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  • Call for papers

    Latest news | 18-08-2017
    Call for papers on the links between art and science to be published on the ART+SCIENCE MEETING website.   The submission deadline is 30 September 2017 and texts should be sent to: artscience@laznia.pl.  All submissions will be reviewed by the website’s editors. Approved articles will be published on the ART+SCIENCE Meeting website. Prior to sending the texts, please take your time to read the following editorial guidelines.   Authors of published texts will receive remuneration.   The authors of approved texts are obliged to provide the editorial board of the ART+SCIENCE Meeting website with information about (natural or legal) persons that contributed to the publication (including their affiliation and the nature of their contribution: information on the authorship of the concept, theses, methodology, etc. used in the process of preparing the publication). Pursuant to the relevant agreements concluded with the ŁAŹNIA Centre for C
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    Imbalance. Collective Exhibition

    Latest news | 24-07-2017
    Artists: Xavier Ribas | Manuel Vázquez | Sergio Belinchón | Oligatega Numeric | Lua Coderch | Julius Von Bismark | Perejaume | Philip Fröhlich | Jun Ngunyen-Hatsushiba | Allan Sekula | Joan Fontcuberta | Máximo González | John Gerrard | Jennifer Steinckamp | Antoni Muntadas | Superflex | Federico Guzmán | Zwelethu Mthethwa | Marjetica Potrc | Andreas Gursky | Anri Sala | Lara Almarcegui | Chus García Fraile Opening: 22th September 2017, 6 p.m. Exhibition: 22th September–19th November 2017 LAZNIA 1 Centre for Contemporary Art, Jaskółcza 1, Gdańsk Dolne Miasto Curator: Blanca de la Torre   The approach of this exhibition implies understanding that our conceptions of natural fact and reality have to be re-examined and on the basis that everything we need for our well-being in all its dimensions depends — either directly or indirectly — on the way in which we have instrumenta
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  • LECTURE: Art and Science: Brain James Gimzewski, Laury Micha, Witold Libionka – When will robots be replaced by humanoids?

    Latest news | 17-08-2017
    2nd September 2017 (Saturday), 17:00 Łaźnia 1, ul. Jaskółcza 1, Gdańsk   Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI’s and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various domains interpenetrate. According to this assumption we invite you to meet with representatives of different, though – as we shall see – complementary branches of knowledge about the brain: with prof. James Gimzewski, biochemist dealing with nanotechnologies, Micha Laura, artist fascinated by the brain and neural networks, and with dr. Witold Libionka, neurosurgeon.  
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    Masaki Fujihata. Augmenting the World / video from the opening

    Latest news | 19-07-2017
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  • Masaki Fujihata, Augmenting the World

    Latest news | 26-04-2017
    19.05.2017 - 02.07.2017 Opening 19.05.2017, at 6 pm. Laznia 1, str. Jaskolcza 1, Gdansk   Counted among the pioneers of interactive art, Masaki Fujihata is one of the most celebrated, innovative and prominent artists who work with media technologies. Early in his career in the 1970s, he made animations, initially using an 8mm film and the stop motion technique. Later, he shifted to video to further investigate visual perception. The morphological explorations of perception that he undertook then revealed his meta-artistic concerns, which have ever since continued to resurface in a variety of forms. At that early stage, Fujihata’s projects addressed visualisation systems and techniques, the status of the image, the relations between technology and expression and new concepts of art emerging at the intersection of artistic practice, technology and science. In the following decade, Fujihata turned to computer art. Engaged in computer graphics a
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    Book DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE

    Latest news | 11-05-2017
    DIE AND BECOME! ART AND SCIENCE AS THE CONJECTURED POSSIBLE Edited by Dmitry Bulatov, in Polish / English, 204 pp. with 157 col. ill., Gdansk: Laznia CCA, 2017 ISBN978-83-61646-81-5   This publication is issued in conjunction with an exhibition and educational programme of the same title, which took place at the Łaźnia Centre for Contemporary Art in late 2016 and early 2017. Its fundamental objective is the presentation of artists’ and philosophers’ quest for the limits of means of expression, transgressing the “visible” and the “present”. Art here is seen as a holistic creative praxis, within which, alongside the utilization of the newest 21st century means – biomedicine, informational technologies and robotics – a significant number of “non-scientific” elements are represented: intuitions, metaphors and assumptions  When pondering over the scientific and technological possibilities of
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  • Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński

    Latest news | 24-01-2017
    Thursday, 26 January 2017 at 6 p.m. LAZNIA Centre for Contemporary Art, ul. Jaskółcza 1, Gdańsk ART, EXPERIMENT AND TECHNO-SCIENCE Public lecture by Chris Salter (Concordia University, Montreal) + promotion of the book accompanying the exhibition DIE, AND BECOME!, chaired by prof. Ryszard W. Kluszczyński   What do artists working with science and technology do? My recently published book Alien Agency: Experimental Encounters with Art in the Making (MIT Press, 2015) explores how “researcher-creators” produce new performative assemblages that challenge how we experience the world and create, and simultaneously, destabilize new phenomena and our perception of such phenomena. How do the materials of art – the “stuff of the world” – behave and perform in ways beyond the creator's intent, becoming unknown and alien. How is it that researcher creators organize the conditions for new kinds of
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    EXHIBITION: Die, and become! Art and Science as Conjectured Possible

    Latest news | 22-11-2016
    LAZNIA 1 Jaskółcza 1 Str. Gdansk - DOLNE MIASTO   25.11.2016 – 29.01.2017   Opening: 25.11.2016 (Friday), 6 p.m. Opening performance: 25.11.2016 (Friday), 7 p.m. Panel discussion with artists and curator of the exhibition: 26.11.2016 (Saturday), 1.00 - 8.00  pm   Artists in exhibition: James Auger and Jimmy Loizeau, Dmitry ::vtol:: Morozov, Louise-Philippe Demers, Where Dogs Run: Olga Inozemtseva, Natalia Grekhova and Alexey Korzukhin, Thomas Feuerstein, Heather Dewey-Hagborg, Pedro Lopes, Verena Friedrich   Curator: Dmitry Bulatov Coordination: Jolanta Woszczenko   Verena Friedrich (DE). Vanitas Machine  
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  • Presentation: Three Robots named Paul. Patrick Tresset

    Latest news | 22-11-2016
    Presentation of the installation and Art & Science “Human Traits” book launch in the Copernicus Science Centre in Warsaw.   Presentation of installation: 1.09-4.09.2016 Discussion: 02.09.2016, 6 p.m. Curator: Ryszard W. Kluszczyński Coordination: Michalina Domoń   Panelist are professor Ryszard Kluszczyński, Patrick Tresset and Jadwiga Charzyńska. The discussion will take place in Festival Café on the 1st floor. ŁAŹNIA Centre for Contemporary Art is organiser of the presentation.   Presentation of the installation devoted to Patrick Tresset, a French artist and scientist, which accompanies Art & Science book launch, evolves around the topic of human and computer creativity and our relations with the new generation machines. The artist’s works are robotic compositions which can draw portraits thanks to the implementation of specifically developed computer programmes
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    EN Nowa publikacja z cyklu "Art and Science meeting"

    Latest news | 21-11-2016
    At the begining this year, is published next one, bilingual publication from the "Art+Science Meeting" series - "Bio-Robotic Art and its Cultural Contexts". This album is devoted to the art of Guy Ben-Ary, whose exhibition "Nervoplastica" was presented at the Laznia CCA last June. The editor of the publication is the curator of the project, Prof. Ryszard Kluszczyński, whose introduction you will find below. You may download a fragment of the publication here:     Semi-living Art in Search of an Autor   The biography of Guy Ben-Ary, an Israeli artist born in the United States and living for many years in Australia, corresponds well in its nomadic complexity with the character of the works he creates. Indeed, his art combines in its multi-layered references and associations numerous trends in contemporary art. It is in their dynamic, transdisciplinary coexi
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Publications
Texts

Echo and Narcissus – Aural space, navigation and memory, or Playing it by Ear! | N. Helyer

Texts | 24-11-2016
A SoundWalk I am going to take you on a walk, a soundwalk if you will. I am going to lead you, by the ear, if necessary to the Sonic Commons, at once an atavistic geography and yet again a simple concept. But before our stroll and as in all good soundwalks, a short briefing: Nigel Helyear, Meta-Diva.  source: image from the artist. Echo and Narcissus The two stories of Echo, the talkative nymph… yet a chatterbox, had no other use of speech than she has now, that she could repeat only the last words out of many…. and Narcissus the vain youth who rejects the nymphs advances, were first combined by Ovid in his work Metamorphoses. A curse placed upon Echo limited her speech to mimic those around her and after her brush with unrequited love she faded away into the forest so that only her voice remained to inhabit the wooded slopes. After shunning Echo, Narcissus lay beside a forest pool, entranced by an image of youth and beauty. Not recognising his own reflection, he became deeply enamoured with the visage which mirrored his every move but which agonisingly vanished each time he attempted to reach for it. He died at that spot, disconsolate, weeping as the nymph had done, his sobs repeated in the woods by those of Echo. As his body melded with the forest floor a flower we know as a Narcissus bloo
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People
  • Artists / contributors
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    blackhole-factory

    A group of intermedia artists based in Braunschweig, Germany. Members of the group are Elke Utermoehlen, Martin Slawig and Martin Kroll. blackhole-factory develops performances and installations utilizing the creative tension between information technology and the physical presence of bodies in space, exploring possible methods of augmented space and perception. Generally the projects are using found materials, field recordings, interviews, lo-tech electronics, custom software, sensors and custom interfaces. In their investigative and site specific arts projects the group is exploring aspects of everyday live and identity, focusing on urban space and ethnologic/ anthropologic questions. Some of the works have been created in open processes as participatory art projects. Since 2001 they are directing a group of performers with learning difficulties, creating live art with the use of low-tech electronics and digital media. blackhole-factory cooperates in an international network with artists, scientists and cultural organizations. 2010 they founded an integrative center for theatrical research, rehearsals and performances in Braunschweig called„Theaterhaus Kunstmühle“ www.blackhole-factory.com      
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    Radek Czajka

    Main programmer at the Modern Poland Foundation and at the free online library WolneLektury.pl. He is member of the free software and free culture movements. He is the author of Leśmianator – an automatic poet, which apparently regarding to a literary magazine lead to creating a new direction in the poetry genre development and the organizer of the automatic poetry contest “Turniej Elektrybałtów”. He created the StrataKazika.pl website. He is a blogger and an observer of the copyrights debate.  http://wolnelektury.pl/lesmianator/   
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  • Artists / contributors
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    Marco Donnarumma

    New media and sonic artist, performer and teacher, Marco Donnarumma was born in Italy and is based in London.   Weaving a thread around biomedia research, musical and theatrical performance, participatory practices and subversive coding, Marco looks at the collision of critical creativity with humanized technologies. His biophysical system Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument” by the Georgia Tech Center for Music Technology, US.  Marco has performed and spoken in 40 countries including US and South America, Europe, India, China, South Korea and Australia. His works have been selected at leading art events (ISEA, Venice Biennale, WRO Biennale), specialized festivals (FILE, Sonorities, Némo, Mapping, Piksel, Re-New, Laboral, EMAF) and major academic conferences (NIME, ICMC, Pure Data Convention, Linux Audio Conference@Stanford CCRMA, SICMF). His projects have been reviewed on BBC, Reuters, Wired, Create Digital Music, We Make Money Not Art, Rhizome, Weave, El Pais, Digicult, and appeared in the book “New Art/Science Affinities” (CMU and Studio for Creative Enquiry, US). He was artist in residence at STEIM (NL), Inspace (UK), and the National School of Theatre and Contemporary Dance (DK). His work has been funded by the European Commission, British Council, Creative Scotland, New Media Scotland, and the Danish Arts Council. Currently, Marco is a PhD student for the Embodied Audio Visual Interaction (EAVI) Research Group at Goldsmiths, University of London, supervised by Professor Atau Tanaka, and fully funded by the European Research Council (ERC). In the last two years Marco has taught over thirty www.marcodonnarumma.com/teaching workshops for international academic institutions and media labs on a regular basis, including: Ha
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  • Artists / contributors
    E

    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
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    Ken Feingold

    Contemporary American conceptual artist based in New York. He has been exhibiting his work in video, drawing, film, sculpture, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, and many other museums. http://www.kenfeingold.com/  
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    Michał Górczyński

    graduate of the Fryderyk Chopin Academy of Music in Warsaw. Since 1998 he writes music for different instrument constellations (“Diversification” two fagots and a clarinet, “Rondo a la krakowiak” a screaming pianist and bass clarinet, “Painting” two clarinets, a fagot, a contrabass and singing) and theatres (about 25 performances for drama and puppet theatres). He used to perform as a soloist with groups like: de Ereprijs, Kwartet Śląski, „Aukso” Orchestra, Podlaska Filharmony. He creates installations, theoretical texts about his authorial concepts, radio auditions and underground movies. Since 2008 he works on expanding the sound possibilities of the bass clarinet, gaining inspirations from beatbox. He is the author of the “composed education” concept and holder of the Warsaw City and the Ministry of Culture and National Heritage scholarships  in scope of the program of creating alternative education textbooks. http://www.edukacjakomponowana.pl/
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  • Artists / contributors
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    Jens Hauser

    (b. 1969, Schwerte) – is a curator, writer and media theorist. He holds a dual research position at the Department of Arts and Cultural Studies and the Medical Museion at the University of Copenhagen, and is a distinguished affiliated faculty member of the Department of Art, Art History and Design at Michigan State University. His curated exhibitions include L’Art Biotech (Nantes, 2003), Still, Living (Perth, 2007), sk-interfaces (Liverpool, 2008/Luxembourg, 2009), the Article Biennale (Stavanger, 2008), Transbiotics (Riga 2010), Fingerprints... (Berlin, 2011/Munich/ 2012) Synth-ethic (Vienna, 2011), assemble | standard | minimal (Berlin, 2015), SO 3 (Belfort, 2015) and Wetware (Los Angeles, 2016). Hauser serves on international juries for art awards such as Ars Electronica, Transitio or Vida, as well as for several national science foundations. He is also a founding collaborator of the European culture channel ARTE and has produced numerous reportages and radio features.  
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  • Artists / contributors
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    Ryan Jordan

    An electronic artist conducting experiments in derelict electronics, possession trance, retro-death-telegraphy and hylozoistic neural computation. His work focuses on self-built hardware, signal aesthetics, and the physical/material nature of experience. Jordan’s live performances make excessive use of stroboscopic light, high volume noise, and electronic stimulation of rocks in an attempt to induce hallucinatory and trance like states. He has presented his work internationally in a wide range of venues from art and academic institutions to derelict warehouses and squats at places such as Sight + Sound Festival (Montreal, Canada); LACMA (Los Angeles, USA); Subtle Technologies (Toronto, Canada); Transe(s) Symposium (Strasbourg, France); SPILL Festival (Ipswich, UK); Resonant Chamber (Riga, Latvia); FACT (Liverpool, UK); Belluard Festival (Friburg, Switzerland); CTM Festival: CTM.12 (Berlin, Germany); Pure Data Convention (Sao Paulo, Brazil); Piksel Festival (Bergen, Norway); ISEA (Istanbul, Turkey); and NEXT Festival (Bratislava, Slovakia). Jordan runs noise=noise, a research laboratory and live performance platform aimed at developing a network of artists, programmers, and researchers working in the areas of noise, experimental, exploratory, and outsider arts.  http://nnnnn.org.uk/ http://ryanjordan.org/    
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    Artists / contributors
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    Przemysław Kamiński

    Cinematographer. He graduated the movie, television and photography picture realization at the Radio and Television Department at the Silesian University in Katowice. He worked on such documentaries as “Dziennik pokładowy”, “Imieniny”, features as “Moje miasto” and “Wyjazd integracyjny”, TVN (polish TV channel) documentary serials “Jarmark Europa”, “Bitwa o Anglię” and TVP (polish TV channel) serials “Na dobre i na złe”, “Wszystko przed nami”. He was nominated for the Złote Kaczki and Camerimage awards for his cinematography for the movie “Erratum”.
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  • Artists / contributors
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    Gerard Lebik

    Gerard Lebik creates sound and music by means of improvisation, musical notation, and manipulation of audio material using acoustic and electronic media. His tools and techniques include: saxophones, contra-alto clarinet, acoustic wave generators, electro-acoustic objects, video feedback, and software.   In 2007, he graduated from the Wrocław Academy of Music. Beginning with classical music and, later, jazz and free improvisation, he moved on to electronic music, experimental sound art and noise.   He has collaborated or performed with Eryck Abecassis, Kazuhisa Uchihashi, Rob Mazurek, Keith Rowe, Hernani Faustino, Gabriel Ferrnandini, Noritaka Tanaka, Bettina Wenzel, hans in koch, and Joker Nies.   http://gerardlebik.com/ http://zopan.bandcamp.com/  
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    Artists / contributors
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
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    Roger Malina

    An astronomer, with a speciality in space telescopes and observational cosmology.   He is currently a researcher at the Laboratoire d'Astrophysique de Marseille, and Acting Director for the Observatoire Astronomique de Marseille Provence. His specialty is in space instrumentation; he was the principal investigator for the NASA Extreme Ultraviolet Explorer Satellite at the University of California, Berkeley.   For 25 years he has been the Editor of the Art-Science publication Leonardo at MIT Press and an Executive Editor of the Leonardo Book Series at MIT Press. He is the President of the Association Leonardo in Paris, and a member of the board of Leonardo/International Society for the Arts, Sciences and Technology in San Francisco.   Malina is particularly interested in promoting the cultural appropriation on contemporary sciences and technology and new ways of creating conditions for art-science collaboration.   malina.diatrope.com  
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  • Artists / contributors
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
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    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
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    Martyna Poznańska

    Sound artist and performer. She studied Art of Sound at the University of the Arts, London and took part in the Sound Laboratory by Olga Szwajgier. She participated in numerous workshops led for instance by Meredith Monk. Poznańska is involved in the experimental music movement “Muzykoterapia” [Musictherapy] in Cracow. In her work she concentrates on the possibility of exploring, better consciousness and reduction of the level of noise in urban space. In the year 2012 she published her debut album “Hoarse Whisper”. Martyna’s latest projects include field recording workshops “Łowcy Dźwięków” [Sound Hunters] in Łaźnia Nowa Theatre in Cracow. She recently worked on the soundtrack for the choreography “A Hint of Wasabi” performed by the Adugna Dance Company in Plymouth (UK) in collaboration with composer Jamie Hamilton, made installations for AudioArt festival (Cracow, Poland 2012), Spor Festival (Aarhus, Denmark 2013) and the Jewish Culture Festival in Cracow. Currently Martyna is studying Sound in Art University in Berlin. She lives in Cracow, Berlin and London. www.martynapoznanska.com  
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  • Artists / contributors
    R

    Jasia Reichardt

    Writer on art, art critic and exhibition organizer. She was born in Poland but has lived in London most of her life. She was Assistant Director of the ICA in London (1963-71) and Director of the Whitechapel Art Gallery (1974-76). She is principally interested in the relationships between art and science, art and technology and art and the history of ideas. Some of her best known exhibitions, such as “Between Poetry and Painting” (1965) and “Cybernetic Serendipity” (1968) were about the connections between one field and another. The principal idea of “Cybernetic Serendipity” exhibition was to examine the role of cybernetics in contemporary arts. She has written several books , including “The Computer in Art” (1971), “Robots – Fact, Fiction and Prediction” (1978) and edited “Cybernetics, Art and Ideas” (1971). She also worked on visualization of mathematics, a project called “Fantasia Mathematica”. She was one of the directors of ARTEC biennale in Japan (focused on art and technology) between 1989-98. In 1998 she staged an exhibition called “Electronically Yours” about electronic portraiture at the Tokyo Metropolitan Museum of Photography. Since 1988 she has been looking after the Themerson Archive, the archive of a writer and an artist, whose avant-garde publishing company, Gaberbocchus Press, launched in 1957 a Common Room for artists interested in science and scientists interested in the arts. She continues to pursue her interests in the relationship of art and technology.
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  • Artists / contributors
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    Christa Sommerer i Laurent Mignonneau

    World famous media artists, creating mostly interactive computer installations. They are both teachers at the University of Art and Design in Linz, Austria, where they lead the Division of Culture at the Institute for the Media Interface. Their cooperation, which continues to this day, began in 1992 at the Institute for New Media in Staedelschule in Frankfurt. Sommerer and Mignonneau have won major prizes and awards, including “Golden Nica” Ars Electronica Award for Interactive Art 1994 (Linz, Austria), and “World Technology Award” in London (2001). www.interface.ufg.ac.at/christa-laurent/   
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  • Artists / contributors
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    Patrick Tresset

    A French artist and scientist who investigates human artistic activity, computational creativity and our relation to machines, in particular our relations with robotic entities. In the context of his art practice, Patrick uses robotics to create autonomous robotics entities that are evocative representations of the artist, and in a certain manner a representation of himself. His robots are based on advanced technologies using research findings from robotics, computer vision, artificial intelligence and cognitive computing. Patrick encountered and practiced computing, painting, drawing and sculpture from an early age in France. Following a degree in Business Computing, he migrated to London to become a painter. Between 1991 and 2003 his work was exhibited in solo and group shows in London and Paris. In 2003, Patrick lost his ability to paint and draw, he has since been working on computational and robotic systems that are able to simulate these artistic activities. Patrick’s research led him to join Goldsmiths, University of London, to study for a Master of Sciences in Arts Computing and until 2013, he codirected the AIkon II project with Prof. Frederic Fol Leymarie. The AIkon II project investigated the observational sketching activity through computational modeling and robotics. Patrick also created the creative robotics course taught to postgraduatestudents at Goldsmiths as part of the MFA Computational Arts programme. Patrick was recently a Senior fellow at the Zukunftskolleg, University of Konstanz in Germany and is a currently a visiting research fellow at Goldsmiths University of London, United Kingdom. As a researcher he has published academic papers in the fields of artificial intelligence, computational aesthetics, computational creativity, social robotics, drawing research, digital arts and computer graphics. Patrick’s work has been internationally exhibited in solo and group shows, in association with major museums suc
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  • Artists / contributors
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    Victoria Vesna

    A media artist and Professor at the UCLA Department of Design Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystem Istitute (CNSI). She is currently a Visiting Proffesor nd Director of Reasearch at Parsons Art, Media + Technology, the New School for Design in New York and senior researcher at IMeRA - L’Institut Méditerranéen de Recherches Avancées in Marseille, France and Artist in Residece ant the Institute of Advanve Studies, Univesrity of Bristol. Her work can be defined as experimental creative research that resides between disciplines and technologies. With her instalation she explores how communication technologies affect collective behavior and how perception of Wales UK and has exhibite her work in over twenty solo exhibition, more than seventy group shows, her work is written about in many book chapters and her writings published in excess of twenty papers and gave 100+ invited talks in the last decade. Her most recent installlations – Blue Morph, Mood Swings and Waters Bowls, all aim to raise consciousness around the issues of our relationship to natural systems. other notable works are  Bodeies INCorporated, Datamining Bodies, nOtime oraz Cellular Trans_Action. She is the North American editor of Al & Society and in 2007 published an edited volume – Database Aesthetics : Art inthe age of Information Overflow, Minnesota Press. Just released is a new volume she co-edite with Christian Paul and Margot Lovejoy – Context Providers: Conditions of Meaning in Media Arts (Intellect Press, 2011). www.victoriavesna.com   
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  • Artists / contributors
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    Jon Wozencroft

    Founder of the audiovisual publishers Touch started in 1982 as a means of exploring the powerful chemistry between sound and visual media. The labels recent releases have included CDs by Fennesz, Biosphere, and Chris Watson amongst many others. He is the author of “The Graphic Language of Neville Brody 1 & 2”, published by Thames & Hudson in 1988 and 1994, and the curator of the exhibition of the same name, held at the Victoria and Albert Museum in 1988 and ultimately at Parco in Tokyo in 1990. In 1990, he set up FUSE with Neville Brody, a critical forum for the impact of digital media on type and visual communication. Alongside Touch, Wozencroft’s photography and design work has appeared in a number of publications, including Fax Art, Sampler, G1, Merz to Emigre and Beyond and most recently Cover Art By. He was the publisher of Vagabond (magazine co–edited with Jon Savage, 1992), and the editor/designer of Joy Division’s “Heart and soul box set” in 1997, with whom he also worked on the 2007 CD reissues by Warner Bros. Wozencroft has taught at Central Saint Martin’s School of Art and Design, The London College of Printing, and has given lectures at numerous art colleges and universities around the world. He is presently Senior Tutor in sound and moving image in the School of Communication at the Royal College of Art. His research project, Landscape and Perception, is a collaboration with Paul Devereux that investigates the soundscape of Preseli in SW Wales, source of the Stonehenge bluestones. www.touchmusic.org.uk  
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    Artists / contributors
    Z

    Kacper Ziemianin

    Artist with classical musical education, who experienced numerous music adventures from black metal, through broken electronic music to ambient, noise and circuit bending. Sound travels led him to the Hague, where he is currently studying Sonology at a music conservatory. He graduated in Sonic Arts at Middlesex University in London. He also studied at the Music Academy in Cracow under the supervision of professor Marek Chołoniewski, in Berlin (UDK) under the supervision of dr. Alberto de Campo and in Amsterdam at STEIM. He also played in couple of bands and took part in several projects under various pseudonyms. He creates audio-visual installations, sound design for movies and was the author of the “Polish Deli” broadcast in London-based radio Resonance FM (2010-2013) where he promoted polish music and independent art. He performed and exhibited in Ireland, England, Finland, Germany, Netherlands and Poland. In 2004 he received the “Dolina Kreatywna” award for his musical piece “Trans-formation”. Currently Ziemianin is busy building his own musical instruments and modifying already existing constructions, as well as interactive audio-visual installations. His “Around the Clock” installation, which he created in collaboration with the music gallery “Akusmata”, is an effect of a one-month residency in Helsinki at the “MUU association” ziemianin.net  
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