communication, performance, mapping, recording and editing. He performed in North America, Europe and Japan and his compositions have been published by international labels such as: SIRR, Staalplaat, Erewhon, Intransitive, Cut, Elevator Bath, CMR, Orogenetics, Mystery Sea, Invisible Birds and others. He lives in Estonia and works as a program coordinator for MoKS, a non-profit artist-run center. At LAK – festival of Nordic Sound Art 2013 – Grzinich led the workshop “Sensing Sonospace”  
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  • Artists / contributors
    H

    Jens Hauser

    (b. 1969, Schwerte) – is a curator, writer and media theorist. He holds a dual research position at the Department of Arts and Cultural Studies and the Medical Museion at the University of Copenhagen, and is a distinguished affiliated faculty member of the Department of Art, Art History and Design at Michigan State University. His curated exhibitions include L’Art Biotech (Nantes, 2003), Still, Living (Perth, 2007), sk-interfaces (Liverpool, 2008/Luxembourg, 2009), the Article Biennale (Stavanger, 2008), Transbiotics (Riga 2010), Fingerprints... (Berlin, 2011/Munich/ 2012) Synth-ethic (Vienna, 2011), assemble | standard | minimal (Berlin, 2015), SO 3 (Belfort, 2015) and Wetware (Los Angeles, 2016). Hauser serves on international juries for art awards such as Ars Electronica, Transitio or Vida, as well as for several national science foundations. He is also a founding collaborator of the European culture channel ARTE and has produced numerous reportages and radio features.  
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  • Artists / contributors
    J

    Geir Jenssen

    performing also as Biosphere – is a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his “ambient techno” and “arctic ambient” styles, his use of music loops, and peculiar samples from sci-fi sources.
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  • Artists / contributors
    K

    Prof. dr hab. Ryszard W. Kluszczyński

    Professor at the University of Łódź and the Łódź Academy of Fine Arts, lecturer at the National Film School in Łódź. His field of interest includes first and foremost: video art, multimedia and avant-garde cinema, but he also explores the problems of cyber culture. In 1990-2001 he was the curator at Centre for Contemporary Art Ujazdowski Castle in Warsaw. Kluszczyński was the curator at the Modern Art Biennale in Poznań in 2010. He is the artistic director of the Art+Science Meeting project.
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  • Artists / contributors
    L

    Witold Libionka

    Consultant Neurosurgeon, Department of Neurosurgery, Pomerian Traumatology Center, Gdansk, Poland His interest in neurosurgery started in 1998, when he began research and later individual studies at the Department of Neurosurgery and Neurotraumatology of the Jagiellonian University School of Medicine in Cracow, being awarded a scholarship of the Minister of Health. After graduation in 2001 he continued education on PhD studies at the Jagiellonian University School of Medicine (2002-2006). During neurosurgical residency (2003-2010) he participated in multiple international courses and conferences including fellowship in stereotactic and functional neurosurgery at the Department of Neurosurgery, University of Rochester, USA (2005-2006). Combining clinical work and research, he performs several hundred surgical procedures a year being involved in several scientific projects. He is an author or co-author of around hundred scientific publications. His research on mechanisms of action of deep brain stimulation, published in Nature Medicine and Nature Neuroscience was awarded best oral presentation during ASSFN Meeting in Vancouver in 2008. He is certified by Polish Board of Neurological Surgery.    
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    Artists / contributors
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
    M

    Robert Mitchell

    (b. 1969, Atlanta) – is the Marcello Lotti Professor of English and Director of the Center for Interdisciplinary Studies in Science and Cultural Theory at Duke University (US). He earned a PhD from the University of Washington in 2001. He is co-author of Tissue Economies (Duke University Press, 2006), Sympathy and the State in the Romantic Era (Routledge, 2007), Bioart and the Vitality of Media (University of Washington Press, 2010) and Experimental Life: Vitalism in Romantic Science and Literature Johns Hopkins University Press, 2013). Robert Mitchell has guest lectured in the US and internationally, including Stanford University (Palo Alto) The New School (New York), University of Toronto (Toronto), Université de Montréal (Montreal), Oxford University (Oxford), London School of Economics (London), The Nottingham Trent University (Nottingham) and others. His current research focuses on the relationships among biopolitics, the logic of populations, and the arts.  
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  • Artists / contributors
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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    Artists / contributors
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    Porcje Rosołowe

    A project created by a duo – Mateusz Wysocki (also known as Fischerle) and Lech Nienartowicz. They willingly explore all kinds of audio glitches, however, they like to focus also on the organic nature of sound and listeners perception, for example a cooperation with Justyna Kociszewska had brought to life “Fungus & Sequoia” – an audiovisual installation presented at the Reworks Festival in Greece. Their sound works have been presented in Poland, Ireland, Spain, Canada and in the United States. They created an experimental label Pawlacz Perski. pawlaczperski.org  
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  • Artists / contributors
    R

    Michal Rataj

    Czech sound artist, musician. He studied musicology at the Charles University in Prague and composition at the Academy of Performing Arts in Prague, where he earned his Ph.D. in 2005. Since 2006 he is assistant professor and runs electroacoustic music theory and composition classes. Michal Rataj also works as radio art producer at the Czech Radio, where he curates the program slot Radioatelier and the website rAdioCUSTICA for contemporary radioart activities. www.michalrataj.com    
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  • Artists / contributors
    S

    Łukasz Szałankiewicz (Zenial)

    Artist, sound designer, historian, electronic music curator. A member of the Polish Electroacoustic Music Association. He took part in international festivals in Europe, Asia, North and South America. In 2011 he took part in the Focus! Festival, organized in the Lincoln Center, by the prestige Juilliard School and the Polish Institute in New York. He performed in Poland during the following festivals: Audio Art, Unsound, Wro and at the Korkegrada Gallery in Warsaw, Contemporary Art Center Zamek Ujazdowski in Warsaw, Arsenał Gallery in Białystok, Centre of Contemporary Art  in Toruń and many other places. In his works he focuses at the musical searches, as well as on audiovisual performances and interactive installations. Beside strictly musical activities, he is also dealing with promoting polish artists in and outside the country. The co-creator of the Audiotong publishing house. He was also taking part in the organization of few festivals. He is also releasing albums as Zenial and Palescam, together with Maciej Szymczuk he is creating the project AABZU, and with prof. Marek Chołoniewski he is taking part in the project Dizzy Kinetics. Curator of the Man|Machine workshop series. http://www.zenial.audiotong.net  
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  • Artists / contributors
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    Krzysztof Topolski

    Electroacoustic improviser, author of sound-art projects, drummer. His main field of interest are noise and soundscape. He is interested in exploring drums and live electronics, improvised and electroacoustic music, computer composing, creating sound and interactive installations. He organizes presentations, holds workshops and lectures about contemporary music and sound-art. www.arszyn.com  
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  • Artists / contributors
    V

    Bill Vorn

    Based in Montreal, Bill Vorn is active in the field of Robotic Art since 1992. His installation and performance projects involve robotics and motion control, sound, lighting, video and cybernetic processes. He pursues research and creation on Artificial Life and Agent Technologies through artistic work based on the Aesthetics of Artificial Behaviors. He holds a Ph.D. degree in Communication Studies from UQAM (Montreal) for his thesis on Artificial Life as a Media. He teaches Electronic Arts in the Department of Studio Arts at Concordia University (Intermedia/Cyberarts program) where he holds the rank of Full Professor.  His work has been presented in multiple international events, including Ars Electronica, ISEA, DEAF, Sonar, Art Futura, EMAF and Artec. He has been awarded the Vida 2.0 award (1999, Madrid), the Leprecon Award for Interactivity (1998, New York), the Prix Ars Electronica Distinction award (1996, Linz) and the International Digital Media Award (1996, Toronto). He has worked in collaboration with many canadian artists (including Edouard Lock, Robert Lepage, Gilles Maheu, LP Demers and Istvan Kantor). He was cofounder of the electronic pop music band Rational Youth with Tracy Howe in 1981. billvorn.concordia.ca  
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  • Artists / contributors
    W

    Adam Witkowski

    Graduated in painting at the Academy of Fine Arts in Gdańsk, where in 2011 he received the Doctor of Fine Arts title. He works with soundart, drawing, radio projects and installations. He plays in the following music groups: Gówno, Samorządowcy, Nagrobki. http://adamwitkowski.com  
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    Artists / contributors
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    Kacper Ziemianin

    Artist with classical musical education, who experienced numerous music adventures from black metal, through broken electronic music to ambient, noise and circuit bending. Sound travels led him to the Hague, where he is currently studying Sonology at a music conservatory. He graduated in Sonic Arts at Middlesex University in London. He also studied at the Music Academy in Cracow under the supervision of professor Marek Chołoniewski, in Berlin (UDK) under the supervision of dr. Alberto de Campo and in Amsterdam at STEIM. He also played in couple of bands and took part in several projects under various pseudonyms. He creates audio-visual installations, sound design for movies and was the author of the “Polish Deli” broadcast in London-based radio Resonance FM (2010-2013) where he promoted polish music and independent art. He performed and exhibited in Ireland, England, Finland, Germany, Netherlands and Poland. In 2004 he received the “Dolina Kreatywna” award for his musical piece “Trans-formation”. Currently Ziemianin is busy building his own musical instruments and modifying already existing constructions, as well as interactive audio-visual installations. His “Around the Clock” installation, which he created in collaboration with the music gallery “Akusmata”, is an effect of a one-month residency in Helsinki at the “MUU association” ziemianin.net  
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