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  • REGISTERED ART+SCIENCE LECTURES AND MEETINGS

    Latest news | 30-03-2020
    We have collected for you the most interesting registered lectures, meetings and discussion panels that have taken place at CCA ŁAŹNIA as part of the Art + Science Meeting programme since the beginning of the project in 2011. The events have been grouped by category.     LECTURES   Witold Libionka - When are the robots going to be replaced by humanoids?     Both artists and scientists are exploring the brain, trying to create its images, sculptures and installations of it or – on the other hand – AI and neural networks. Specialization in the various fields of knowledge narrowed and scattered the scope of these researches, provoking discussion about the need to develop a platform that connects both artistic and scientific communities. More and more often we feel the need for consilience – united knowledge, whose various do
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    Latest news | 30-03-2020
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  • Beyond borders. Processed Body – Expanded Brain – Distributed Agency

    Latest news | 11-03-2020
    18.12.2019 - 16.02.2020 Opening:18.12.2019 Artists: Marek Chołoniewski, Gina Czarnecki, Marco Donnarumma, Ulrike Gabriel, Jill Scott, Karolina Żyniewicz Curator: Ryszard W. Kluszczyński LAZNIA 1, ul. Jaskółcza 1, Gdańsk - Dolne Miasto LAZNIA 2, ul. Strajku Dokerów 5, Gdańsk - Nowy Port     Exhibition focused on contemporary artistic trends that are related to science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. Works selected for the exhibition will invite viewers to ponder on contemporary post- and trans-humanistic discourses and their manifestations in the art field. By shedding light on the problems and practices usually represented in scientific circles, the exhibition offers an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject o
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    BODY-MACHINE

    Latest news | 27-03-2020
    VENUE: 16 JANUARY AT 6.00 P.M. PLACE: LAZNIA CCA 1 DOLNE MIASTO ONLY FOR ADULT VIEWERS NOTE: SOME OF THE MOVIES CONTAIN FLICKERING IMAGES AND CHANGES IN LIGHT INTENSITY THAT MAY PROVOKE AN EPILEPTIC SEIZURE. AGE CATEGORY: +18 The considerable progress in artificial intelligence, data processing and robotics brings up to date old questions, philosophical as well as scientific: what is the singularity of the living? What distinguishes the human from the machine? These questions are taken up here by animated image artists, to offer their vision of a world where bodies are in the process of hybridization.   9 shorts (animations, experiments, videoarts) selected by Serge Dentin in a broad context addresing the subject of transhumnism, where the lines between human and non-human, virtual and real world are blurred. What determines our humanity? Will we wake up one day in scien
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  • BOOK BEYOND BORDERS - PROCESSED BODY – EXPANDED BRAIN – DISTRIBUTED AGENCY

    Latest news | 27-03-2020
    Publication accompanying group exhibition „Beyond borders. Processed Body – Expanded Brain – Distributed Agency” in LAZNIA CCA.  The texts collected in the book, written by both researchers and the artists presenting their works at the exhibition, are discussing the subject of interaction of artistic trends with science, particularly neurology and neural engineering, research on artificial intelligence and robotics, synthetic biology and psychology. By shedding light on the problems and practices usually represented in scientific circles, the exhibition and the book offer an opportunity to look at the consequences of shifting them to the artistic domain, and thereby to the field of cultural reflection, transforming them into the subject of a multifaceted (aesthetic, cognitive and ethical) analysis. Authors: Ryszard W. Kluszczyński, Karolina Żyniewicz, Jill Scott, Marile Hahn, Robert Atkins, Urszula Skiepko, Gina Czarnecki,
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    ZBIGNIEW OKSIUTA - STUDIOLO. COSMIC GARDENS

    Latest news | 18-07-2019
    9th August–4th October 2019 Openning: 9th August 2019, 6 pm ŁAŹNIA 2 Centre for Contemporary Art, Strajku Dokerów 5, Gdańsk - Nowy Port     Studiolo (from Italian) means a small studio, a study that serves for learning, experiments and research. It gained popularity in the era of the Renaissance, however, it derives from the Middle Ages, when it was termed to define the space for alchemical experiment. In this sense, the studiolo is the origin of a modern laboratory. During "Studiolo. Cosmic gardens" exhibition we will present contemporary studiolo, an experimental space for research and plant growth in an unusual conditions. The research will be grouped into three blocks: first one devoted to biological materials, the second to technologies that allows to form them and use as a growth medium, and the third shows the range of behaviors of plants cultivated in extreme conditions. Plants and plant tissues w
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Publications
Texts

The Notion of Program in 1960s Art – Concrete, Computer-generated and Conceptual Art | Darko Fritz

Texts | 24-11-2016
Several tendencies in art of the 1960s which at first sight seem completely unrelated and mutually exclusive can be viewed collectively through the notion of “program”. The first discourse on “programs” in art can be found find in concrete / neo-constructivist / luminokinetic art and the like, the second discourse in computer-generated art, and the third in conceptual art. In the 1960s, almost no communication had been established between these three sets of artistic practices and related theories. Very few exhibitions presented these kinds of works together at the time of their production. During the late 1950s and early 1960s, a group of artists began to resist the notion of individual artistic expression in the then-dominant informel and abstract expressionism. Their new approach was for a rational art that appropriated scientific work methods and employed new technologies, materials and methods in its practices. The discourse in art changed: artists became more like researchers or workers; intuitive art processes shifted toward rational, structuralized experiments following a completed program; paintings and sculptures moved toward being objects, multiples and installations, often using light as a material; individual artistic creation shifted toward group work and art groups themselves moved toward interdisciplinary teams
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People
  • Artists / contributors
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    Justyna Borucka

    She holds a D.Sc. degree in Architecture and works as Assistant Professor at Gdańsk University of Technology in the Faculty of Architecture (Department of Residential Architecture). She approaches architecture from an interdisciplinary point of view, analyses its relation with other arts, and studies the role of art in the process of creating, constructing, using, and rehabilitating space. Her work is also concerned with public space and its transformation in the context of interdisciplinary design and the multidimensional reception of space, as well as with efforts to shape the experience of public space. She is currently carrying out several international research projects in collaboration with partners from Italy, Spain, Germany, Great Britain and Turkey.
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    Radek Czajka

    Main programmer at the Modern Poland Foundation and at the free online library WolneLektury.pl. He is member of the free software and free culture movements. He is the author of Leśmianator – an automatic poet, which apparently regarding to a literary magazine lead to creating a new direction in the poetry genre development and the organizer of the automatic poetry contest “Turniej Elektrybałtów”. He created the StrataKazika.pl website. He is a blogger and an observer of the copyrights debate.  http://wolnelektury.pl/lesmianator/   
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  • Artists / contributors
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    Adam Donovan

    He is an Australian artist working in the area of ​​science, art and technology. His work involves robotics, real time 3D environments, camera tracking and sound focusing technology.   Donovan's work has evolved from a fascination with the natural phenomena of light and sound. In pursuing an intense understanding of the physical characteristics of sound and how it moves through space, he has developed an ability to modulate and combine its patterns for us to hear. Essentially, Donovan uses lenses to manipulate, focus and sculpt sound. This fascination with first began using optical lenses to focus light. Understanding more about light as a physical phenomena turned his interests to sound, and how our auditory senses interpret our world.   adamdonovan.net
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  • Artists / contributors
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    Anders Eiebakke

    (born 1970 in Oslo, Norway) is an artist working with drone technology since 2007. Among his works is the seagull based MUAV, commissioned by The Norwegian Data Protection Authority. He has exhibited drone based works at among other the Manifesta Biennale (2010), Les Rencontres Internationales (2012) andVestfossen Kunstlaboratorium (2014). He designs his own aircrafts, exhibiting them together with politically charged aerial videos. Eiebakke also writes essays on drones, and is used as an analyst for Norwegian public radio and other news media. He is currently working on a group show in Kunstnernes Hus, Oslo, discussing the relationship between art and war. Eiebakke is also a member of the Norwegian National Team in radio controlled precision aerobatics. http://www.anderseiebakke.no/    
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  • Artists / contributors
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    Anna Friz

    Canadian sound and radio artist who specializes in multi-channel transmission systems for installation, performance, and broadcast, where radio is the source, subject and medium of the work. She also creates dynamic, atmospheric compositions for theatre, dance, film, and solo performance that are equally able to reflect upon public media culture or to reveal deeply expressive interior landscapes. She has performed and exhibited widely across North America, South America, and Europe, and her radio art/works have been heard on the airwaves of more than 20 countries. In 2011, Anna earned a Ph.D. in Communication and Culture from York University, Toronto, and she recently completed a post-doctoral fellowship in the Sound Department at the School of the Art Institute of Chicago. Anna is a Wavefarm/ free103point9 transmission artist, and a steering member of the Iceland-based. nicelittlestatic.com  
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  • Artists / contributors
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    Dmitry Galkin

    (b. 1975, Omsk) is a researcher, art theorist and curator. He earned his Ph.D. (‘candidate of science’ degree) from Tomsk State University (2002), and later ‘doctor of science’ degree in 2013. In his research he focuses on cultural dynamics in the context of technological development from digital culture to the culture of artificial life, and analyses the history/aesthetics of technology-based art practices. Dr. Galkin is the author of many articles on the history and theory of digital culture; he has also published a monograph entitled Digital Culture: Shift to Artificial Life (Tomsk University Press, 2013). Dr. Galkin has beena research fellow at the George Washington University (USA) and Lancaster University (UK). He has also lectured and presented at international conferences, including the NeoLife 2015 (Perth), EdCrunch 2015 (Moscow), TEDx Tomsk (2013). He is currently a Professor at the Institute of Art and Culture and the PAST Centre at National Research Tomsk State University (Tomsk, Russia).    
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  • Artists / contributors
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    Kirsten Hudson

    Dr Hudson is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire is a practicing artist, writer and academic based in Western Australia, where she is employed as a lecturer in the Schools of Design and Art and Media Culture and Creative Arts at Curtin University. Her research focuses on the philosophies and histories of the body, informed by gender studies, queer theory and French post-structuralism. This informs an art practice that critically resists and subverts normalising representations, constructions and perceptions of subjectivity, sociality and embodiment. Her current research projects visually and textually explore: 1. the ethical and aesthetic consequences of stem cell technologies on understandings of life, death and personhood; 2, the potential of the art object to articulate ideas, feelings and experiences of melancholy, nostalgia, memory and mourning in a way that actively challenges the limits and understandings of loss and desire.    
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    Artists / contributors
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    Katarzyna Jankowska

    Graduated in painting at the Fine Arts Department at the Mikołaj Kopernik University in Toruń and finished the Museum Curator post graduate studies at the Jagiellonian University in Kraków. She is involved in nongovernmental organizations in Toruń – as Head of the Fabryka UTU Foundation and member of the Sztuka Cię Szuka (Art Seeks You) Association. Jankowska is the author of workshop concepts and scripts as well as of educational and artistic actions. She was the education curator at the Znaki Czasu Centre for Contemporary Art in Toruń from 2009 till 2011. www.dzwiekospacery.art.pl   
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    Artists / contributors
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    Justyna Kociszewska

    Producer of cultural and leisure activities, currently associated with a Warsaw-based photographic gallery. Incidental film expert, writes for magazines such as E-splot or Popmoderna and few others. Justyna designs for an independent music label and collects ideas.
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  • Artists / contributors
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    Michał Libera

    A sociologist, producer, curator and music critic. He is a regular contributor to Polish Radio (Channel 2), the editor of a musical series at the słowo/obraz terytoria publishing house, co-producer of a CD series devoted to the Experimental Studio of the Polish Radio released by B.łt Rec, and co-producer of the Populista album series combining pop and conceptual art.   Libera is the cofounder of the 4.99 Foundation and the organizer of numerous concerts, workshops and rehearsals, including Playback-Play, plain. music, and The Song Is You.   He has published articles in Glissando, Res Publica, and Kultura Współczesna.   He regularly collaborates with the Zachęta National Gallery of Art, the Zamek Ujazdowski Center for Contemporary Art, and the Kr.likarnia Gallery of Sculpture.  
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    Artists / contributors
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    Karolina Żyniewicz

    Karolina Żyniewicz is an artist and a researcher. She earned her MA degree at the Faculty of Visual Arts, Strzemiński Academy of Art in Lodz (Poland), and is currently working on her PhD project under the Nature-Culture Programme of the Artes Liberales Faculty, University of Warsaw (Poland). While developing her artistic projects at biological laboratories, she also conducts ethnographic and autoethnographic observations, which help her explore the role of non-human actors, such as liminal beings, biofacts and transgenic organisms, in the production of contemporary culture. She shows her projects both at exhibitions (e.g. Pokusa nieśmiertelności/The Temptation of Immortality at the Copernicus Science Center in Warsaw; Uporczywe upodobanie/Pernicious Predilection at the Labyrinth Gallery in Lublin) and at conferences and festivals (e.g. Taboo, Transgresion, Transcendance in Art&Science [Greece, Mexico], FEMeeting [Portugal], and Foro de Estudias Visuales [Mexico]). As an important part of her practices, she writes texts showcasing the performative process of art&science project development (e.g. “Art&science: Autoetnografia artystki realizującej projekty w laboratoriach biologicznych” in Kultura i społeczeństwo; “Ciało w świecie post-natury – byty liminalne. Projekt safe suicide” in Cięcie ciał-ruchome obrazy). In her work, she emphasises the epistemic and didactic dimensions of art. In 2016-2018, she collaborated with the education sections of  the Museum of Modern Art in Warsaw and the Zachęta National Gallery of Art in Warsaw. She uses these experiences in workshops which she organises around her own projects. www.karolinazyniewicz.com  
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    Paweł Łaźniak

    Film editor. He graduated at the Film and Television Academy in Warsaw. After the graduation he started commercial work (Open Productions since 2006, lazniak.com since 2010). In the commercial film projects he also works on the creation of image and sound, but his main field of interest is creative montage. Till 2013 he had been working on projects for MTV, VIVA, 4fun.TV, Extreme Sports Channel, Polsat, Polsat Sport, ESPN, TVN, TVN Turbo, TVN24, TVP, Discovery Channel (USA) and many others. http://lazniak.com/  
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  • Artists / contributors
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    Roger Malina

    An astronomer, with a speciality in space telescopes and observational cosmology.   He is currently a researcher at the Laboratoire d'Astrophysique de Marseille, and Acting Director for the Observatoire Astronomique de Marseille Provence. His specialty is in space instrumentation; he was the principal investigator for the NASA Extreme Ultraviolet Explorer Satellite at the University of California, Berkeley.   For 25 years he has been the Editor of the Art-Science publication Leonardo at MIT Press and an Executive Editor of the Leonardo Book Series at MIT Press. He is the President of the Association Leonardo in Paris, and a member of the board of Leonardo/International Society for the Arts, Sciences and Technology in San Francisco.   Malina is particularly interested in promoting the cultural appropriation on contemporary sciences and technology and new ways of creating conditions for art-science collaboration.   malina.diatrope.com  
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  • Artists / contributors
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    BJ Nielsen

    Sound and recording artist. His work is based on the sounds of nature and its effect on humans. He primarily uses field recordings and electronic composition as a working method. He has worked for film, television, theatre, dance productions and as a sound designer. His newest album for Touch titled “Eye Of The Microphone” is a personal audio rendition based on the sound of London. Currently he is working on “The Acoustic City A Book Publication with CD”, co-edited with Matthew Gandy. www.bjnilsen.com  
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  • Artists / contributors
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    Maciej Ożóg

    Sound artist, culture and media theorist. Since the early nineties he’s been involved in experimental music scene of Poland. Founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate i.a.). He works in the field of live multimedia performance, interactive installations and video art. In his solo performances he critically explores the limial territory between body physical activity and invisible electric infrastructure of hybrid space. He uses custom designed instruments and devices as well as digital and analogue electronics. Ożóg is an author of numerous articles concerning aesthetics of new media art, critical art, avant-garde film, video, and experimental music. His research focuses on surveillance studies, information and network society, tactical media, bio art and posthumanism. He teaches at the Department of Electronic Media, University of Łódź, Poland. In 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. He curated such events as four editions of the exhibition “Die Kunst Ist Toth”, concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Marco Donnarumma and many others.  https://soundcloud.com/maciej-ozog  
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  • Artists / contributors
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    Prof. Michael Punt

    Professor of Art and Technology at the University of Plymouth where he is the convenor of Transtechnology Research and the Editor-in-Chief of Leonardo Reviews. He gained his PhD at the University of Amsterdam (Early Cinema and the Technological Imaginary) and has jointly produced two books on audio visual media and consciousness. He has published over 80 articles on cinema history and digital technology in key journals. From April 2010 he has been leading a large joint research project funded through HERA on the creative exchanges between experimental and commercial film makers. www.trans-techresearch.net  
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  • Artists / contributors
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    Boryana Rossa

    (born 1972) is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.Her artwork has been exhibited internationally including most notably at the National Gallery of Fine Arts inSofia,Goethe Institute, the Moscow Biennial, the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum,Exit Art, Biennial for Electronic Art in Perth, and Foundation for Art and Creative Technologies in Liverpool. She frequently collaborates with artist and filmmakerOleg Mavromatioften under the title ULTRAFUTURO – an international art collective started in 2004. Some of her awards and grants include the Gaudenz B. Ruf Award for New Bulgarian Art,the Essential Reading for Art Writers Award from the Institute of Contemporary Art in Sofia,and aNew York Foundation for the ArtsFellowship in 2014 in Digital/Electronic Arts. She is an Assistant Professor of Transmedia at Syracuse University.
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    Artists / contributors
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    Marcin Sauter

    Documentaries director, cinematographer and director of photography. He graduated the Documentary Course at Andrzej Wajda’s School. Director, screenwriter and cinematographer in such movies as “Za płotem”, “Pierwszy dzień”, “Hakawati” and “Na północ od Kalabrii”. He received several awards, among others, at the Cinema du reel Festival in Paris, Film Festivals in Cracow, London, Vilnus and Kiev. He holds movie workshops in Bydgoszcz and a course for students in Andrzej Wajdas School in Warsaw.
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  • Artists / contributors
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    Krzysztof Topolski

    Electroacoustic improviser, author of sound-art projects, drummer. His main field of interest are noise and soundscape. He is interested in exploring drums and live electronics, improvised and electroacoustic music, computer composing, creating sound and interactive installations. He organizes presentations, holds workshops and lectures about contemporary music and sound-art. www.arszyn.com  
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  • Artists / contributors
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    Christoph Veigl

    Austrian computer scientist and multimedia artist. He studied Sociology at the Vienna University and Medical Informatics at the Technical University Vienna. In his master thesis he developed the open source biosignal analysis software “BrainBay” which can be used for Biofeedback and alternative Human-Computer Interaction for people with disabilities. His artistic career started in 1992, when he co-founded the Syntharturalistic Art Association SHIFZ together with Magnus Wurzer. He created various biosignal-based interactive installations and machine art pieces. He travelled around Europe and the United States with contraptions like the “BrainWashing Machine” or “Alan the Telepresence Robot” and explored biofeedback and robotics for artistic purposes. In 1999, SHIFZ organized the first Roboexotica–Festival for Cocktail Robots, with its Annual Cocktail Robot Awards, which is said to be the leading festival for electronic cocktail culture since that time. Christoph Veigl currently works and teaches at the University of Applied Sciences Technikum Wien, Department of Embedded Systems. http://www.shifz.org/  
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  • Artists / contributors
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    Jon Wozencroft

    Founder of the audiovisual publishers Touch started in 1982 as a means of exploring the powerful chemistry between sound and visual media. The labels recent releases have included CDs by Fennesz, Biosphere, and Chris Watson amongst many others. He is the author of “The Graphic Language of Neville Brody 1 & 2”, published by Thames & Hudson in 1988 and 1994, and the curator of the exhibition of the same name, held at the Victoria and Albert Museum in 1988 and ultimately at Parco in Tokyo in 1990. In 1990, he set up FUSE with Neville Brody, a critical forum for the impact of digital media on type and visual communication. Alongside Touch, Wozencroft’s photography and design work has appeared in a number of publications, including Fax Art, Sampler, G1, Merz to Emigre and Beyond and most recently Cover Art By. He was the publisher of Vagabond (magazine co–edited with Jon Savage, 1992), and the editor/designer of Joy Division’s “Heart and soul box set” in 1997, with whom he also worked on the 2007 CD reissues by Warner Bros. Wozencroft has taught at Central Saint Martin’s School of Art and Design, The London College of Printing, and has given lectures at numerous art colleges and universities around the world. He is presently Senior Tutor in sound and moving image in the School of Communication at the Royal College of Art. His research project, Landscape and Perception, is a collaboration with Paul Devereux that investigates the soundscape of Preseli in SW Wales, source of the Stonehenge bluestones. www.touchmusic.org.uk  
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  • Artists / contributors
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    Dr Ionat Zurr

    An artist and a researcher at SymbioticA – The Centre of Excellence in Biological Arts, School of Anatomy and Human Biology, the University of Western Australia. Ionat together with Oron Catts formed the internationally renowned Tissue Culture and Art Project. She has been an artist in residence in the School of Anatomy Physiology and Human Biology since 1996 and was central to the establishment of SymbioticA in 2000. Ionat is considered a pioneer in the field of biological arts and her research been published widely, exhibited internationally and her artwork has been collected by MoMA New York. Ionat is this year recipient of the Discovery Australian Reseach Council Award(2012); she has been a fellow in the InStem Institute, NCBS, Bangalore (2010) and a visiting scholar at The Experimental Art Centre, Stanford University (2007) and The Tissue Engineering & Organ Fabrication Laboratory, Massachusetts General Hospital, Harvard Medical School (2000-2001). She exhibited in places such as the MoMA NY, Mori Museum Tokyo, Ars Electronica, Linz, GOMA Brisbane and more.  www.tcaproject.org  
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