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  • Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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    LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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  • Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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    Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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  • Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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    Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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  • EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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    Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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  • EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

The development of living systems (interview with Ch. Sommerer & L. Mignonneau) | Kamila Wielebska

Texts | 24-11-2016
KW: In many of your works you give up a part of your role in creation which is ascribed to artists. Instead of being a kind of a demiurge, you allow spectators to take a part in the very act of creation. Why do you do it? What is more important for you – to change a traditional status of an artist-creator? Or maybe to prompt people to act? Is the aspect of interactivity of the audience particularly important in your works and if yes – why? CS&LM: In our works we are interested in audience participation as an important factor for the creation of the artwork. In Happenings, Fluxus, Performance Art, Early Electronic Art, Art and Technology (E.A.T.), Expanded Cinema, Actionism as well as in Cybernetic Art, the audience and the participant gained an increasingly important role for the completion of the art event. A new dialogue between the artist, the audience and the art work was negotiated since the 1930s. Starting in the 1970s it was finally possible through interactive technologies, to push this exchange and feedback even further and have the audience contribute their interaction data as important elements in the development of the art work. When we started in the early 1990s, most early interactive art works were still quite scripted and the audience had only a limited amount of influence on its direction. They could choose certain paths or s
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People
  • Artists / contributors
    B

    Guy Ben Ary

    He is a Perth based artist and researcher. He is one of the core researchers of SymbioticA, an artistic laboratory dedicated to the research, learning and hands-on engagement with the life sciences, which is located within the University of Western Australia. Recognised internationally as a major artist and innovator working across science and media arts, Guy specialises in biotechnological artwork, which aims to enrich our understanding of what it means to be alive. Guy’s work has been shown across the globe at prestigious venues and festivals from the Beijing National Art Museum to San Paulo Biennale to the Moscow Biennale. His work can also be seen in the permanent collection of the Museum of Modern Art in New York. In 2009, his work Silent Barrage was awarded an Honorary Mention in Prix Ars Electronica (Austria) and also won first prize at VIDA, a significant international competition for Art and Artificial Life. Guy’s Main research areas are cybernetics, bio-robotics  and the cultural articulation of Bio-technologies. His artworks usually utilize motion, growth and big data to investigate technological aspects of today’s culture and the re-use of biological materials and technologies.   http://www.synapse.net.au/people/guy_ben-ary   http://en.wikipedia.org/wiki/Guy_Ben-Ari    
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  • Artists / contributors
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    Pier Luigi Capucci

    (b. 1955, Lugo) – is a researcher and theorist in the fields of media studies and of the relationship among art, science and technology. He has published extensively in books and magazines, delivered numerous conference papers and he written the books Reality of the Virtual (1993), The Technological (1994) and Art and Technologies (1996). In 1994 he founded and directed the first Italian online magazine, NetMagazine, later MagNet, on the relationships between the arts and technologies. In 2000 he started Noema, a web magazine on culture-science- technology interrelations. He has participated in international conferences worldwide. He has worked as a teacher at the universities of Rome “La Sapienza”, Bologna, Florence and Urbino, at the SUPSI in Lugano, and at the fine arts academies of Carrara and NABA in Milan. He is currently a professor at the Fine Arts Academy of Urbino and the Director of Studies of the T-Node PhD Research Program of the Planetary Collegium, University of Plymouth (UK).    
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  • Artists / contributors
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    Adam Donovan

    He is an Australian artist working in the area of ​​science, art and technology. His work involves robotics, real time 3D environments, camera tracking and sound focusing technology.   Donovan's work has evolved from a fascination with the natural phenomena of light and sound. In pursuing an intense understanding of the physical characteristics of sound and how it moves through space, he has developed an ability to modulate and combine its patterns for us to hear. Essentially, Donovan uses lenses to manipulate, focus and sculpt sound. This fascination with first began using optical lenses to focus light. Understanding more about light as a physical phenomena turned his interests to sound, and how our auditory senses interpret our world.   adamdonovan.net
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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    Artists / contributors
    F

    Masaki Fujihata

    Masaki Fujihata – is a pioneer in new media art, renowned in Japan as well as abroad. His CG work was much celebrated in the 1980s, before his interests shifted to creating 3D sculptures from data using 3D printing, as in his CNC-routed Geometric Love 1987, the stereo-lithography Forbidden Fruits 1989, and his small-scale sculptures using Micro Machine technology. In the mid-1990s, Fujihata produced canonical pieces of what would later be called “interactive art,” including the multimedia installation Beyond Pages 1995 and the exploration of networking technologies Global Interior Project 1995. His work problematizes everything from how we interact with interfaces to the ways we might communicate in virtual space. In particular, his experiments with GPS technology beginning in 1992 take a rather uncommon technical tack in gathering data, making for a meticulously composed and unparalleled series of cyberspatia creations that can only be called “the cinema of the future,” or “the shape of media to come.” His 2003 Field-Work@Alsace compiled interviews about international borders. The 2009 musical piece Simultaneous Echoes was created in Northern Ireland. Fujihata’s latest signature piece is the 2012 Voices of Aliveness, created in Nantes, France, assembling the shouts of cyclists in virtual space. Global Interior Project #2 won the 1996 Golden NIKA Award, Voices of Aliveness won an Ars Electronica Award of Distinction in 2013, and Simultaneous Echoes received the 2010 Ministry of Education Award for Fine Arts. His own archive from 1972 to 2016, Anarchive 6 Masaki Fujihata, uses Augmented Reality technology to combine digital data with printed materials, published in the anarchive series, Paris France in 2016.  
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    Artists / contributors
    G

    John Grzinich

    mixed-media artist, who works since the early 90’ as a freelance artist and cultural coordinator, combining such divergent methods as field recording, kinetic sculpture, electroacoustic composition, performance, spatial perception and acoustics. In recent years Grzinich concentrated on giving workshops on various aspects of sound, that encourage collaboration through social communication, performance, mapping, recording and editing. He performed in North America, Europe and Japan and his compositions have been published by international labels such as: SIRR, Staalplaat, Erewhon, Intransitive, Cut, Elevator Bath, CMR, Orogenetics, Mystery Sea, Invisible Birds and others. He lives in Estonia and works as a program coordinator for MoKS, a non-profit artist-run center. At LAK – festival of Nordic Sound Art 2013 – Grzinich led the workshop “Sensing Sonospace”  
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  • Artists / contributors
    H

    Jens Hauser

    (b. 1969, Schwerte) – is a curator, writer and media theorist. He holds a dual research position at the Department of Arts and Cultural Studies and the Medical Museion at the University of Copenhagen, and is a distinguished affiliated faculty member of the Department of Art, Art History and Design at Michigan State University. His curated exhibitions include L’Art Biotech (Nantes, 2003), Still, Living (Perth, 2007), sk-interfaces (Liverpool, 2008/Luxembourg, 2009), the Article Biennale (Stavanger, 2008), Transbiotics (Riga 2010), Fingerprints... (Berlin, 2011/Munich/ 2012) Synth-ethic (Vienna, 2011), assemble | standard | minimal (Berlin, 2015), SO 3 (Belfort, 2015) and Wetware (Los Angeles, 2016). Hauser serves on international juries for art awards such as Ars Electronica, Transitio or Vida, as well as for several national science foundations. He is also a founding collaborator of the European culture channel ARTE and has produced numerous reportages and radio features.  
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  • Artists / contributors
    J

    Geir Jenssen

    performing also as Biosphere – is a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his “ambient techno” and “arctic ambient” styles, his use of music loops, and peculiar samples from sci-fi sources.
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  • Artists / contributors
    K

    Marius Kwint

    Cultural historian, curator and lecturer at the University of Portsmouth. His main realm of interest lies in the relation between art, science and visual culture. He researches how attitudes towards the world change, in particular how culture changes in time and in different places. Together with Lucy Shanahan, Kwint curated the “Brains: the mind as matter” exhibition presented at Wellcome Collection in London, seen by over one hundred thousand people. He is also the author of the book that complemented the exhibition, “The Mind As Matter”. http://www.wellcomecollection.org/whats-on/exhibitions/brains.aspx  
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  • Artists / contributors
    L

    Gerard Lebik

    Gerard Lebik creates sound and music by means of improvisation, musical notation, and manipulation of audio material using acoustic and electronic media. His tools and techniques include: saxophones, contra-alto clarinet, acoustic wave generators, electro-acoustic objects, video feedback, and software.   In 2007, he graduated from the Wrocław Academy of Music. Beginning with classical music and, later, jazz and free improvisation, he moved on to electronic music, experimental sound art and noise.   He has collaborated or performed with Eryck Abecassis, Kazuhisa Uchihashi, Rob Mazurek, Keith Rowe, Hernani Faustino, Gabriel Ferrnandini, Noritaka Tanaka, Bettina Wenzel, hans in koch, and Joker Nies.   http://gerardlebik.com/ http://zopan.bandcamp.com/  
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    Artists / contributors
    Ł

    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
    M

    Roger Malina

    An astronomer, with a speciality in space telescopes and observational cosmology.   He is currently a researcher at the Laboratoire d'Astrophysique de Marseille, and Acting Director for the Observatoire Astronomique de Marseille Provence. His specialty is in space instrumentation; he was the principal investigator for the NASA Extreme Ultraviolet Explorer Satellite at the University of California, Berkeley.   For 25 years he has been the Editor of the Art-Science publication Leonardo at MIT Press and an Executive Editor of the Leonardo Book Series at MIT Press. He is the President of the Association Leonardo in Paris, and a member of the board of Leonardo/International Society for the Arts, Sciences and Technology in San Francisco.   Malina is particularly interested in promoting the cultural appropriation on contemporary sciences and technology and new ways of creating conditions for art-science collaboration.   malina.diatrope.com  
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  • Artists / contributors
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
    O

    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
    P

    Martyna Poznańska

    Sound artist and performer. She studied Art of Sound at the University of the Arts, London and took part in the Sound Laboratory by Olga Szwajgier. She participated in numerous workshops led for instance by Meredith Monk. Poznańska is involved in the experimental music movement “Muzykoterapia” [Musictherapy] in Cracow. In her work she concentrates on the possibility of exploring, better consciousness and reduction of the level of noise in urban space. In the year 2012 she published her debut album “Hoarse Whisper”. Martyna’s latest projects include field recording workshops “Łowcy Dźwięków” [Sound Hunters] in Łaźnia Nowa Theatre in Cracow. She recently worked on the soundtrack for the choreography “A Hint of Wasabi” performed by the Adugna Dance Company in Plymouth (UK) in collaboration with composer Jamie Hamilton, made installations for AudioArt festival (Cracow, Poland 2012), Spor Festival (Aarhus, Denmark 2013) and the Jewish Culture Festival in Cracow. Currently Martyna is studying Sound in Art University in Berlin. She lives in Cracow, Berlin and London. www.martynapoznanska.com  
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  • Artists / contributors
    R

    Boryana Rossa

    (born 1972) is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.Her artwork has been exhibited internationally including most notably at the National Gallery of Fine Arts inSofia,Goethe Institute, the Moscow Biennial, the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum,Exit Art, Biennial for Electronic Art in Perth, and Foundation for Art and Creative Technologies in Liverpool. She frequently collaborates with artist and filmmakerOleg Mavromatioften under the title ULTRAFUTURO – an international art collective started in 2004. Some of her awards and grants include the Gaudenz B. Ruf Award for New Bulgarian Art,the Essential Reading for Art Writers Award from the Institute of Contemporary Art in Sofia,and aNew York Foundation for the ArtsFellowship in 2014 in Digital/Electronic Arts. She is an Assistant Professor of Transmedia at Syracuse University.
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  • Artists / contributors
    S

    Chris Salter

    Chris Salter (b.1967, Beaumont, TX) is an artist, Concordia University Research Chair in New Media and the Senses and Co-Director of the Hexagram Network in Montreal. He studied philosophy, theatre and computer music at Emory and Stanford Universities. After collaborating with Peter Sellars and William Forsythe/Ballett Frankfurt, he co-founded and directed the art and research collective Sponge (1997-2003). His solo and collaborative work has been seen all over the world at such venues as the Venice Architecture Biennale (Venice), Laboral Centro de Arte y Creacion Industriel (Gijon, Spain), Ars Electronica (Linz), Transmediale (Berlin), EXIT Festival (Maison des Arts, Creteil-Paris), Elektra (Montréal), Yerba Buena Center for the Arts (San Francisco), V2 (Rotterdam), SIGGRAPH 2001 (New Orleans) and the Exploratorium (San Francisco), among others. He is the author of Entangled: Technology and the Transformation of Performance (MIT Press, 2010) and Alien Agency (MIT Press, 2015).    
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  • Artists / contributors
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    Krzysztof Topolski

    Electroacoustic improviser, author of sound-art projects, drummer. His main field of interest are noise and soundscape. He is interested in exploring drums and live electronics, improvised and electroacoustic music, computer composing, creating sound and interactive installations. He organizes presentations, holds workshops and lectures about contemporary music and sound-art. www.arszyn.com  
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  • Artists / contributors
    V

    Victoria Vesna

    A media artist and Professor at the UCLA Department of Design Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystem Istitute (CNSI). She is currently a Visiting Proffesor nd Director of Reasearch at Parsons Art, Media + Technology, the New School for Design in New York and senior researcher at IMeRA - L’Institut Méditerranéen de Recherches Avancées in Marseille, France and Artist in Residece ant the Institute of Advanve Studies, Univesrity of Bristol. Her work can be defined as experimental creative research that resides between disciplines and technologies. With her instalation she explores how communication technologies affect collective behavior and how perception of Wales UK and has exhibite her work in over twenty solo exhibition, more than seventy group shows, her work is written about in many book chapters and her writings published in excess of twenty papers and gave 100+ invited talks in the last decade. Her most recent installlations – Blue Morph, Mood Swings and Waters Bowls, all aim to raise consciousness around the issues of our relationship to natural systems. other notable works are  Bodeies INCorporated, Datamining Bodies, nOtime oraz Cellular Trans_Action. She is the North American editor of Al & Society and in 2007 published an edited volume – Database Aesthetics : Art inthe age of Information Overflow, Minnesota Press. Just released is a new volume she co-edite with Christian Paul and Margot Lovejoy – Context Providers: Conditions of Meaning in Media Arts (Intellect Press, 2011). www.victoriavesna.com   
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  • Artists / contributors
    W

    Jon Wozencroft

    Founder of the audiovisual publishers Touch started in 1982 as a means of exploring the powerful chemistry between sound and visual media. The labels recent releases have included CDs by Fennesz, Biosphere, and Chris Watson amongst many others. He is the author of “The Graphic Language of Neville Brody 1 & 2”, published by Thames & Hudson in 1988 and 1994, and the curator of the exhibition of the same name, held at the Victoria and Albert Museum in 1988 and ultimately at Parco in Tokyo in 1990. In 1990, he set up FUSE with Neville Brody, a critical forum for the impact of digital media on type and visual communication. Alongside Touch, Wozencroft’s photography and design work has appeared in a number of publications, including Fax Art, Sampler, G1, Merz to Emigre and Beyond and most recently Cover Art By. He was the publisher of Vagabond (magazine co–edited with Jon Savage, 1992), and the editor/designer of Joy Division’s “Heart and soul box set” in 1997, with whom he also worked on the 2007 CD reissues by Warner Bros. Wozencroft has taught at Central Saint Martin’s School of Art and Design, The London College of Printing, and has given lectures at numerous art colleges and universities around the world. He is presently Senior Tutor in sound and moving image in the School of Communication at the Royal College of Art. His research project, Landscape and Perception, is a collaboration with Paul Devereux that investigates the soundscape of Preseli in SW Wales, source of the Stonehenge bluestones. www.touchmusic.org.uk  
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    Artists / contributors
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    Kacper Ziemianin

    Artist with classical musical education, who experienced numerous music adventures from black metal, through broken electronic music to ambient, noise and circuit bending. Sound travels led him to the Hague, where he is currently studying Sonology at a music conservatory. He graduated in Sonic Arts at Middlesex University in London. He also studied at the Music Academy in Cracow under the supervision of professor Marek Chołoniewski, in Berlin (UDK) under the supervision of dr. Alberto de Campo and in Amsterdam at STEIM. He also played in couple of bands and took part in several projects under various pseudonyms. He creates audio-visual installations, sound design for movies and was the author of the “Polish Deli” broadcast in London-based radio Resonance FM (2010-2013) where he promoted polish music and independent art. He performed and exhibited in Ireland, England, Finland, Germany, Netherlands and Poland. In 2004 he received the “Dolina Kreatywna” award for his musical piece “Trans-formation”. Currently Ziemianin is busy building his own musical instruments and modifying already existing constructions, as well as interactive audio-visual installations. His “Around the Clock” installation, which he created in collaboration with the music gallery “Akusmata”, is an effect of a one-month residency in Helsinki at the “MUU association” ziemianin.net  
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